Every Best Picture Nominee of the 2010's Ranked: #70-74

Scene from Joker (2019)

As 2019 reached its end, another decade of cinema had passed. It's amazing to think about how things have evolved since 2010 when the biggest controversies were about recognizing genre movies. Things look different now, especially as genre films like The Shape of Water and Parasite are winning Best Picture and the voting body looks incredibly different with each passing year. With this period in the books, it feels like a good time to celebrate their accomplishments by ranking all 88 titles nominated for Best Picture from worst to best with the goal of seeing which films are more likely to stand the test of time. Join me every Saturday and Sunday as I count them down, five at a time. It's going to be a fun summer looking back on what was, especially as we prepare for the decade ahead and an even more interesting diversity that we haven't even begun to think of.

"Ford V Ferrari" and the Power of Good Editing

Scene from Ford v Ferrari

On the surface, director James Mangold's work on Ford v Ferrari doesn't seem that impressive. After all, how many times has a camera zoomed in on Vin Diesel pulling the hammer down as he prepares to start a drag race? It has to be a few dozen at this point. People love watching cars go fast, and that only begins to explain why Mangold's latest has gotten where it is. True, it has some fun performances by Matt Damon and Christian Bale, but what it does in its third act is one of the most magnificent uses of editing and sound design by any film in 2019. So what if it's a period piece grounded in realism and not Furious 7 jumping from skyscraper to skyscraper? It still has a lot to achieve, and it does so over the course of one of the most daunting 40 minutes of cinema of the past year.

Review: "Ford V Ferrari" Gears Up for a Good Time

Scene from Ford V Ferrari

In recent years, no film has captured American ingenuity quite like director James Mangold's Ford V Ferrari: a true story of the Ford Motor Company's attempt to beat Ferrari in the 24 Hours of Le Mans race. There is that dream of being the best, the fastest, pushing the boundaries of what's capable, and no film has felt as accomplished as this one. To watch Ken Miles (Christian Bale) take a corner while spouting comical Cockney slang like he's in an episode of Wacky Races is to see filmmaking at its most confident. The film almost doesn't need an audience's approval. The editing, sound design, and floating camera angles serve as an incredible feat of style as smooth as the car's paint job. If this isn't the best film in decades about why people get behind the wheel, then it still serves as a drama about the human spirit's desire to compete. No feeling can match the joy of its third act, and thankfully it all zooms along like a finely oiled machine.

The First "Ford v. Ferrari" Trailer Looks to Speed Things Up This Oscar Season

Scene from Ford v. Ferrari

As the summer months warm up, it's time to start looking forward to Oscar season. While it has become more of a year-round event, it's still dominated by Fall releases. There's been plenty to look forward to, such as John Crowley's The Goldfinch, but few feel as anticipatory as the latest from director James Mangold. In what is one of the buzziest films yet, Ford v. Ferrari released a trailer featuring Oscar-winners Christian Bale and Matt Damon. Along with Mangold's recent Oscar nomination for Best Adapted Screenplay for Logan (a rare comic book nomination), the film has a lot of fire in its belly and looks to be one of the more exciting period pieces of 2019. If anything, the racing looks cool and the chemistry between its leads look to be a big enough reason to see the film, even if it turns out to just be fine.

Review: "Suburbicon" is Messy and Mean-Spirited Satire With Fleeting Moments of Inspiration

Scene from Suburbicon

When one thinks of the 1950's American suburbs, there's a certain image that comes to mind. It's the land of TV shows like Leave It To Beaver, where conflicts are so pedestrian that one would be forgiven for thinking that baby boomers were wimps. It's an image that has been satirized both loving and mawkishly, and director George Clooney is the latest to throw his name into the ring with a film that not only subverts the suburban mentality, but attempts to explore it through a modern political prism. The film isn't as funny as its Joel and Ethan Coen script (also co-penned by Clooney and frequent partner Grant Heslov) would suggest, but it's one of the year's more interesting messes that attempts to take fake conservatism down a peg with a liberal agenda that is as obvious as it is prescient in 2017. The film is a mess, but at least Clooney keeps it interesting.

The First "Downsizing" Trailer Shrinks Anticipation Just a Little

Scene from Downsizing

There's something curious about Alexander Payne's latest movie Downsizing. Whereas he generally has made small and intimate comedies, he sees himself exploring stories that are small in every way but concept. The film looks to explore the effects of getting smaller, with another performance by Matt Damon (see also: Suburbicon). It's an odd venture for sure, but one has to wonder if Payne has what it takes to return to the Oscars circle following his Best Picture-nominated Nebraska. If there's any sign from the first trailer, things are at least off to a shaky but promising start.

A Quick Rundown of Trailers for Potential Oscar Season Front Runners

Scene from Suburbicon

Once again, I apologize for being a little quieter than normal on this blog. While I have been doing regular coverage, I haven't quite given attention to the plethora of great and promising trailers that came out in the wake of the upcoming Oscar season. This is why I have decided to do a round-up of 14 trailers that, if nothing else, look to have some form of promise whether it be in acting, writing, or any technical field. It's likely that a few of these will be duds, but trying to guess who the surprise victors are always fun. The following trailers show promise and, if nothing else, show just how intriguing the next few months will be.

Theory Thursday: "Saving Private Ryan" Should've Won Best Picture

Scene from Saving Private Ryan

Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

Was Jimmy Kimmel a Good Oscar Host?

