A24 A-to-Z

A column dedicated to exploring the history of the great independent studio A24 by looking at each of the movies chronologically to discover what makes the studio so special. 


2. Ginger & Rosa (2013)
3. Spring Breakers (2013)
4. The Bling Ring (2013)
5. The Spectacular Now (2013)
6. Enemy (2014)
7. Under the Skin (2014)
8. Locke (2014)
9. Obvious Child (2014)
10. The Rover (2014)
11. Life After Beth (2014)
12. The Captive (2014)
13. Tusk (2014)
14. Son of a Gun (2014)
15. Revenge of the Green Dragons (2014)
16. Laggies (2014)
17. A Most Violent Year (2014)
18. While We're Young (2015)
19. Cut Bank (2015)
20. Ex Machina (2015)
21. Barely Lethal (2015)
22. Slow West (2015)
23. Amy (2015)
24. The End of the Tour (2015)
25. Dark Places (2015)
26. Mississippi Grind (2015)
27. Room (2015)
28. Mojave (2016)
29. The Witch (2016)
30. Remember (2016)
31. Krisha (2016)
32. Green Room (2016)
33. The Adderall Diaries (2016)
34. The Lobster (2016)
35. De Palma (2016)
36. Swiss Army Man (2016)
37. Equals (2016)
38. Into the Forest (2016)
39. Morris From America (2016)
40. The Sea of Trees (2016)
41. American Honey (2016)
42. Moonlight (2016)
43. Oasis: Supersonic (2016)
44. The Monster (2016)
45. 20th Century Women (2016)
46. Trespass Against Us (2017)
47. The Blackcoat's Daughter (2017)
48. Free Fire (2017)
49. The Lovers (2017)
50. The Exception (2017)
51. It Comes at Night (2017)
52. A Ghost Story (2017)
53. Menashe (2017)
54. Good Time (2017)
55. Woodshock (2017)
56. The Florida Project (2017)
57. The Killing of a Sacred Deer (2017)
58. Lady Bird (2017)
59. The Disaster Artist (2017)
60. The Ballad of Lefty Brown (2017)
61. The Vanishing of Sidney Hall (2018)
62. The Last Movie Star (2018)
63. Lean on Pete (2018)
64. Backstabbing for Beginners (2018)
65. First Reformed (2018)
66. How to Talk to Girls at Parties (2018)
67. Hereditary (2018)
68. Woman Walks Ahead (2018)
69. Eighth Grade (2018)
70. Hot Summer Nights (2018)
71. Never Goin' Back (2018)
72. A Prayer Before Dawn (2018)
73. Slice (2018)
74. The Children Act (2018)

No comments:

Post a Comment