Many films are great, but only one wins Best Picture. This is a blog dedicated to everything involving the Oscars past and present as well as speculation on who should win at this year's events.
Showing posts with label Leonardo DiCaprio. Show all posts
Showing posts with label Leonardo DiCaprio. Show all posts
Saturday, December 5, 2020
Failed Oscar Campaigns: "Once Upon a Time... in Hollywood" (2019)
As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.
Labels:
2020,
Best Picture,
Brad Pitt,
Failed Oscar Campaigns,
Leonardo DiCaprio,
Margot Robbie,
Once Upon a Time in Hollywood,
Quentin Tarantino
Tuesday, January 21, 2020
Why I Think "Once Upon a Time... in Hollywood" Will Win Best Picture
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Scene from Once Upon a Time... in Hollywood |
Last Monday, the Oscar nominations were announced and cut the competition in half for all of the major categories. Now it's down to the wire with only a few weeks until The Academy Awards answer all of the questions that movie fans have been clamoring for: what will win Best Picture, Best Actor, etc. It's the territory that comes with every year, and this one is no slouch, presenting a variety of front-runners that are undeniable charmers. If one was to follow conventional awards rules, 1917 would be the front-runner, followed closely by Parasite (one of few films to win the Screen Actors Guild Award's prize for Best Ensemble without another acting nomination). However, there is one that's lingering just under the surface, and one that makes a lot of sense if one was to apply Oscar trends on it.
Director Quentin Tarantino's proposed penultimate film Once Upon a Time... in Hollywood is a film that has become forgotten in recent weeks of awards season. With exception to Brad Pitt winning Best Supporting Actor, it hasn't exactly had any consistency since winning Best Comedy or Musical at the Golden Globes. Even then, one has to merely look at the campaign to see how brilliant their approach to a Best Picture win is. It wasn't just the decision to release the film in the dumping grounds of August, almost 50 years to the date of Sharon Tate's untimely death. It was everything around it, which has only proven it to have a longevity that half of the nominees have yet to prove (save for maybe Parasite, now in its fourth month of theatrical release). Once Upon a Time... in Hollywood isn't just one of Tarantino's most accessible films, it's arguably the one that appeals to Academy biases the most. In a time where the old clash with the new class of voters, few films feel as connecting (both in appeal and themes) quite like Tarantino's film.
Labels:
2020,
Best Picture,
Best Supporting Actor,
Brad Pitt,
Leonardo DiCaprio,
Margot Robbie,
Once Upon a Time in Hollywood,
Pulp Fiction,
Quentin Tarantino
Wednesday, October 23, 2019
"Once Upon a Time... in Hollywood" is Getting a Rerelease This Weekend... With 4 New Scenes!
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Scene from Once Upon a Time... in Hollywood |
While this past summer may have not had a lot in the way of standout entertainment, it did have one shining star: a new Quentin Tarantino movie. Love it or hate it, the film sparked a conversation that was sorely missing. Not only was it praised for becoming one of the rare original adult stories of 2019 to gross over $100 million at the box office, an honor that wasn't really matched until September's Hustlers. Still, there was talk from the get-go of potential Oscar chances for everyone from Tarantino to actors Leonardo DiCaprio, Brad Pitt (who has also gained acclaim for Ad Astra), and Margot Robbie (who has also gained acclaim for Bombshell). So, how does a film wanting to stay in the race try and stay relevant? While the film hasn't entirely left theaters, this weekend finds a revival of sorts with a new extended cut that you can see nationwide.
Labels:
2019,
Brad Pitt,
Leonardo DiCaprio,
Margot Robbie,
Once Upon a Time in Hollywood,
Quentin Tarantino,
The Avengers
Wednesday, July 31, 2019
Review: "Once Upon a Time... in Hollywood" Rewrites Film History with Heartwarming Results
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Scene from Once Upon a Time... in Hollywood |
For most of the 21st century, director Quentin Tarantino has reveled in a certain kind of cynicism. You don't even need to see his films, as the mere presence of his titles (Kill Bill, Inglourious Basterds, and The Hateful Eight) all feature something confrontational. Even his last film ended with everyone dead. However, there feels like a change of heart with Once Upon a Time... in Hollywood, itself a play on the idea of fairytales and happy endings. Yes, he's still the verbose, sadistic filmmaker with a love for the comedic violence, but for the first time in decades, he feels... happy? With this being his presumed penultimate movie, Tarantino goes to the movies and, for nearly three hours, finds a reason to make us care not about the style or glamor that he's packed into so many frames, but of the people who made it possible. It's a story that repurposes careers and forces us to wonder how legacies are shaped, and it makes for one of his most reverent films yet.
Labels:
2019,
Brad Pitt,
Leonardo DiCaprio,
Margot Robbie,
Once Upon a Time in Hollywood,
Quentin Tarantino
Sunday, July 21, 2019
Composing Greatness: #6. "Titanic" (1997)
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Scene from Titanic |
Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.