Jimmy Kimmel

Now that the ceremony has passed and the tension of what will win has been resolved, there is one issue that needs to be answered: was Jimmy Kimmel a good host? It's the most interpretive question for one of Hollywood's most thankless job. An Oscar host almost solely exists to keep a show moving. The best can add their own bit of personality into the mix, but it's a job meant to honor others, As a whole, there is a couple benefits that make Kimmel stand out: he's probably interviewed everyone in the audience on his late night talk show across the street. He has gained a routine over the years to know how to do live events. Even during the night's most disastrous moment, he managed to keep things breezy. Is he a good Oscar host? Most definitely. In fact, he might secretly be one of the best.

Theory Thursday: Jack Nicholson Deserved an Oscar Nomination for "The Departed"

Jack Nicholson in The Departed

Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

Theory Thursday: Paul Greengrass is Overrated

Matt Damon in Jason Bourne

Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

Review: "The Martian" is an Awe-Inspiring Ride Through Space

Matt Damon in The Martian

For most of the 20th century, there was something alluring about looking towards the skies and imagining the possibilities of travelling to other planets. It was a big draw for several decades and, thanks to NASA, has lead to a lot of impressive advancements for humankind. To some extent, the magic in the real world has died down in the past decade and is often saved for sci-fi and fantasy, leaving some to wonder if those ambitions to think beyond the stars would ever be as popular as they once were. Thanks largely to director Ridley Scott's The Martian - the first major film endorsed by NASA since 1995's Apollo 13 - one can only have faith that maybe, just maybe, the future of space travel will continue to allure audiences and bring the nation together over a common goal. It's not only what this feel good film's propaganda tendencies wants you to believe, it's what you get in between awe-inspiring cinematography and a brilliant performance by Matt Damon.

Nothing But the Best: "The Departed" (2006)

Left to right: Leonardo DiCaprio and Jack Nicholson

Welcome to the series Nothing But the Best in which I chronicle all of the Academy Award Best Picture winners as they celebrate their anniversaries. Instead of going in chronological order, this series will be presented on each film's anniversary and will feature personal opinions as well as facts regarding its legacy and behind the scenes information. The goal is to create an in depth essay for each film while looking not only how the medium progressed, but how the film is integral to pop culture. In some cases, it will be easy. Others not so much. Without further ado, let's start the show.

A Look at New Trailers From Potential Oscar Nominees

Matt Damon in The Martian

Before I dive in, I want to personally apologize for this unexplained absence over the past week. This was caused largely due to personal and health problems that made writing and keeping up with Oscar-worthy news a little difficult. As of this moment, I should be in good enough of a condition to return to sharing my personal opinions and keeping you up to date on the latest happenings. First up, a look at the many trailers that premiered over the past week for films that we may be hearing about a lot over this Oscars season. Speaking as we're starting to enter the season when all of the trailers premiere (see: Suffragette and Bridge of Spies). While this round-up may not have nearly as many hits, we may be looking at a very interesting season ahead.

Review: "The Monuments Men" is a Safe Look at Art's Influence on Culture

George Clooney

After being moved to 2014 due to need for more post-production work, director George Clooney's The Monuments Men finally opened this month. It is in the midst of an Oscar season that it was once in the discussion of, which may be problematic for its chances next year. As evident by the past, films opening before June (and this year: October) are doomed to not even receive any recognition. While it could be that the largely competitors of the time are throwaway cash cows, it is also just because it is too early in any given year to be thinking about next year's ceremony. This isn't so much a problem for Clooney, whose prestige within the Academy has recently been recognized with a producer win for Argo. However, his star-studded World War II film is another story and one that does open the debate for next year's ceremony.

Now "The Monuments Men" Gets Moved to 2014

George Clooney

It has been quite a day for movies getting switched around. Earlier today, The Wolf of Wall Street confirmed that it was coming out just in time for Christmas and thus qualifying for this year's Oscar race. As discussed in that article, it is going to be a packed season of films and there is a good chance that it will be hard to see them all. While this was why Jack Ryan was moved, it isn't so much the case with the latest announcement. Director George Clooney's war film The Monuments Men will not be around this holiday season. Much like The Wolf of Wall Street, the reasons are good enough to justify this shift.

Review: "Elysium" May Have a Few Gears Missing, But it is Always Interesting

Matt Damon

Before I begin, I would like to state that yes, I know that director Neill Blomkamp's Elysium is very low in terms of chances at ANY Oscar nominations. Even if critic aggregate website Rotten Tomatoes has its score at 66%, that is not high enough to even be considered one of the average nominee's track record. What we have here is a blockbuster probably not in the truest sense of the word. While it costs a reported $90 million to make, it is as original of a property that something of that scale has been all summer long, which at very least is refreshing and makes Blomkamp at least a bold filmmaker, especially for a sci-fi film littered with profanity, gore, and a big budget. It may be the death of his blockbuster career, or just the start. Either way, it is an exciting proposition.

"The Monuments Men" Debuts with an Exciting, Star-Studded Trailer

Left to right: Matt Damon and George Clooney

It seems like we're in a recent winning streak with trailers right now. In the past week alone, we have gotten stuff for American Hustle, Her, The Secret Life of Walter Mitty, and now one of the surefire Oscar contenders: director George Clooney's The Monuments Men. While it has been hyped since January as one of the films of the year, it is largely because Clooney is one of the biggest threats to competitors in general. As we'll discuss later on, he may not be the most decorated Oscar nominee/winner, but his presence and contribution is fascinating and the fact that this looks to be another strong entry only makes it harder to deny his charisma.