Showing posts with label Oscar Isaac. Show all posts
Showing posts with label Oscar Isaac. Show all posts

Wednesday, September 9, 2020

The First "Dune" Trailer is an Exhilarating Mystery

Scene from Dune (2020)
There is a popular notion that "Dune" is an unfilmable book. Even if there is a David Lynch version out there (as well as a fun "could've been" in Jodorowsky's Dune), it remains a cult favorite at best, proving that its towering plot is difficult to pin down into something accessible. And yet there's Denis Villeneuve, eager to take a crack at the source material with his own take. While this should fill the viewer with some skepticism, Villeneuve is a director who has proven himself up to the tasks of at least trying, which in 2020 is more than most filmmakers are willing to try. Come hell or high water, his Dune will be released this winter with a star-studded cast that promises to update everything with more of technical proficiency. If the first trailer is any sign, it's going to be an enjoyable epic the likes of which sci-fi deserves.

Saturday, December 21, 2019

Failed Oscar Campaigns: "Star Wars: The Last Jedi" (2019)

Scene from Star Wars: The Last Jedi
As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.

Wednesday, September 5, 2018

The First Trailer for "At Eternity's Gate" Draws Willem Dafoe Back into the Oscar Race

Willem Dafoe in At Eternity's Gate
Following last week's Telluride and Venice Film Festivals, there's a lot to already look forward to in regards to awards season. With many already staking their claim, it's interesting to see what changes are likely to still come. Among those is a film from director Julian Schnabel (The Diving Bell and the Butterfly) starring Willem Dafoe as iconic artist Vincent Van Gogh. With many at the festivals already hailing it as a career-best performance, it looks like it will be what is needed to finally earn the legendary actor an Oscar. If nothing else, the trailer looks to capture the artistry of a man who redefined how we look at art with a performance that is just as staggering to look at as the gorgeous scenery. 

Thursday, August 30, 2018

Theory Thursday: "Inside Llewyn Davis" is Oscar Isaac's Best Performance

Scene from Inside Llewyn Davis
Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

Monday, February 26, 2018

A24 A-to-Z: #28. "Mojave" (2016)

Scene from Mojave
In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for ears to come.

Friday, December 8, 2017

A24 A-to-Z: #20. "Ex Machina" (2015)

Scene from Ex Machina
In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for ears to come.

Wednesday, November 8, 2017

A24 A-to-Z: #17. "A Most Violent Year" (2014)

A Most Violent Year
In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for ears to come.

Friday, October 27, 2017

Review: "Suburbicon" is Messy and Mean-Spirited Satire With Fleeting Moments of Inspiration

Scene from Suburbicon
When one thinks of the 1950's American suburbs, there's a certain image that comes to mind. It's the land of TV shows like Leave It To Beaver, where conflicts are so pedestrian that one would be forgiven for thinking that baby boomers were wimps. It's an image that has been satirized both loving and mawkishly, and director George Clooney is the latest to throw his name into the ring with a film that not only subverts the suburban mentality, but attempts to explore it through a modern political prism. The film isn't as funny as its Joel and Ethan Coen script (also co-penned by Clooney and frequent partner Grant Heslov) would suggest, but it's one of the year's more interesting messes that attempts to take fake conservatism down a peg with a liberal agenda that is as obvious as it is prescient in 2017. The film is a mess, but at least Clooney keeps it interesting.

Wednesday, June 29, 2016

Here's a Look at the 683 New Members of The Academy

Mark Rylance in Bridge of Spies
It has been awhile since we received any significant Oscar-related news. Of course, that is to be expected following the annual ceremony where one season ends and the cooling off period carries into August and September. However, there is some good news regarding new members. According to President Cheryl Boone Isaacs, there are 683 new members who will be joining this upcoming season. It is a record amount and almost double of last year's hefty total. On top of that, Isaacs' plan to overcome the Oscars So White fiasco by having a more diverse group by 2020 is starting to take effect. Read on to discover how exactly that is as well as the name of each and every new member, plus a few credits to help you pick them out of a line-up.

Saturday, February 13, 2016

Failed Oscar Campaigns: "Inside Llewyn Davis" (2013)

Oscar Isaac
As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.

Saturday, December 28, 2013

Review: "Inside Llewyn Davis" is a Brilliant Love Letter to Performers

Oscar Isaac
Originally published at CinemaBeach.

There are tragic realities to those pursuing music as a career choice. While a small chunk succeeds, there are those that toil in struggle the entire time. This wouldn’t seem apparent in most films, but then again Joel and Ethan Coen aren’t most filmmakers. Their melancholy stories chronicling American culture through the decades are full of humor, absurdity, and a sense of punishment. Their latest, Inside Llewyn Davis, has all of these elements in spades, and with music collaboration from T. Bone Burnett, this tale of the 60’s folk scene is full of catchy songs and the most egotistical loser of the year. That is to say that it is the Coen Brothers operating at their best.