Labels:
2019,
Best Original Score,
Best Original Song,
Best Picture,
Celine Dion,
Composing Greatness,
James Cameron,
James Horner,
Kate Winslet,
Leonardo DiCaprio,
Titanic
Sunday, April 15, 2018
Composing Greatness: #39. John Williams - "Catch Me If You Can" (2002)
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Scene from Catch Me If You Can |
Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.
Labels:
2018,
Best Original Score,
Catch Me If You Can,
Composing Greatness,
John Williams,
Leonardo DiCaprio,
Steven Spielberg,
Tom Hanks
Monday, August 7, 2017
A Look at "Atomic Blonde" and the Ongoing Need for a Best Stunt Performer Category
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Scene from Atomic Blonde |
Today marks Charlize Theron's 42nd birthday. Like all celebrities, it is fun to spend this day commemorating their great achievements in pop culture. After all, who could forget the scene stealing work in Mad Max: Fury Road, or the snarky brilliance of Young Adult? To say the least, Theron has been busy trying to start up an amazing comeback that'll likely define her as one of the most interesting, if not best, actresses of her generation. However, there is another topic that I would love to discuss regarding her recent work: Atomic Blonde. If you've seen it, you know how great her performance in the movie is. It also serves to raise the question: When will there be a Best Stunt Performer category at the Oscars?
Labels:
2017,
Atomic Blonde,
Charlize Theron,
Fury Road,
James McAvoy,
Leonardo DiCaprio,
Mad Max,
The Revenant
Wednesday, December 7, 2016
Tom Hardy to Get a Tattoo of Leonardo DiCaprio After "The Revenant" Bet
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Tom Hardy |
Last year was a massive moment for Tom Hardy's career. In the first half of the year, he starred in the critically acclaimed and box office hit Mad Max: Fury Road. Then in the Fall, he starred alongside Leonardo DiCaprio in the wilderness epic The Revenant. The film also was met with great reviews and an impressive box office haul that landed Hardy a Best Supporting Actor nomination. This may sound like a good thing, but there is one catch. Because of that win, Hardy has to get an embarrassing tattoo of his costar. If nothing else, this may be one of the strangest side effects of being an Oscar nominated talent. If nothing else, it's very amusing.
Saturday, November 26, 2016
Failed Oscar Campaigns: "The Revenant" (2015)
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Scene from The Revenant |
As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.
Labels:
2016,
Alejandro Gonzalez Inarritu,
Best Actor,
Failed Oscar Campaigns,
Leonardo DiCaprio,
The Revenant,
Tom Hardy
Thursday, October 6, 2016
Theory Thursday: Jack Nicholson Deserved an Oscar Nomination for "The Departed"
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Jack Nicholson in The Departed |
Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way.
Labels:
2016,
Jack Nicholson,
Leonardo DiCaprio,
Mark Wahlberg,
Martin Scorsese,
Matt Damon,
Theory Thursday
Thursday, August 25, 2016
Theory Thursday: "The Wolf of Wall Street" is the Most Influential Film of the Past 5 Years
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Scene from The Wolf of Wall Street |
Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way.
Labels:
2016,
American Hustle,
Jonah Hill,
Leonardo DiCaprio,
Martin Scorsese,
The Big Short,
The Wolf of Wall Street,
Theory Thursday
Thursday, August 11, 2016
Theory Thursday: "The Great Gatsby" (2013) is Underrated
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Scene from The Great Gatsby |
Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way.
Labels:
2016,
Baz Luhrmann,
Carey Mulligan,
Joel Edgerton,
Lana Del Rey,
Leonardo DiCaprio,
The Great Gatsby,
Theory Thursday,
Tobey Maguire
Tuesday, March 1, 2016
The Top 10 Worst Moments of This Year's Oscars
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Sam Smith |
While 2016's Oscars ceremony may end up going down as one of the best in recent years, it isn't like it was without any faults. Like most years, you have to take the good with the bad, and this year featured some noteworthy standouts. The following is a rundown of the 10 moments form the ceremony that were a little cringe-worthy and maybe will be the butt of jokes for when people think back on this year's Oscars. Is Sam Smith solely to blame for it, especially after he said that it was the worst night of his life? Not exactly, but his dozens of red flags definitely don't help either. He's just one problem in a series of problems.
Labels:
007,
2016,
Academy Awards,
Alicia Vikander,
Anohni,
Best Original Song,
Chris Rock,
James Bond,
Lady GaGa,
Leonardo DiCaprio,
Sam Smith,
Youth
Monday, February 29, 2016
10 Highlights from This Year's Academy Awards Ceremony
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The four acting Oscar winners |
With the ceremony behind us, it's time to remember everything that happened at this year's Academy Awards. For many, it marked one of the most exciting races in recent years. In fact, the year was not without some big surprises. For starters, the racially charged evening by host Chris Rock is likely to split many viewers. Even then, it's still great to know that this year wasn't the least bit dull. In the annual two part wrap-up, I will be recounting the highs and lows of the ceremony. In this article, I will be highlighting the positive, of which there's plenty to choose from.
Labels:
2016,
Academy Awards,
Bridge of Spies,
Brie Larson,
Cate Blanchett,
Chris Rock,
Fury Road,
Leonardo DiCaprio,
Mad Max,
Mark Rylance,
Sacha Baron Cohen,
Spotlight
Saturday, February 27, 2016
Failed Oscar Campaigns: "Blood Diamond" (2006)
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Scene from Blood Diamond |
As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.
