Review: "Mank" is a Distracting Messy Homage

Scene from Mank

No matter who you are, there's a good chance somebody at least once has told you that Citizen Kane is one of the greatest movies ever made. The mythology surrounding it has only ballooned in the near 80 years since its release, finding director Orson Welles being considered a filmmaking pioneer who took down Hearst with this swift commentary of greed and corruption. While history has been favorable, there are those like director David Fincher who want to posit that Welles wasn't the mastermind behind this story. There was one man in particular named Herman J. Mankiewicz - a studio savant who navigated the studio system in the 1930s before making this screenplay that changed the world. 

It's a juicy enough hook for Fincher to apply his familiar hostile view of humanity to. After all, who doesn't love an underdog story, where history can be rewritten to immortalize the real heroes? The issue with Mank isn't so much what it intends to achieve, but that it does so in a bit of a clumsy way. Based on a screenplay written by his father Jack Fincher, it's a story that glamorizes early Hollywood with endless references and pastiches that help to explore the "movie magic" concept. However, there's little else going on here that feels essential. For a story about writing a universally acclaimed hit, it sure lacks the payoff that could make this into a modern masterpiece. It's a bit of a misfire, finding Fincher giving too much into sentimentalism that clouds his technique, keeping the story from ever meeting its full potential.

The First "Mank" Trailer Reshapes the Narrative Around "Citizen Kane"

Scene from Mank (2020)

If you ask anyone to rattle off a list of the best movies ever made, there is a good chance that Orson Welles' 1941 film Citizen Kane will be on that list. For reasons that I don't need to get into, it has been praised and reassessed for almost 80 years, finding new audiences appreciating the craft that goes into telling a compelling story about a tycoon. Even if there's plenty of great stories behind its making, one has to ask if there's anything worth making an entire movie out of. 

Apparently on that list is David Fincher, making his cinematic return for the first time since Gone Girl. With one of the few major Fall releases still on the docket, Mank looks to be a period piece that captures the dark drama in full detail, making you understand the pain and sacrifice that goes into making cinema. It's a story of the screenwriter, Herman L. Mankiewicz, and his battle to get recognition for his script. While this sounds like Oscar-bait on its surface, Fincher's increasingly proficient, technologically-groundbreaking works don't take these stories lightly. One has to wonder what drew him to this story. If nothing else, the first official trailer looks to promise one of the most visually astounding works of 2020, if not the Citizen Kane (some pun intended) of recent Hollywood biopics. 

A24 A-to-Z: #65. "First Reformed" (2018)

Scene from First Reformed

In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for years to come.

Review: "First Reformed" is Schrader's Unnerving, Nihilistic View of Grappling with Faith

Scene from First Reformed

The latest film from director and writer Paul Schrader is a war for balance. Early on in the film, it's established that one cannot have hope without despair. So is the struggle of Toller (Ethan Hawke), a priest about to celebrate the 250th anniversary of the First Reformed church. It's a place that's meant to bring hope, but what happens when Toller's life is nothing but despair, drawing him to alcoholism and an overwhelming sense that the Earth will perish? Schrader's vision of faith is a classic sense of nihilism, capturing what happens when despair wins the war. By the end, the film has created a scenario that would take even the most devoted viewer want to believe in hope, even as it it creates a vision of despair so uncomfortable that it's both antagonistic and blissful. 

Theory Thursday: "Jennifer's Body" is Underrated

Scene from Jennifer's Body

Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

A24 A-to-Z: #18. "While We're Young" (2015)

Scene from While We're Young

In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for ears to come.

Here's a Look at the 774 New Members of The Academy

Gal Gadot in Wonder Woman

There's no denying that the one thing that probably made last year's Academy Awards very interesting was the diverse new membership. 2016 saw a record breaking 683 new members. This was in large part to combat diversity issues both in terms of race and in gender. If nothing else, it made for one of the less predictable Best Picture years in recent history where Moonlight upset La La Land for top prize. Still, those who thought that there was no way to top last year's impressive haul clearly didn't wait around for the following year's inductees. The record is once again broken and there are now 774 new people being invited to join The Academy, including Gal Gadot, Kristen Stewart, Elle Fanning, Dwayne Johnson, and even Betty White. It's an impressive list, and one that looks to say good things about the future of The Academy going forward.

Review: "While We're Young" Explores Nostalgia and Aging in the Best Ways Possible

Left to right: Ben Stiller and Adam Driver

It is tough to get old. It isn't just the responsibility or the failing body that is tough. It's the notion of relevance that one must accept in the process or deem himself forever foolish. It is a subject that has created a subgenre of film trying to plant adults as relevant members of society. However, the unfortunate truth is that no matter what happens, there will always be the fear of irrelevancy, whether socially or personally. In director Noah Baumbach's latest While We're Young, he tackles the subject not with the typical affirmation, but the humbling humor of realizing just how silly you'd look in a hipster hat and attending strange spiritual rituals. It may not seem like it, but this is the study of aging from infancy to elderly age as best embodied in a bohemian city. It may be funny, but it's also painfully honest.

The First "Pan" Trailer is a Beautiful Spectacle Promising Great Adventure

Hugh Jackman

With awards season in our midst, it isn't entirely wise to look forward to next year's potential selections. However, there are few names as reassuring a contender as that of director Joe Wright. Known for making definitive adaptations of some of the best literature with Pride & Prejudice and Atonement, there is reason to celebrate every time he comes around with a new film. After making the divisive Anna Karenina, he has been out of the limelight working on a new adaptation of a Peter Pan origin story known as Pan. The first trailer has dropped and it's time to get excited once again. Wright cannot make an ugly film. That's just fact.

Review: "Les Miserables" is the Amazing Musical Adaptation We've Been Waiting For

Hugh Jackman

One of the greatest joys of watching director Tom Hooper's latest Les Miserables is the realization that the musical genre has been regenerated with life. After mainstream duds like this past summer's Rock of Ages, it is fascinating to watch as Hooper takes the beloved stage show based on Victor Hugo's novel and turn it into this big lavish story with an all star cast and live recordings. Even if the film has flaws (which it does), it wears the passion and craft so proudly that it turns a movie that is essentially three hours of singing into a well constructed narrative with vivacious tunes and some jaw dropping performances. Les Miserables is a refreshing sight for the sheer fact that it feels like people are trying. But with all of this effort in place, can it go the extra mile and earn Best Picture?

An Amazing Trailer #2 for My Best Picture Front Runner

Amanda Seyfriend

Update: I have written a review posted here.

There is no doubt that anyone who has been to the theaters to see the "prestige" films of 2012 this fall has been forced to sit through the original trailer for director Tom Hooper's Les Miserables, which features Anne Hathaway belting "I Dreamed a Dream." It has been effective enough to make it this long as the film's sole trailer (not including the Regal Theaters exclusive behind the scenes video). However, as the release date for one of the biggest films of the year comes around, it is time to start moving out the heavier promotional materials.