Showing posts with label Mia Wasikowska. Show all posts
Showing posts with label Mia Wasikowska. Show all posts

Thursday, October 13, 2016

Theory Thursday: "Crimson Peak" is Underrated

Mia Wasikowska in Crimson Peak
Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

Saturday, May 28, 2016

The Runner-Ups: Mia Wasikowska in "Stoker" (2013)

Scene from Stoker
Every Oscar season, there are a handful of actors who get tagged with the "snubbed" moniker. While it is always unfortunate to see our favorites not honored with at very least a nomination, there's another trend that goes largely unnoticed: those who never even got that far. The Runner-Ups is a column meant to honor the greats in cinema who put in phenomenal work without getting the credit that they deserved from The Academy. Join me every Saturday as I honor those who never received any love. This list will hopefully come to cover both the acting community, and the many crew members who put the production together.

Thursday, April 18, 2013

Review: "Stoker" is an Eerily Wonderful Coming of Age Story

Mia Wasikowska
With the unfortunate revelation that there isn't any movie even worthy of speculating Oscar Buzz this week, I have decided to finally write a review for director Chan-wook Park's Stoker, a film that I heavily have endorsed on this blog, but never have specified why. It is a marvelous film, and one that is bizarre enough to not be considered for some sort of award. This is notably thanks to Park, whose catalog includes the much buzzed about and easily deserved praise for Oldboy. In his English-language debut, he tackles a coming of age story in one of the weirdest, most surreal ways possible. What makes his approach more authentic than any of his competitors?