Many films are great, but only one wins Best Picture. This is a blog dedicated to everything involving the Oscars past and present as well as speculation on who should win at this year's events.
Showing posts with label Hugh Jackman. Show all posts
Showing posts with label Hugh Jackman. Show all posts
Saturday, October 31, 2020
Failed Oscar Campaigns: "The Front Runner" (2018)
As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.
Labels:
2020,
Cannes,
Failed Oscar Campaigns,
Hugh Jackman,
J.K. Simmons,
Jason Reitman,
The Front Runner,
TIFF
Saturday, October 5, 2019
Failed Oscar Campaigns: "Logan" (2017)
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| Scene from Logan (2017) |
As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.
Labels:
2019,
Best Adapted Screenplay,
Disney,
Failed Oscar Campaigns,
Hugh Jackman,
James Mangold,
Logan,
Patrick Stewart,
Ryan Reynolds
Saturday, January 5, 2019
Failed Oscar Campaigns: "The Greatest Showman" (2017)
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| Scene from The Greatest Showman |
As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.
Labels:
2019,
Best Original Song,
Coco,
Failed Oscar Campaigns,
Hugh Jackman,
Kaela Settle,
The Greatest Showman
Friday, November 9, 2018
The First Trailer for Laika's "Missing Link" is a Delightfully Curious One
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| Scene from Missing Link |
With exception to maybe Pixar, there have been few animation studios with as strong of a recent track record as Laika, who caters to stop-motion stories that skew a bit more horror and fantasy. It's the type of cinema that the oddball kid would definitely enjoy and their films (Coraline, ParaNorman, Kubo and the Two Strings) all have earned a reputation for provocative stories that are wholly original as well as having some of the greatest animation in their given year. It makes sense then that their latest, 2019's Missing Link, takes on a lot of familiar elements as they tackle another odd subject: the "missing link" between man and species. It looks a lot more comical and silly than the other films, but it's no less of a marvelous visual delight that promises to be another joyful experience.
Labels:
2018,
Emma Thompson,
Hugh Jackman,
Laika,
Laika Studios,
Missing Link,
Zach Galifianakis,
Zoe Saldana
Wednesday, February 28, 2018
Long Shot Week: Best Adapted Screenplay - "Logan"
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| Scene from Logan |
Welcome to the first Long Shot Week, where I will attempt to persuade you to think outside of the Oscar box. While it's too late to change voters' minds, I believe that audiences need to take a moment to look at the other contenders in any category and give them a chance. Long Shot Week is designed as a way to highlight these talents that likely don't stand a chance of winning, but more than deserve a chance to be appreciated for what they bring to the game. In a way, this is my list of "Films that should've won," though it's not always indicative of my favorite. Join me all week as I look at different categories and pose the question "Why not?" in hopes that The Oscars still have a few surprises up their sleeve.
Labels:
2018,
Hugh Jackman,
James Mangold,
Logan,
Long Shot Week
Thursday, September 28, 2017
Theory Thursday: "X-Men:: Days of Future Past" is Overrated
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| Hugh Jackman |
Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way.
Labels:
2017,
Bryan Singer,
Ellen Page,
Hugh Jackman,
James McAvoy,
Jennifer Lawrence,
Michael Fassbender,
Theory Thursday
Saturday, February 25, 2017
Failed Oscar Campaigns: "Les Miserables" (2012)
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| Hugh Jackman |
As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.
Labels:
2017,
Anne Hathaway,
Best Supporting Actress,
Eddie Redmayne,
Failed Oscar Campaigns,
Hugh Jackman,
Les Miserables,
Russell Crowe,
Tom Hooper
Wednesday, January 4, 2017
A Look at the Oscar Chances for "Deadpool"
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| Scene from Deadpool |
It has happened again. Deadpool has gotten another award nomination, this time by the Writers Guild of America (WGA). It is an honor that comes as a big surprise to those who wish to write off the superhero satire that broke the fourth wall as well as box office prognostication; creating a belief that an R-Rated superhero movie could be commercially viable. It is far from the first nomination to happen. This upcoming Sunday will see it go up against awards heavyweights like La La Land and Florence Foster Jenkins for Best Comedy or Musical, as well as an acting nomination for lead star Ryan Reynolds. It's a bizarre trajectory, especially for a film released back in February of 2016. However, there is one question to ask ourselves: is Deadpool capable of being an Oscar contender? There's not enough to say it is official, but the Golden Globes and WGA nominations help to spread certain doubt.
Labels:
2016,
Best Adapted Screenplay,
Best Picture,
Deadpool,
Hugh Jackman,
Ryan Reynolds,
The Avengers,
The Dark Knight
Sunday, October 9, 2016
Best Song: "Skyfall" (2012)
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| Scene from Skyfall |
Welcome to Best Song, a new weekly column released on Sunday dedicated to chronicling the Best Original Song category over the course of its many decades. The goal is to listen to and critique every song that has ever been nominated in the category as well as find the Best Best Song and the Best Loser. By the end, we'll have a comprehensive list of this music category and will hopefully have a better understanding not only of the evolution, but what it takes to receive a nomination here. It may seem easy now, but wait until the bad years.
