Review: "The Prom" Does Enough Right to Be a Good Time

Scene from The Prom (2020)

If there are any issues to be found with director Ryan Murphy's version of The Prom, they're mostly found in the show it was adapted from. At its core, it's one of the most good-intentioned musicals of the modern age, spinning the familiar coming of age story about proms into this one of queer acceptance. When the film is in this mode, there's rarely anything more euphoric, finding protagonist Emma (Jo Ellen Pellman) expressing herself with this passionate outsider narrative. It's her against an Indiana school that finds her lesbianism offensive. The struggle makes for compelling drama, especially when dealing with her still closeted girlfriend Alyssa (Ariana DeBose). 

Those moments of tenderness are the heart of the film, which unfortunately are sidelined by something more egregious. The Prom is as much about acceptance as it is the power of theater as a form of self-expression, and that means a whole supporting cast of eccentric Broadway types. What they bring to the show is essential, but the approach creates a gross misunderstanding of what makes The Prom a delightful addition to the movie musical. It isn't about watching adults ham it up, sharing these stories of coming out and doing vivid dance numbers. This was, as its title suggests, should've been about the prom. Had the story been presented predominantly from Emma's perspective, it may even be a masterpiece. Instead, it's a decent if familiar story only elevated by a sugar-rush of a soundtrack that is sure to get stuck in your head. It's a good time, but it could've been better.

Review: "Bombshell" Lands With a Dud

Scene from Bombshell (2019)

With a better director (nay, a better script), Bombshell would've been a film brimming with such an urgency, defining the current Me Too Movement with its cross-section of topics ranging from journalism to presidencies to sexual harassment. The story of Fox News anchors bringing their boss to task for his bad behavior should be something that strikes a chord with viewers so much that they leave the theater vindicated that the bad guy got his due. Instead, it's an impersonal slog of a movie and one that lacks any urgency at all. What is found here is director Jay Roach's attempt at mattering by telling the story in the most boring, clinical way possible while still missing the point. It isn't about how well you know the story, but what it means to the people most being impacted by it. In some ways, it's the perfect embodiment of trend-hopping filmmaking that quickly exposes who hasn't seen it. Those who haven't will think it's important for what it's about, those who see it know better. It should be important, but alas... it's just desperate. 

The Trailer for "Bombshell" Shows Things Going Up for Oscar Potential

Scene from Bombshell (2019)

For those who follow modern politics very closely, there's a good chance that you have an opinion about Fox News - for better or worse. They remain one of the most influential resources in modern news, constantly being discussed as much for what they say as what their personal ethics are. With director Jay Roach's Bombshell, he decides to tackle one of the more notorious things that the news network was scrutinized for: the treatment of their female employees. The news itself was shocking when it was real, but with an all-star cast and a minimalist trailer, there's a tenseness that this new film will be a defining work not only for the ongoing Me Too movement but also an exploration of concepts like Fake News. If nothing else, it will help to add a human element to the story. 

A24 A-to-Z: #66. "How to Talk to Girls at Parties" (2018)

Scene from How to Talk to Girls at Parties

In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for years to come.

A24 A-to-Z: #57. "The Killing of a Sacred Deer" (2017)

Scene from The Killing of a Sacred Deer

In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for ears to come.

Here's My Pre-Season Oscars Predictions

Scene from Roma

With the start of September, it only feels right to enjoy the final naive days of Oscar season by playing the game every prognosticator loves to do: predict. Speaking as many films haven't so much as appeared on the radar yet, these columns are always ridiculous and antiquated, mostly going based off of what's popular in September. With that said, why not take chances and try to make bold predictions, of which might come true? The following is my attempt to predict the six top categories, including all four of the acting fields. What will make the final cut? Come back in a few months when I'll compare these to whatever makes the cut. I assure you that it may end up being a worthwhile laugh after a busy, hard fought season of more unpredictable achievements. 

