Failed Oscar Campaigns: "Once Upon a Time... in Hollywood" (2019)

As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.

Why I Think "Once Upon a Time... in Hollywood" Will Win Best Picture

Scene from Once Upon a Time... in Hollywood

Last Monday, the Oscar nominations were announced and cut the competition in half for all of the major categories. Now it's down to the wire with only a few weeks until The Academy Awards answer all of the questions that movie fans have been clamoring for: what will win Best Picture, Best Actor, etc. It's the territory that comes with every year, and this one is no slouch, presenting a variety of front-runners that are undeniable charmers. If one was to follow conventional awards rules, 1917 would be the front-runner, followed closely by Parasite (one of few films to win the Screen Actors Guild Award's prize for Best Ensemble without another acting nomination). However, there is one that's lingering just under the surface, and one that makes a lot of sense if one was to apply Oscar trends on it.

Director Quentin Tarantino's proposed penultimate film Once Upon a Time... in Hollywood is a film that has become forgotten in recent weeks of awards season. With exception to Brad Pitt winning Best Supporting Actor, it hasn't exactly had any consistency since winning Best Comedy or Musical at the Golden Globes. Even then, one has to merely look at the campaign to see how brilliant their approach to a Best Picture win is. It wasn't just the decision to release the film in the dumping grounds of August, almost 50 years to the date of Sharon Tate's untimely death. It was everything around it, which has only proven it to have a longevity that half of the nominees have yet to prove (save for maybe Parasite, now in its fourth month of theatrical release). Once Upon a Time... in Hollywood isn't just one of Tarantino's most accessible films, it's arguably the one that appeals to Academy biases the most. In a time where the old clash with the new class of voters, few films feel as connecting (both in appeal and themes) quite like Tarantino's film. 

Review: "Bombshell" Lands With a Dud

Scene from Bombshell (2019)

With a better director (nay, a better script), Bombshell would've been a film brimming with such an urgency, defining the current Me Too Movement with its cross-section of topics ranging from journalism to presidencies to sexual harassment. The story of Fox News anchors bringing their boss to task for his bad behavior should be something that strikes a chord with viewers so much that they leave the theater vindicated that the bad guy got his due. Instead, it's an impersonal slog of a movie and one that lacks any urgency at all. What is found here is director Jay Roach's attempt at mattering by telling the story in the most boring, clinical way possible while still missing the point. It isn't about how well you know the story, but what it means to the people most being impacted by it. In some ways, it's the perfect embodiment of trend-hopping filmmaking that quickly exposes who hasn't seen it. Those who haven't will think it's important for what it's about, those who see it know better. It should be important, but alas... it's just desperate. 

"Once Upon a Time... in Hollywood" is Getting a Rerelease This Weekend... With 4 New Scenes!

Scene from Once Upon a Time... in Hollywood

While this past summer may have not had a lot in the way of standout entertainment, it did have one shining star: a new Quentin Tarantino movie. Love it or hate it, the film sparked a conversation that was sorely missing. Not only was it praised for becoming one of the rare original adult stories of 2019 to gross over $100 million at the box office, an honor that wasn't really matched until September's Hustlers. Still, there was talk from the get-go of potential Oscar chances for everyone from Tarantino to actors Leonardo DiCaprio, Brad Pitt (who has also gained acclaim for Ad Astra), and Margot Robbie (who has also gained acclaim for Bombshell). So, how does a film wanting to stay in the race try and stay relevant? While the film hasn't entirely left theaters, this weekend finds a revival of sorts with a new extended cut that you can see nationwide. 

The Trailer for "Bombshell" Shows Things Going Up for Oscar Potential

Scene from Bombshell (2019)

For those who follow modern politics very closely, there's a good chance that you have an opinion about Fox News - for better or worse. They remain one of the most influential resources in modern news, constantly being discussed as much for what they say as what their personal ethics are. With director Jay Roach's Bombshell, he decides to tackle one of the more notorious things that the news network was scrutinized for: the treatment of their female employees. The news itself was shocking when it was real, but with an all-star cast and a minimalist trailer, there's a tenseness that this new film will be a defining work not only for the ongoing Me Too movement but also an exploration of concepts like Fake News. If nothing else, it will help to add a human element to the story. 

