Review: "Ma Rainey's Black Bottom" Hits the Sweetest High Notes

Scene from Ma Rainey's Black Bottom

To sing the blues is to pour your heart out to the world. With every aching note, the struggles of the individual reflect a community eager to be heard. It's something that lives inside the Black community, serving as a survival tool throughout years of oppression and reminding everyone what it means to be human. But given how diverse the voices within this group are, one has to ask the question: what is the blues? Who gets to control the direction that it goes? Throughout director George C. Wolfe's fantastic adaptation of Ma Rainey's Black Bottom, he explores this question in great detail over a sweltering summer day in 1927. What follows is a phenomenal showcase of talent, finding Chadwick Boseman and Viola Davis butting heads with electric performances and even more energetic music. It's one of the year's most vibrant stories and one that never lets up for the entire ride.

The First Trailer for "Ma Rainey's Black Bottom" Sings a Sweet Melody for Oscar Season

Scene from Ma Rainey's Black Bottom

Anyone who is doubting that Netflix isn't going to dominate this year's ceremony clearly hasn't been inundated with endless trailers in the past month. It feels like every week now they're introducing a new title that will populate every field, whether it be Mank, The Trial of the Chicago 7, or the latest August Wilson adaptation Ma Rainey's Black Bottom. While there have been various photos released, this trailer marks the first major look at the film which, among other things, marks the final performance by Chadwick Boseman. With all of that said, this Denzel Washington-produced movie looks to follow in the path of Fences with a great movie that not only please crowds but will likely win an Oscar or two.

Review: "Roman J. Israel, Esq." is a Nuanced Morality Tale That Could Use a Little Something More

Denzel Washington in Roman J. Israel, Esq.

The city of Los Angeles has a certain reputation in cinema. As the documentary Los Angeles Plays Itself has suggested, it's a place where seedy crime goes to flourish nihilistic action films or even apocalyptic narratives. So, for director Dan Gilroy to strip these elements down to human dramas is almost revelatory. In his follow-up to the Oscar-nominated Nightcrawler, he has created a Los Angeles that's full of lawyers conflicted with their own personal drives. At the center is Roman J. Israel, Esq. (Denzel Washington): a man whose reputation is as curious as the name he introduces himself as. It's a hurdle of sorts, and one that holds him back from being the type of leader he wishes to be. In this story, Gilroy creates a west coast mythology of corruption not of the city, but of the self, and it's a slow and calculating journey with plenty of wit and power behind every detail.

The First "Roman J. Israel, Esq." Trailer is an Enema of Sunshine

Denzel Washington

There are few actors with a towering and intimidating excellence as that of Denzel Washington. Over his career, he has turned in so many charismatic performances that it's almost too easy to attach Oscar buzz to any of his latest projects. In the case of director Dan Gilroy's Roman J. Israel, Esq., he looks to be pulling one of his most elaborate roles in years by donning an afro, glasses, and a lot of weight. Is it more than stunt casting? Well, the first trailer for the film would suggest that it's actually going to be a pretty entertaining trip to the movies. If nothing else, it's further proof that Washington can sell anything, and this is definitely a very strong start to a late entry in the Oscar race.

Theory Thursday: Denzel Washington is Winning the Best Actor Oscar for "Fences"

Denzel Washington as SAG Awards

Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

Review: "Fences" is a Powerhouse Full of Great Acting

Scene from Fences

The process of adapting live theater to film is often seen as a challenge. For the first movie based on beloved playwright August Wilson's work, Denzel Washington tackles Wilson's most revered work that even earned Washington and co-star Viola Davis Tony Awards for its 2010 revival. There's a love to the language and the performance that shines through from the first second of the film as Troy (Washington) comes home from his job as a garbageman. He is cocky, optimistic, but also sour at the wrong turn of phrase. It is a story of the changing tides in African American culture in the 1950's as well as the disappointments and fears of fathers passing the baton on to another generation. As an adaptation, it's as riveting and engrossing as acting is likely to get in 2016. As a movie, it leaves plenty to be desired.

