![]() |
Scene from I, Tonya |
If a sports movie is supposed to be a triumphant vision of the self, then an Olympics movie should be something grader; like the combination of athletes competing for the gold medal in an Avengers-esque story. After all, it is a journey on the world stage where many countries have risen to the challenge and the country is sometimes more important than the individual. It's the type of logic that has fueled Olympic movies like Best Picture winner Chariots of Fire before, depicting the strength of a country in time of need. With the Pyeonchang Olympics set to begin this weekend, it seems like a chance to see triumph on film. So why then are the films currently available (and Oscar-nominated) a bit more of a down note? While there have been upbeat stories in recent years (Eddie the Eagle, Race), there's a sense that an Olympic movie in 2018 isn't about the competition, but a metaphor for self-identity. The films I, Tonya and Molly's Game depict this struggle in different ways - often with Olympics being the last thing on their mind - but come clear on one point. The Olympics are a game of personality politics, and these two films capture it in the news media age.