Labels:
007,
2016,
Adele,
Best Original Song,
Best Song,
Bombay Jayashri,
Hugh Jackman,
Les Miserables,
Life of Pi,
Norah Jones,
Scarlett Johansson,
Seth MacFarlane,
Skyfall,
Ted
Tuesday, April 21, 2015
Update: The "Pan" Release Date Gets Moved From Summer to October
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| Hugh Jackman |
The last time that we heard from director Joe Wright's Peter Pan adaptation Pan, it had received a trailer and a promising slot in the middle of summer. However, there has been recent news regarding the film's release date that may either prove to be a bad sign or a great one depending on how you prefer to see things. Instead of coming out at the end of the summer, it is now coming out on October 9. For the optimism that I have previously stated, I am hoping that this is the sign that this big budgeted adventure film is capable of being an Oscar contender. Let's take a look at the facts after the jump.
Labels:
2015,
Hugh Jackman,
Joe Wright,
Pan,
Rooney Mara
Tuesday, November 25, 2014
The First "Pan" Trailer is a Beautiful Spectacle Promising Great Adventure
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| Hugh Jackman |
With awards season in our midst, it isn't entirely wise to look forward to next year's potential selections. However, there are few names as reassuring a contender as that of director Joe Wright. Known for making definitive adaptations of some of the best literature with Pride & Prejudice and Atonement, there is reason to celebrate every time he comes around with a new film. After making the divisive Anna Karenina, he has been out of the limelight working on a new adaptation of a Peter Pan origin story known as Pan. The first trailer has dropped and it's time to get excited once again. Wright cannot make an ugly film. That's just fact.
Labels:
2014,
Amanda Seyfried,
Garret Hedlund,
Hugh Jackman,
Joe Wright,
Levi Miller,
Pan,
Rooney Mara
Monday, February 18, 2013
Reasons Why Daniel Day Lewis Doesn't Deserve A Best Actor Statue
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| Daniel Day Lewis as Lincoln |
As I have long established on this blog, I feel like director Steven Spielberg's historic drama Lincoln is a little on the overrated side. While the buzz around it winning Best Picture has diminished, a few things haven't. True, I root Spielberg to take Best Director, but there seems to be something more definite. Something that I have never quite been able to accept. True, it is largely due to an insane dedication to The Master and more specifically Joaquin Phoenix, but there is more to it than that. Why is Daniel Day Lewis the clear runaway hero for Best Actor?
Labels:
2013,
Best Actor,
Bradley Cooper,
Daniel Day-Lewis,
Denzel Washington,
Flight,
Hugh Jackman,
Joaquin Phoenix,
Les Miserables,
Lincoln,
Silver Linings Playbook,
Steven Spielberg,
The Master,
There Will Be Blood
Tuesday, January 8, 2013
Predictions: Who Should Get a Best Actor Nomination in 2013?
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| 2012's Best Actor winner Jean Dujardin (The Artist) |
We are in an exciting time for Oscar enthusiasts. We are officially one week away from the announcement of this year's nominees. In order to contribute some thoughts, I will be going down the major categories (Acting, Directing, and Best Picture) and predicting who will be the most likely to get nominated, as well as a few tidbits on why I agree with these decisions. Be warned that every story that I am going to write in relation to predictions will not actually feature any bias towards who should win. However, I will be detailing why I think each should be nominated. Also stay tuned for post-coverage in which I will actually be sharing my thoughts on the nominations and solidify who I believe should win in each category.
Labels:
2013,
Amour,
Best Actor,
Daniel Day-Lewis,
Denzel Washington,
Django Unchained,
Flight,
Hitchcock,
Hugh Jackman,
Joaquin Phoenix,
John Hawkes,
Les Miserables,
Life of Pi,
Lincoln,
The Master,
The Sessions
Friday, December 28, 2012
Review: "Les Miserables" is the Amazing Musical Adaptation We've Been Waiting For
| Hugh Jackman |
One of the greatest joys of watching director Tom Hooper's latest Les Miserables is the realization that the musical genre has been regenerated with life. After mainstream duds like this past summer's Rock of Ages, it is fascinating to watch as Hooper takes the beloved stage show based on Victor Hugo's novel and turn it into this big lavish story with an all star cast and live recordings. Even if the film has flaws (which it does), it wears the passion and craft so proudly that it turns a movie that is essentially three hours of singing into a well constructed narrative with vivacious tunes and some jaw dropping performances. Les Miserables is a refreshing sight for the sheer fact that it feels like people are trying. But with all of this effort in place, can it go the extra mile and earn Best Picture?
Labels:
2012,
Amanda Seyfried,
Anne Hathaway,
Best Actor,
Best Picture,
Best Supporting Actress,
Helena Bonham Carter,
Hugh Jackman,
Les Miserables,
Russell Crowe,
Sacha Baron Cohen,
Samantha Barks
Monday, December 24, 2012
Which Christmas Release Stands the Best Chances at Best Picture?
