Review: "The Post" Romanticizes the Value of Journalism to Its Full Potential

Scene from The Post

In 2017, the term "fake news" defined a crisis of journalistic integrity. Regardless of its actual merit, it lead to a rising concern of who could be trusted within the media. After all, these are the people telling millions of people the important events as they happen. With director Steven Spielberg's The Post, it's the heart of the conversation at The Washington Post prepares to publish the infamous Pentagon Papers. It's a film that asks the question as to who could be trusted to deliver the news, and the importance of reporting the stories honestly. It may be at times a conventional and polished look at the world of journalism, but its most triumphant moments are defined by hard work and the knowledge that truth prevailed. It's a message that seems as timely now as it did 45 years ago, making The Post into an even more prescient period piece.

The First Trailer of "The Post" Shows Spielberg Digging Into a Seriously Promising Story

Scene from The Post

With less than two months to go, it's becoming harder to find new movies to add to the Oscar race. Of course, that is director Steven Spielberg's specialty. While he debuted a trailer for next summer's Ready Player One back at Comic Con, many have wondered what his prestige movie of 2017 would look like. The Post is lead by Oscar-winners Meryl Streep and Tom Hanks, and at least promised to shake up one of the most unformed awards seasons in years. With the first trailer officially out, Spielberg is back in drama mode, and it looks like he's going to be taking audiences to the familiar serious ground of his last Hanks collaboration, Bridge of Spies, and there's plenty to like so far.

The Runner-Ups: Mark Duplass in "Blue Jay" (2016)

Mark Duplass in Blue Jay

Every Oscar season, there are a handful of actors who get tagged with the "snubbed" moniker. While it is always unfortunate to see our favorites not honored with at very least a nomination, there's another trend that goes largely unnoticed: those who never even got that far. The Runner-Ups is a column meant to honor the greats in cinema who put in phenomenal work without getting the credit that they deserved from The Academy. Join me every other Saturday as I honor those who never received any love. This list will hopefully come to cover both the acting community, and the many crew members who put the production together.

Here's a Look at the 774 New Members of The Academy

Gal Gadot in Wonder Woman

There's no denying that the one thing that probably made last year's Academy Awards very interesting was the diverse new membership. 2016 saw a record breaking 683 new members. This was in large part to combat diversity issues both in terms of race and in gender. If nothing else, it made for one of the less predictable Best Picture years in recent history where Moonlight upset La La Land for top prize. Still, those who thought that there was no way to top last year's impressive haul clearly didn't wait around for the following year's inductees. The record is once again broken and there are now 774 new people being invited to join The Academy, including Gal Gadot, Kristen Stewart, Elle Fanning, Dwayne Johnson, and even Betty White. It's an impressive list, and one that looks to say good things about the future of The Academy going forward.

Failed Oscar Campaigns: "Carol" (2015)

Scene from Carol

As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.

Review: "Carol" is About as Perfect as Movies Get

Scene from Carol

Love. At its core, almost every fiction narrative film has been in some capacity about the subject of love. It could be the explicit love between two subjects. It could be for the love of power. Whatever it may be, love remains just as vital to cinema after a century despite the emotions being the same thing in a different wardrobe. So how exactly do you improve on love in ways that The Lady Eve or Titanic hasn't covered? While thousands of films have tried, none have come close to the sublime new film from director Todd Haynes called Carol. While there's not much of a gimmick (two women fall in love), it's an example of love at its core; expressed with visual beauty and narrative excellence the likes of which haven't been seen in American films for quite some time. Carol may not have the most exciting story, but it has the purest depiction of what love is all about.

Nothing But the Best: "12 Years a Slave" (2013)

Chiwetel Ejiofor in 12 Years a Slave

Welcome to the series Nothing But the Best in which I chronicle all of the Academy Award Best Picture winners as they celebrate their anniversaries. Instead of going in chronological order, this series will be presented on each film's anniversary and will feature personal opinions as well as facts regarding its legacy and behind the scenes information. The goal is to create an in depth essay for each film while looking not only how the medium progressed, but how the film is integral to pop culture. In some cases, it will be easy. Others not so much. Without further ado, let's start the show.

Lesbian Drama "Carol" Receives New Release Date

Cate Blanchett

If you're already marking up your calendar for Oscars season, there's plenty of chance that director Todd Haynes' Carol has been on there since its stellar debut at the Cannes Film Festival. With its initial release date planned for December 18, it was looking to open among a heady group that included The Hateful Eight and even blockbusters like Star Wars: Episode 7 - The Force Awakens. Even if Carol is almost a surefire Oscar contender, it made a move recently that saved it from falling into obscurity. It has a release date that gives it more of a significant notice to the casual audiences.

Review: "12 Years a Slave" is a Quintessential Film About Slavery

Chiwetel Ejiofir

Once in awhile, a film comes along that almost seems to become bigger than its subject. Something that becomes so hyped that it almost feels like a cherished relic before it even hits theaters. After impressing audiences at TIFF, director Steve McQueen's latest 12 Years a Slave appears to be part of that select few. It seems bizarre that a film from the creator of Hunger and Shame, two morbidly bleak stories, could become an Oscar front runner and turn in a film that is arguably already one of the classics. His adoration for the novel by Solomon Northup and desire to bring to life a point in American history that tends to get overlooked brought together not only one of the best movies about slavery, but probably one of the best films of the decade.