The First "Fences" is Here for Oscar Season to Like It

Scene from Fences

As October approaches, it's time to take the Oscar season a lot more seriously. Earlier this week, we saw Martin Scorsese join the race with Silence. Other films like La La Land and Moonlight have been receiving acclaim at various film festivals ahead of their releases. While it is likely that most of the surefire nominees are already known, director Denzel Washington's Fences has released its first teaser to suggest that things aren't as locked up as they appear. Based on an August Wilson play (who also wrote the screenplay), it's a story of a father's struggle with race relations and family in the 1950's. To say the least, it's intense, and sure to get Washington and co-star Viola Davis easy access to the nominations circle this Fall.

The 10 Best and Worst Moments of This Year's Golden Globes

Left to right: Alejandro Gonzalez Inarritu and Leonardo DiCaprio

Last night marked this year's Golden Globes, in which the big winners were The Revenant and The Martian. However, it is also likely the year when the ceremony itself became irrelevant to TV viewers without access to their own minibar. You see, with returning host Ricky Gervais, the show's three hour run felt like an eternity not because it was a slow year (though the winners weren't exceptional), but because nobody cared. Yes, The Golden Globes have long been The Razzies of prestigious movie awards, but usually their ceremonies are fun moments to have people let loose. The following is a look at the highs and lows of the show as it relates to Oscar culture. Prepare for a ride through the drollness.

Birthday Take: Denzel Washington in "Malcolm X" (1992)

Denzel Washington in Malcolm X

Welcome to The Birthday Take, a column dedicated to celebrating Oscar nominees and winners' birthdays by paying tribute to the work that got them noticed. This isn't meant to be an exhaustive retrospective, but more of a highlight of one nominated work that makes them noteworthy. The column will run whenever there is a birthday and will hopefully give a dense exploration of the finest performances and techniques applied to film. So please join me as we blow out the candles and dig into the delicious substance.

Check This Out: Watch Clips From This Year's Governors Awards Ceremony

Spike Lee

This past Saturday marked the 7th annual Governors Awards, which was created to highlight those receiving Honorary Oscars for their work in film and media. As with every year, the selections reflected a diverse yet creative mix of artists, including Gena Rowlands, Debbie Reynolds, and Spike Lee. Along with being a typical ceremony, each winner was presented with a tribute from his or her peers - all of whom provided lively and comical anecdotes about their friends. Thanks to the folks over at Oscars' YouTube page,  you can watch all of the videos from that event, including an introduction from President Cheryl Boone Isaacs. The following is a highlight of the evening, including the speeches in full.

Reasons Why Daniel Day Lewis Doesn't Deserve A Best Actor Statue

Daniel Day Lewis as Lincoln

As I have long established on this blog, I feel like director Steven Spielberg's historic drama Lincoln is a little on the overrated side. While the buzz around it winning Best Picture has diminished, a few things haven't. True, I root Spielberg to take Best Director, but there seems to be something more definite. Something that I have never quite been able to accept. True, it is largely due to an insane dedication to The Master and more specifically Joaquin Phoenix, but there is more to it than that. Why is Daniel Day Lewis the clear runaway hero for Best Actor?  

Predictions: Who Should Get a Best Actor Nomination in 2013?

2012's Best Actor winner Jean Dujardin (The Artist)

We are in an exciting time for Oscar enthusiasts. We are officially one week away from the announcement of this year's nominees. In order to contribute some thoughts, I will be going down the major categories (Acting, Directing, and Best Picture) and predicting who will be the most likely to get nominated, as well as a few tidbits on why I agree with these decisions. Be warned that every story that I am going to write in relation to predictions will not actually feature any bias towards who should win. However, I will be detailing why I think each should be nominated. Also stay tuned for post-coverage in which I will actually be sharing my thoughts on the nominations and solidify who I believe should win in each category.

Is Washington Ready to Take "Flight" into the Acting Category?

Denzel Washington

It has been awhile since we've had a likely candidate for Best Actor. Along with director Steven Spielberg's upcoming Lincoln, we are looking at that field to be closing fast. With Joaquin Phoenix (The Master) and John Hawkes (The Sessions) almost guaranteed and with a possibility of Anthony Hopkins (Hitchcock), it seems like movies like director Tom Hooper's Les Miserables will need to do double time to break the mold. However, this weekend sees the rise of the next possible candidate: Denzel Washington in director Robert Zemeckis' return to live action film Flight about an alcoholic pilot who averted a plane crash. Are we looking at the return of the acting juggernaut who last won Best Actor for director Antoine Fuqua's Training Day, or is the same old Washington that we've come to expect?