Showing posts with label Life of Pi. Show all posts
Showing posts with label Life of Pi. Show all posts

Sunday, August 16, 2020

Every Best Picture Nominee of the 2010's Ranked: #20-24

Scene from Django Unchained
As 2019 reached its end, another decade of cinema had passed. It's amazing to think about how things have evolved since 2010 when the biggest controversies were about recognizing genre movies. Things look different now, especially as genre films like The Shape of Water and Parasite are winning Best Picture and the voting body looks incredibly different with each passing year. With this period in the books, it feels like a good time to celebrate their accomplishments by ranking all 88 titles nominated for Best Picture from worst to best with the goal of seeing which films are more likely to stand the test of time. Join me every Saturday and Sunday as I count them down, five at a time. It's going to be a fun summer looking back on what was, especially as we prepare for the decade ahead and an even more interesting diversity that we haven't even begun to think of.

Monday, December 30, 2019

My Top 25 Favorite Films of the Decade

Scene from The Master (2012)
The following is an excerpt from my new e-book "A Decade Now Available for Streaming: Celebrating the Films That Helped Define the 2010's," which is currently available for $2 on Amazon. It's a celebration of the best films of the past decade, including these 25 films that stand out as something special to me personally. If you want to read more, the e-book goes into detail on 75 more films that defined the decade and made going to the cinema an exciting past time. 

Sunday, October 27, 2019

Composing Greatness: #4.The Freshman Class of the 2010's - "Life of Pi" (2012)

Scene from Life of Pi
Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

Thursday, October 10, 2019

"Gemini Man" Will Only Be Seen as Ang Lee Intended in 14 U.S. Theaters

Scene from Gemini Man
Oscar season continues to heat up this weekend with the release of Gemini Man. It sounds like an exciting mix, considering that it's from two-time Oscar winner Ang Lee and actor Will Smith, returning to his action roots opposite himself as a clone. It's a film that has been sold not only on its riveting action set pieces but also on technological achievements. Much like Lee's previous film, Billy Lynn's Long Halftime Walk, he is tricking the film out with a reason to see it in a theater. That's right, he intends the film to be seen in 120 FPS (frames per second) 4K in 3D. There's only one catch: those who live in the United States aren't likely to ever see it that way. You will come close if you live near one of any 14 movie theaters that will be showing it in 120 FPS 2K in 3D, but even that is a far cry from the intended format. 

Monday, October 23, 2017

Birthday Take: Ang Lee in "Life of Pi" (2012)

Scene from Life of Pi
Welcome to The Birthday Take, a column dedicated to celebrating Oscar nominees and winners' birthdays by paying tribute to the work that got them noticed. This isn't meant to be an exhaustive retrospective, but more of a highlight of one nominated work that makes them noteworthy. The column will run whenever there is a birthday and will hopefully give a dense exploration of the finest performances and techniques applied to film. So please join me as we blow out the candles and dig into the delicious substance.

Tuesday, October 18, 2016

"Billy Lynn's Long Halftime Walk" Will Only Have 2 Screens Showing Its Intended Version

Scene from Billy Lynn's Long Halftime Walk
For those keeping tallies on reviews for upcoming Oscar movies, one should easily be concerned about director Ang Lee's Billy Lynn's Long Halftime Walk. The general consensus is that the director behind such acclaimed hits as Brokeback Mountain and Life of Pi is unable to strike gold in the ambitious 120 frames per second (FPS) format that his latest film works within. The story has also received some negative reviews, causing worry for anyone expecting the ambitious director to show up big this Oscar season. However, those wanting to take Lee on benefit of the doubt will likely be unable to see the magic of the 120 FPS format. In a recent report, there will only be two actual theaters currently equipped to hand its ambitious nature.

Sunday, October 9, 2016

Best Song: "Skyfall" (2012)

Scene from Skyfall
Welcome to Best Song, a new weekly column released on Sunday dedicated to chronicling the Best Original Song category over the course of its many decades. The goal is to listen to and critique every song that has ever been nominated in the category as well as find the Best Best Song and the Best Loser. By the end, we'll have a comprehensive list of this music category and will hopefully have a better understanding not only of the evolution, but what it takes to receive a nomination here. It may seem easy now, but wait until the bad years.