The First Trailer for "The Killing of a Sacred Deer" is Here, and it's On Fire

Scene from The Killing of a Sacred Deer

Among the greatest film of 2017 was Giorgos Lanthimos' The Lobster. It was a movie that took a perverse look at love and found its way to a surprise box office success and Oscar nomination. How does one follow up that success? The Killing of a Sacred Deer is another movie shrouded in prestige and promise, teaming up with several familiar faces from his previous film. Having been nominated for the Plame d'Or at Cannes, it is one of those films that must be watched out for. To say the least, the first trailer has arrived, and it's rather unnerving as it features one of the most haunting covers of a pop song from any trailer this year. Also, it asks a lot of questions (such as "What's going on?") while answering others (such as "Why you should go see it.") It looks incredible, and may continue Lanthimos' hot streak.

Review: "The Beguiled" Brilliantly Captures The Contradictive Nature of Men

Scene from The Beguiled

In theory, The Beguiled is a war movie. For starters, it takes place during the Civil War and features a Union soldier injuring himself on Confederate soil. What follows is a moment of hospitality wrapped up in a tense psychological war. Corporal John McBurney (Colin Farrell) is being cured by a secluded school for women, all of whom have varying reactions to his presence. While it's a simple story on its surface, it's a far more complex story underneath the surface. It isn't just the story of two sides hating each other, but also the struggles between men and women, as well as a deeper personal attraction. Director Sofia Coppola turns in one of her best directed movies by making every character into predators, waiting to pounce. The only question becomes who will attack first, and for what cause. It may be a Civil War movie, but the war at hand is anything but civil.

Sofia Coppola's "The Beguiled" Takes Gorgeous Vengeance in the First Trailer

Scene from The Beguiled

In a time of remake culture, it would have to take a pretty good filmmaker to turn old text into something new and inspired. Leave it to director Sofia Coppola to take The Beguiled and find a spin on the Clint Eastwood original. With the release of the first trailer, it presents a cryptic look into the world of the film. With a great female cast (and Colin Farrell), it looks to present a reversal on the damsel in distress story by pitting a man against some vengeful women. While there's little offered beyond a vengeful slur, it's still great to have Coppola back, and producing a film that looks really good.

Review: "Lion" is a Powerful Film About Finding Faith in Loneliness

Dev Patel

Many films capture the feeling of loneliness with poetic and often abstract imagery, but few show it as anything but a means to an end. Yes, the feeling of abandonment is a frustrating circumstance, and one that creates complex emotional responses. In director Garth Davis' Lion, he sets out to tell one story of persistence causing loneliness to end on a happy note. The story may play the conventional fields, but predictability isn't the point. Lion is a story of hope that asks us, even without saying, to have faith in the impossible - for it is where the greatest challenges lie. With a phenomenal performance by Dev Patel, this is a film that not only captures the heartbreaking loneliness in lengthy detail, but also the ability to cope and live a normal life within the situation. It may not be the most groundbreaking film, but it may be among the year's most heartwarming, innovative experiences. 

Check It Out: Watch Videos From The Academy's Governors Ball 2016

Jackie Chan

This past weekend, The Academy of Motion Pictures Arts and Sciences (AMPAS) held their annual Governors Ball to hand out Honorary Oscars to individuals in the arts who have done superb work. This year's group featured Jackie Chan, Frederick Wiseman, Anne V. Coates, and Lynn Stalmaster along with celebrities introducing them with monologues detailing each recipient's achievements. Thanks to the fine work over at The Academy's YouTube page, you can watch highlights from the ceremony right now, including each recipient's speech as well as the introduction by AMPAS President Cheryl Boone Isaacs.

Theory Thursday: "Moulin Rouge!" is the Worst Best Picture Nominee of the 21st Century (So Far)

Nicole Kidman in Moulin Rouge!

Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

Review: "Stoker" is an Eerily Wonderful Coming of Age Story

Mia Wasikowska

With the unfortunate revelation that there isn't any movie even worthy of speculating Oscar Buzz this week, I have decided to finally write a review for director Chan-wook Park's Stoker, a film that I heavily have endorsed on this blog, but never have specified why. It is a marvelous film, and one that is bizarre enough to not be considered for some sort of award. This is notably thanks to Park, whose catalog includes the much buzzed about and easily deserved praise for Oldboy. In his English-language debut, he tackles a coming of age story in one of the weirdest, most surreal ways possible. What makes his approach more authentic than any of his competitors?