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| Les Miserables |
Update: I have written a review for Les Miserables posted here.
Before I begin, I would like to wish everyone a Merry Christmas. Why is this relevant? Because as per usual, almost every December 25 sees the release of the tent pole movies of the year. This year's class joins the ranks of The Curious Case of Benjamin Button and The Girl with the Dragon Tattoo (though that did open on the 20th) in terms of films that somehow deserve to be the last of the awards-worthy. This year, we have three very interesting, if entirely different nominees: director Quentin Tarantino's Django Unchained, director Kathryn Bigelow's Zero Dark Thirty (released December 21), and director Tom Hooper's Les Miserables. Will any of them stand a chance when it comes to winning Best Picture, or is Argo pretty much locked in?
Before I begin, I would like to wish everyone a Merry Christmas. Why is this relevant? Because as per usual, almost every December 25 sees the release of the tent pole movies of the year. This year's class joins the ranks of The Curious Case of Benjamin Button and The Girl with the Dragon Tattoo (though that did open on the 20th) in terms of films that somehow deserve to be the last of the awards-worthy. This year, we have three very interesting, if entirely different nominees: director Quentin Tarantino's Django Unchained, director Kathryn Bigelow's Zero Dark Thirty (released December 21), and director Tom Hooper's Les Miserables. Will any of them stand a chance when it comes to winning Best Picture, or is Argo pretty much locked in?
Labels:
2012,
Alexandre Desplat,
Anne Hathaway,
Best Picture,
Django Unchained,
Hugh Jackman,
Jessica Chastain,
Kathryn Bigelow,
Leonardo DiCaprio,
Les Miserables,
Quentin Tarantino,
Tom Hooper,
Zero Dark Thirty
Wednesday, November 21, 2012
Will "Rise of the Guardians" Get the Gift of Best Animated Feature?
It has been quite a year for animated movies. Not only have we seen Pixar bounce back into prominence with Brave, but we have also seen two horror-based films (Paranorman and Frankenweenie) and a brilliant video game fueled Wreck-It Ralph (review coming next week). It may be one of the most diverse years in recent times. However, the race isn't quite over. Opening today is Dreamworks Animation's Rise of the Guardians, which can serve as The Avengers of holiday icons ranging from Santa Claus to Jack Frost and the Tooth Fairy. However, is the film capable of standing a chance against the already strong competition at the Oscars, or is it just another holiday film?
Labels:
2012,
Academy Awards,
Alec Baldwin,
Best Animated Feature,
Chris Pine,
Guillermo Del Toro,
Hugh Jackman,
Jude Law,
Peter Ramsey,
Rise of the Guardians,
The Oscar Buzz,
William Joyce
Thursday, November 8, 2012
An Amazing Trailer #2 for My Best Picture Front Runner
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| Amanda Seyfriend |
There is no doubt that anyone who has been to the theaters to see the "prestige" films of 2012 this fall has been forced to sit through the original trailer for director Tom Hooper's Les Miserables, which features Anne Hathaway belting "I Dreamed a Dream." It has been effective enough to make it this long as the film's sole trailer (not including the Regal Theaters exclusive behind the scenes video). However, as the release date for one of the biggest films of the year comes around, it is time to start moving out the heavier promotional materials.
Labels:
2012,
Academy Awards,
Amanda Seyfried,
Anne Hathaway,
Helena Bonham Carter,
Hugh Jackman,
Les Miserables,
Russell Crowe,
Sacha Baron Cohen,
The Oscar Buzz,
Tom Hooper,
Victor Hugo
Wednesday, September 19, 2012
Will the Christmas Release of "Les Miserables" be a Gift in Disguise?
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| Anne Hathaway |
Update: I have written a review that is posted here.
One of the most highly anticipated movies of this year, director Tom Hooper's Les Miserables, has once again made a shuffle. Originally set for release on December 7, it was moved back a week to compete against director Peter Jackson's The Hobbit: An Unexpected Journey. However, things have come up in which it needs time to finish shooting and we see another release date shuffle. Taking over the spot once belonging to director Baz Luhrmann's The Great Gatsby, Les Miserables is now set for a Christmas Day release. Is this a good or bad move for what will easily be one of the front runners at this year's Oscars?
One of the most highly anticipated movies of this year, director Tom Hooper's Les Miserables, has once again made a shuffle. Originally set for release on December 7, it was moved back a week to compete against director Peter Jackson's The Hobbit: An Unexpected Journey. However, things have come up in which it needs time to finish shooting and we see another release date shuffle. Taking over the spot once belonging to director Baz Luhrmann's The Great Gatsby, Les Miserables is now set for a Christmas Day release. Is this a good or bad move for what will easily be one of the front runners at this year's Oscars?
Labels:
2012,
Academy Awards,
Anne Hathaway,
Django Unchained,
Hugh Jackman,
Les Miserables,
Quentin Tarantino,
The Hobbit,
The King's Speech,
The Oscar Buzz,
Tom Hooper,
Victor Hugo
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