Labels:
2016,
Best Actor,
Blood Diamond,
Failed Oscar Campaigns,
Leonardo DiCaprio,
Martin Scorsese,
The Departed
Monday, February 22, 2016
Ranking Leonardo DiCaprio's 6 Oscar Nominations
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Leonardo DiCaprio |
There are only six days until this year's Academy Awards. There's a lot of speculation as to who is likely to win in every category. However, the one that seems to be getting the most traction is Leonardo DiCaprio for Best Actor in The Revenant. Considering how long people have argued that the charismatic 41-year-old actor has deserved an award, some see it as an overdue legacy award. But does he deserve it for this film? With six days to go and since he has earned six Oscar nominations (five for acting), it feels like an appropriate time to rank his performances based on what should've gotten him this honor.
Labels:
2016,
Best Actor,
Blood Diamond,
Leonardo DiCaprio,
Martin Scorsese,
The Aviator,
The Departed,
The Revenant,
The Wolf of Wall Street,
What's Eating Gilbert Grape
Tuesday, January 19, 2016
Check This Out: Behind the Scenes Making Of Videos for "The Revenant"
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Scene from The Revenant |
With The Academy Awards nominations out, many Oscar fans are catching up with every film in order to give their own guesses as to what will win. Leading the pack is director Alejandro Gonzalez Inarritu's The Revenant with 12 nominations. While also topping the box office, it's interesting to look at the film's massive scope and wonder how this film was made. Thanks to 20th Century Fox, there are now featurettes available online for you to see various behind the scenes aspects regarding production design, acting, and writing. While it doesn't entirely do justice to the film, it's enough to keep you tied over until the DVD release comes later this year.
Wednesday, January 13, 2016
No Gold for Leo: Or Why We Need a Best Stunt Performer Oscar Category
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Leonardo DiCaprio in The Revenant |
It seems like I have been extremely harsh on one film this past Oscar season: director Alejandro Gonzalez Inarritu's The Revenant. It started with its problematic production and continued with false allegations of bear rape and my own belief that it shouldn't even be Oscar nomianted. However, there is one reason that it bothers me more than anything else: it's Leonardo DiCaprio's worst role. For those who are quick to accuse me of underselling his sacrifices, I am not. The issue here is that we're mistaking stunts for acting. You see, there is a grand difference, and I intend to prove why DiCaprio's performance was not acting - but instead an outdoors version of Fear Factor (and you wouldn't give Joe Rogan's show an Oscar now, would you?), and that this whole facade to get him an Oscar is a great example of nonsensical favoritism.
Labels:
2016,
Alejandro Gonzalez Inarritu,
Best Actor,
Kill Bill,
Leonardo DiCaprio,
Martin Scorsese,
Quentin Tarantino,
The Revenant,
The Wolf of Wall Street,
Tom Cruise
Monday, January 11, 2016
The 10 Best and Worst Moments of This Year's Golden Globes
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Left to right: Alejandro Gonzalez Inarritu and Leonardo DiCaprio |
Last night marked this year's Golden Globes, in which the big winners were The Revenant and The Martian. However, it is also likely the year when the ceremony itself became irrelevant to TV viewers without access to their own minibar. You see, with returning host Ricky Gervais, the show's three hour run felt like an eternity not because it was a slow year (though the winners weren't exceptional), but because nobody cared. Yes, The Golden Globes have long been The Razzies of prestigious movie awards, but usually their ceremonies are fun moments to have people let loose. The following is a look at the highs and lows of the show as it relates to Oscar culture. Prepare for a ride through the drollness.
Labels:
2016,
Brie Larson,
Denzel Washington,
Fury Road,
Golden Globes,
Leonardo DiCaprio,
Mad Max,
Quentin Tarantino,
Room,
Spotlight,
Steve Jobs,
The Hateful Eight,
The Martian,
The Revenant
Monday, December 28, 2015
Review: "The Revenant" is Masochism Disguised as Art
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Leonardo DiCaprio |
In 2006, Jackass Number Two was released and featured some of the most vulgar images of self-destruction imaginable. Leader of the pack Johnny Knoxville got mauled by bulls and yaks; had a side of a building fall on his head; rode a rocket that almost killed him; and was bitten by snakes in a ball pit. The performer sacrificed his body for the sake of entertainment and received mostly negative buzz from awards season (IMDb only lists a nomination from "The Stinkers Bad Movie Awards"). What does this have to do with director Alejandro Gonzalez Inarritu's The Revenant? Subject-wise, not very much. However, our approach to digesting them as valued entertainment is itself problematic. The only difference between the two is that The Revenant has an actual story, lead by Leonardo DiCaprio's much-hyped performance that features health-risking stunts (you know, "for art")... and he is somehow supposed to earn an Oscar for it instead of going the route of Knoxville's comparatively humble, no awards approach where he ends up in the hospital countless times to a parade of laughter. The fact of the matter is that The Revenant is an ambitious film, but that's really all it is.
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