Monday, May 23, 2016

Happy 1,000th Entry!: A Look at My Favorite Films Since 2012

Scene from The Master
Ladies and gentlemen, I am proud to announce that this marks the 1,000th entry from The Oscar Buzz. Over the past 3.5 years, I am proud to have covered all things Academy Awards as well as expanding to its history and my own personal tastes. It has been a fun ride, and I hope to continue to provide insightful content for my readers. For now, I thought that I would do as I do with every odd anniversary and celebrate by sharing a little bit more about me through film. In this case, I am going to share my 10 favorite movies since 2012 when this blog first started up. Admittedly, it's hard to narrow down the list, but these 10 films in some ways represent what I look for in films. Some of them extend beyond Oscar-nominated fare. Some of them were ironically inches from winning Best Picture. Whatever the case, these are the ones I enjoy. If you'd like, feel free to share your favorite film of the past few years and why that is in the comments below.

Tuesday, October 14, 2014

A Few Thoughts on Long Takes and the Best Director Category

Left to right: Michael Keaton and Edward Norton
There is something magical about the long take in cinema. The longer that a moment is held, the more engaging it becomes. The more that it swerves around the room, the more relaxed it feels. The long take is an approach that has long been reduced to a shot here or there in cinema. However, in 2013, director Alfonso Cuaron received universal acclaim for his work on Gravity, which didn't so much use long takes, but seemed to have them floating through space in awe-inspiring ways. This Friday marks the release of director Alejandro Gonzales Inarritu's Birdman, which ups the ante. For those that found five or even 15 minute long takes fascinating, wait until you see this gimmick. According to reports, Birdman is shot so that its two hour run time looks like one uninterrupted take. If that doesn't impress you, nothing will.

Thursday, March 20, 2014

Review: "Life After Pi" is a Compelling Call for Action

One of the most tragic stories that came out of the 2013 Oscar ceremony was the revelation that FX company Rhythm & Hues filed for bankruptcy. The company that won a Best Visual Effects Oscar for Life of Pi took to the stage that night only to be played off. Close to a year later, the company released a short 30-minute documentary highlighting this epidemic and how it impacted the industry. As the documentary comes to a close, it serves more as a precaution for a rapidly changing industry ahead. As technology continues to be prevalent in the biggest films, it is an issue worth addressing, and one that will hopefully benefit from this story.

Thursday, February 20, 2014

My 10 Favorite Best Picture Losers (2004-2013)

Ladies and gentlemen, we are officially 10 days away from the big ceremony on Sunday, March 2. With everyone rushing to catch their last few missing pieces, I have decided to commemorate the final stretch by looking back at a top 10 different from the one most people are talking about: My Top 10 Favorite Best Picture Losers (2004-2013). What does this entail? It simply means that of the numerous nominees in the category, these are the ones that made the cut, but left the ceremony without the big trophy. With the 86 years being a daunting task to compile a singular 10, this is a look at the past decade and highlighting the ones that I either loved more or revisit with some regularity. 

Friday, February 14, 2014

Check This Out!: "Rhythm & Hues: Life After Pi" Trailer Promises a Look at the Fallen VFX Company

It came as strange news to find out that the Best Visual Effects winner for Life of Pi also went bankrupt. VFX company Rhythm & Hues were responsible for bringing the gorgeous, C.G.I.-heavy film to life. With the new documentary Rhythm & Hues: Life After Pi, there is going to hopefully be exploration into what lead to this downfall and why C.G.I. companies are folding despite producing some of the highest grossing films in a given year. Check out the trailer (above) and make sure to look for it being released online on February 25, one day after the broadcasting last year's ceremony. 

To learn more, check out their website here.

Wednesday, February 27, 2013

Top 20 Highlights of the 85th Academy Awards

Seth MacFarlane

Now that the Oscars are over for another year, it is time to look back and remember what was great about the ceremony. I know, I have already written up a brief recap about the events, and with majority of things officially over with, I too must wrap up coverage. I assure you, this will be the last for the 2013 Oscar season. However, keep in mind that I plan to continue to post weekly on films that could possibly get nominated next year, even if the logical ones are months away. To wrap up this season, here is a look at 20 memorable moments from the 85th Academy Awards Ceremony hosted by Seth MacFarlane.

Monday, February 25, 2013

Were Your Predictions Spot on with this Year's Oscar WInners?

Clockwise top to bottom: Daniel Day Lewis, Anne Hathaway,
Christoph Waltz, and Jennifer Lawrence
As many people undoubtedly know by now, the 85th Academy Awards was a success for the most part. True, it seemed more fragmented than normal, but it wasn't an egregious year for the most part. There weren't too many upsets, at least in terms of winners. However, it is that time to reflect on how YOU the viewer did and see if you predicted the show, or was left in awe of Ang Lee's Best Director win for Life of Pi. As my results will show, it wasn't exactly a great year for me. However, let's run down the winners and see how they matched up.

