A24 A-to-Z: #74. "The Children Act" (2018)

Scene from The Children Act

In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for years to come.

Composing Greatness: #11. Thomas Newman - "Saving Mr. Banks" (2013)

Scene from Saving Mr. Banks

Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

The First Trailer for Laika's "Missing Link" is a Delightfully Curious One

Scene from Missing Link

With exception to maybe Pixar, there have been few animation studios with as strong of a recent track record as Laika, who caters to stop-motion stories that skew a bit more horror and fantasy. It's the type of cinema that the oddball kid would definitely enjoy and their films (Coraline, ParaNorman, Kubo and the Two Strings) all have earned a reputation for provocative stories that are wholly original as well as having some of the greatest animation in their given year. It makes sense then that their latest, 2019's Missing Link, takes on a lot of familiar elements as they tackle another odd subject: the "missing link" between man and species. It looks a lot more comical and silly than the other films, but it's no less of a marvelous visual delight that promises to be another joyful experience. 

Review: "The Meyerowitz Stories" is a Great Family Drama That Finds Humanity in Humor

Scene from The Meyerowitz Stories

In 2005, director Noah Baumbach received critical acclaim for his dysfunctional family drama The Squid and the Whale. While he has continued to evolve as an artist, there's something painful in the drama's nuance. It's human and real in ways that only cinema can capture. After 12 years and several fascinating character studies, Baumbach returns to the family drama with Netflix's The Meyerowitz Stories, which pits Jewish comedians in a story that is funny and uncomfortable in the best ways possible. What follows is a film that captures the complicated relationship of a family torn apart by egos and neuroses. The film creates an authentic experience that will remind audiences of their own complicated and personal relationship to their parents and siblings. It may not be his best film since The Squid and the Whale, but it's proof that he still knows how to do ensemble films.

"The Meyerowitz Stories" Trailer Promises a Serious Adam Sandler Performance... *sigh* Again

Scene from The Meyerowitz Stories

If there's one general agreement, it's that Adam Sandler's glory days as a bankable actor are behind him, at least on the big screen. His work with Netflix has produced an odd range of comedies that have varying degrees of reviews. Still, nobody would mistake what he does for Oscar caliber material. Considering that Netflix is a company that wants to get in on the awards racket, it makes sense then that their latest film, director Noah Baumbach's The Meyerowitz Story at least has an appetizing supporting cast, featuring Ben Stiller, Dustin Hoffman, and Emma Thompson. The first trailer has dropped, and... it's time to talk about his bizarre relationship with prestige movie season yet again. 

What Happened to Jason Reitman?

Left to right: Rosemarie DeWitt and Adam Sandler

How did it come to this? After making an impressive career with films like Juno and Up in the Air, director Jason Reitman has done something disappointing. He has become somewhat of a shell of his former self. Where his past few films all had a sense of urgency that made me call him the contemporary Frank Capra, he hasn't quite captured the magic since Young Adult. In 2014 alone, he has released two films that have failed in one way or another. After Labor Day saw him attempt to do a straight-up drama in ways that were stilted, there was hope that it was a misguided effort. However, when Men, Women & Children matched the rating on critics aggregate website Rotten Tomatoes at 33%, the dreams of this being a potential Oscar nominee became shattered. What happened to Jason Reitman? He used to be so perfect.

Reitman Returns to Thought Provoking Drama with the First Trailer for "Men, Women & Children"

Left to right: Ansel Egort and Kaitlyn Dever

One of the great things about the end of summer is that it marks the beginning of Oscar season. While films like Inherent Vice, Interstellar, and Foxcatcher have their positions planned out, there is still the actual race. Despite what prognosticators will say, there are very few instances where predictions in July will be the same in January. There's way too much that comes out that takes surprising turns. For instance, did anyone see Gravity as a Best Director winner from the first trailer? Alfonso Cuaron fans maybe did, but all of the attention was on 12 Years a Slave. With the first trailer for director Jason Reitman's Men, Women & Children, he looks to be back and ready to surprise the world not only with a film about technology and how it isolates as well as potentially surprising performances. Is this going to be Adam Sandler's foray into the Oscar race? Knowing Reitman's abilities, it just might.

Review: "Saving Mr. Banks" is a Delightful Treat for Fans of Old School Disney

Emma Thompson

There is a novelty of films that take place behind the scenes of beloved films. In a sense, they serve less as an analysis of the creators, but more as reasons to just watch the original films. The purposes get lost and almost feel like pointless fan service. In a sense, a film about beloved Disney film Mary Poppins is bound to be full of in-jokes and kitschy moments for the several who have fallen in love with the Julie Andrews character. Even if director John Lee Hancock can never expect to outshine the charm of the iconic musical, Saving Mr. Banks at least manages to give his behind the scenes story plenty of purpose.

A Look at "Saving Mr. Banks" and Why it Will Be a Front Runner

Tom Hanks

For those that have been reading The Oscar Buzz in the past few months, I have claimed from time to time to have a vague theory as to how director John Lee Hancock's Saving Mr. Banks is going to sweep the ceremony, provided that patterns hold up. While I am excited to be disproved by the recent buzz around 12 Years a Slave, I still believe that the film has the potential to be one of the big films. It is not based off of any quality mark, but just a look at recent trajectory based on the past few years of Best Picture winners. While I doubt that it will win, here is an elaborate theory as to why I believe that we're looking at one of the biggest contenders and don't even realize it yet.