Review: "Once Upon a Time... in Hollywood" Rewrites Film History with Heartwarming Results

Scene from Once Upon a Time... in Hollywood

For most of the 21st century, director Quentin Tarantino has reveled in a certain kind of cynicism. You don't even need to see his films, as the mere presence of his titles (Kill Bill, Inglourious Basterds, and The Hateful Eight) all feature something confrontational. Even his last film ended with everyone dead. However, there feels like a change of heart with Once Upon a Time... in Hollywood, itself a play on the idea of fairytales and happy endings. Yes, he's still the verbose, sadistic filmmaker with a love for the comedic violence, but for the first time in decades, he feels... happy? With this being his presumed penultimate movie, Tarantino goes to the movies and, for nearly three hours, finds a reason to make us care not about the style or glamor that he's packed into so many frames, but of the people who made it possible. It's a story that repurposes careers and forces us to wonder how legacies are shaped, and it makes for one of his most reverent films yet.

Failed Oscar Campaigns: "Suicide Squad" (2016)

Scene from Suicide Squad

As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.

Failed Oscar Campaigns: "The Big Short" (2015)

Scene from The Big Short

As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.

"I, Tonya," "Molly's Game," and the Idea of the Modern Olympic Movie

Scene from I, Tonya

*Note: Spoilers for I, Tonya and Molly's Game

If a sports movie is supposed to be a triumphant vision of the self, then an Olympics movie should be something grader; like the combination of athletes competing for the gold medal in an Avengers-esque story. After all, it is a journey on the world stage where many countries have risen to the challenge and the country is sometimes more important than the individual. It's the type of logic that has fueled Olympic movies like Best Picture winner Chariots of Fire before, depicting the strength of a country in time of need. With the Pyeonchang Olympics set to begin this weekend, it seems like a chance to see triumph on film. So why then are the films currently available (and Oscar-nominated) a bit more of a down note? While there have been upbeat stories in recent years (Eddie the Eagle, Race), there's a sense that an Olympic movie in 2018 isn't about the competition, but a metaphor for self-identity. The films I, Tonya and Molly's Game depict this struggle in different ways - often with Olympics being the last thing on their mind - but come clear on one point. The Olympics are a game of personality politics, and these two films capture it in the news media age.

Review: "I, Tonya" is a Pulpy, Fun Sports Movie

Margot Robbie

Thanks to films like Rocky, the idea of the sports movie has come to represent a certain type of underdog; someone who exceeds against an oppressive society. Even if that's the case, few people were as primed against this structure quite like Tonya Harding - now infamous for an incident regarding Nancy Kerrigan. She has become the butt of countless jokes since, ruining her reputation as an excellent figure skater. With that in mind, director Craig Gillespie has decided to explore the truth behind the tragedy in the comedy I, Tonya. It's a film that manages to explore her background and her struggles to be taken seriously. In that way, it's a typical sports movie. However, it's more vulgar than your Million Dollar Babies. It's a unique journey that is as off-putting as it is fascinating.

The "I, Tonya" Captures a Notorious Moment in Olympics History with Cattiness

Scene from I, Tonya

The presence of sports figures in everyday life are inevitable. There are a few that stand out as being excellent at their craft, turning it into a physical art form. However, there are those few who are remembered for the opposite reasons. Journeyman director Craig Gillespie has made a movie called I, Tonya, which chronicles the infamous career of Tonya Harding and the one event that made her a staple in Olympics history. The first teaser shows just how trashy and petty a movie about Harding should be. It doesn't give much, but it does have a ferocity that captures a potential Best Actress nominee in Margot Robbie. If nothing else, she sure looks the part.

Review: "The Wolf of Wall Street" is a Flawed Classic About a Flawed Class System

Left to right: Margot Robbie and Leonardo DiCaprio

If there is one indisputable fact, it is that Martin Scorsese transcends time almost every time he directs a film. Now in his 70's, he continues to make challenging tales with cinematic grace and beauty. Movies such as The Aviator and Gangs of New York reflect a director now capable of making an epic out of personal American stories. It is arguable that he lost the fervor and sting that gave us Goodfellas or The King of Comedy, but one needs to not look any further than his latest: The Wolf of Wall Street. Even with controversy surrounding it, its sustenance is so thick with cocaine-stained suits that this capitalism epic is striking and reflects the Scorsese film that we'd never expect: a $100 million budgeted unbiased exploitation flick.