A Few Thoughts on the 85th Academy Awards Ceremony


Ladies and gentlemen, it has come to a close. The 85th Annual Academy Awards were announced tonight and there was plenty of cheers and jeers. For those that took my votes, you lucked out big time. True, my 9 out of 24 meant that it was my lowest predictions year on record, but that doesn't mean that there were some great surprises sprinkled throughout. True, my Joaquin Phoenix (The Master) appreciation wasn't enough to overcome the towering Daniel Day Lewis (Lincoln), but on the bright side, I can go with the delusional logic that at least I predicted Argo for Best Picture. While this isn't a recap of the winners (which I assure you will come later in the week) or a highlights, it is an initial collective of thoughts on the ceremony. What went right, wrong, and how I feel things could have been different. 

Wednesday, February 13, 2013

The Simple Way That "Argo" and "Lincoln" Can Both Get Top Honors

Left to right: Daniel Day Lewis in Lincoln and Ben Affleck in Argo
We are a little over 10 days until the big ceremony happens. While many speculate that director Ben Affleck's Argo will win despite a director nomination, director Steven Spielberg's Lincoln is giving a healthy dose of competition. Lincoln also has distinct honor of having 12 nominations, one of which almost seems guaranteed: Daniel Day Lewis for Best Supporting Actor. However, along with a few BAFTA trophies, Argo is looking more and more to be a definitive lock for Best Picture.  Still, it is anyone's game. While it seems like a crass concept, there is a way for both parties to be happy. And yes, in the case of Spielberg, it has happened before.

Thursday, January 10, 2013

The Oscar Nominations Are In, and It Is Looking Great!



For movie fans around the world, this morning was one of the greatest days of the year. Okay, maybe second favorite. Today was the day that Seth MacFarlane and Emma Stone got up on stage and announced this year's Oscar nominations. As usual, there are many cheers and jeers to be given out. However, in a very interesting year for film, even what ended up snubbing superior films isn't all that embarrassing. It is actually a strong year for nominations, in fact and I cannot wait for the ceremony. Following the jump is my personal thoughts on each category as well as my official votes. Feel free to share your opinions in the comments section.

Wednesday, January 9, 2013

Predictions: Who Should Get a Best Picture Nomination in 2013?

2012's Best Picture Winner, cast and crew for The Artist
We are in an exciting time for Oscar enthusiasts. We are officially one week away from the announcement of this year's nominees. In order to contribute some thoughts, I will be going down the major categories (Acting, Directing, and Best Picture) and predicting who will be the most likely to get nominated, as well as a few tidbits on why I agree with these decisions. Be warned that every story that I am going to write in relation to predictions will not actually feature any bias towards who should win. However, I will be detailing why I think each should be nominated. Also stay tuned for post-coverage in which I will actually be sharing my thoughts on the nominations and solidify who I believe should win in each category.

Tuesday, January 8, 2013

Predictions: Who Should Get a Best Director Nomination in 2013?

2012's Best Director winner Michael Hazanavicius (The Artist)
We are in an exciting time for Oscar enthusiasts. We are officially one week away from the announcement of this year's nominees. In order to contribute some thoughts, I will be going down the major categories (Acting, Directing, and Best Picture) and predicting who will be the most likely to get nominated, as well as a few tidbits on why I agree with these decisions. Be warned that every story that I am going to write in relation to predictions will not actually feature any bias towards who should win. However, I will be detailing why I think each should be nominated. Also stay tuned for post-coverage in which I will actually be sharing my thoughts on the nominations and solidify who I believe should win in each category.

Predictions: Who Should Get a Best Actor Nomination in 2013?

2012's Best Actor winner Jean Dujardin (The Artist)
We are in an exciting time for Oscar enthusiasts. We are officially one week away from the announcement of this year's nominees. In order to contribute some thoughts, I will be going down the major categories (Acting, Directing, and Best Picture) and predicting who will be the most likely to get nominated, as well as a few tidbits on why I agree with these decisions. Be warned that every story that I am going to write in relation to predictions will not actually feature any bias towards who should win. However, I will be detailing why I think each should be nominated. Also stay tuned for post-coverage in which I will actually be sharing my thoughts on the nominations and solidify who I believe should win in each category.