"Ford V Ferrari" and the Power of Good Editing

Scene from Ford v Ferrari

On the surface, director James Mangold's work on Ford v Ferrari doesn't seem that impressive. After all, how many times has a camera zoomed in on Vin Diesel pulling the hammer down as he prepares to start a drag race? It has to be a few dozen at this point. People love watching cars go fast, and that only begins to explain why Mangold's latest has gotten where it is. True, it has some fun performances by Matt Damon and Christian Bale, but what it does in its third act is one of the most magnificent uses of editing and sound design by any film in 2019. So what if it's a period piece grounded in realism and not Furious 7 jumping from skyscraper to skyscraper? It still has a lot to achieve, and it does so over the course of one of the most daunting 40 minutes of cinema of the past year.

Review: "Ford V Ferrari" Gears Up for a Good Time

Scene from Ford V Ferrari

In recent years, no film has captured American ingenuity quite like director James Mangold's Ford V Ferrari: a true story of the Ford Motor Company's attempt to beat Ferrari in the 24 Hours of Le Mans race. There is that dream of being the best, the fastest, pushing the boundaries of what's capable, and no film has felt as accomplished as this one. To watch Ken Miles (Christian Bale) take a corner while spouting comical Cockney slang like he's in an episode of Wacky Races is to see filmmaking at its most confident. The film almost doesn't need an audience's approval. The editing, sound design, and floating camera angles serve as an incredible feat of style as smooth as the car's paint job. If this isn't the best film in decades about why people get behind the wheel, then it still serves as a drama about the human spirit's desire to compete. No feeling can match the joy of its third act, and thankfully it all zooms along like a finely oiled machine.

Here's the List of the 842 New Academy Voting Members for 2019

Lady Gaga in A Star is Born (2018)

While the summer season is just heating up (literally and figuratively), it's also that point where The Academy welcomes in their new class of new voters. Last year saw a record-breaking 928 new invitations to join. While this year's 842 falls just shy of that total, it is by no means a sign that things are slowing down. In fact, things are actually looking better based on the numbers. The laws put into place by former president Cheryl Boone Isaacs to have more diversity is starting to become a reality, with female representation etching closer to 50% and overall diversity becoming more reflective of modern audiences. Who made the cut? You'll have to read on to find out.

A24 A-to-Z: #58. "Lady Bird" (2017)

Scene from Lady Bird

In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for ears to come.

A24 A-to-Z: #49. "The Lovers" (2017)

Scene from The Lovers

In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for ears to come.

Long Shot Week: Best Picture - "Lady Bird"

Scene from Lady Bird

Welcome to the first Long Shot Week, where I will attempt to persuade you to think outside of the Oscar box. While it's too late to change voters' minds, I believe that audiences need to take a moment to look at the other contenders in any category and give them a chance. Long Shot Week is designed as a way to highlight these talents that likely don't stand a chance of winning, but more than deserve a chance to be appreciated for what they bring to the game. In a way, this is my list of "Films that should've won," though it's not always indicative of my favorite. Join me all week as I look at different categories and pose the question "Why not?" in hopes that The Oscars still have a few surprises up their sleeve.

Review: "The Post" Romanticizes the Value of Journalism to Its Full Potential

Scene from The Post

In 2017, the term "fake news" defined a crisis of journalistic integrity. Regardless of its actual merit, it lead to a rising concern of who could be trusted within the media. After all, these are the people telling millions of people the important events as they happen. With director Steven Spielberg's The Post, it's the heart of the conversation at The Washington Post prepares to publish the infamous Pentagon Papers. It's a film that asks the question as to who could be trusted to deliver the news, and the importance of reporting the stories honestly. It may be at times a conventional and polished look at the world of journalism, but its most triumphant moments are defined by hard work and the knowledge that truth prevailed. It's a message that seems as timely now as it did 45 years ago, making The Post into an even more prescient period piece.

"Lady Bird" is Officially the Highest Rated Movie on Rotten Tomatoes

Saoirse Ronan in Lady Bird

For those who haven't heard, director Greta Gerwig's film Lady Bird is good. If you trust my opinion, I would say it's best of the year good. Many people have been clamoring onto it in recent weeks, and it has gained some serious traction during awards season as well with many predicting a third Oscar nomination for lead Saoirse Ronan. For those that don't believe the phenomenon of this indie darling, one simply needs to check the box office and critical stats. Lady Bird has grossed over $10 million without playing yet on more than 800 screens. As of today, it also is the highest rated film in Rotten Tomatoes history. Some may disagree on how good it actually is, but the numbers have given it a rare achievement, and one that is worthy of celebration.

Review: "Lady Bird" is a Funny, Touching Ode to Youthful Doubt

Scene from Lady Bird

Lady Bird is a rare achievement. It's a movie about what it means to be Catholic in the 21st century. While there isn't a shortage of films in which God is prayed to (see also: Silence), director Greta Gerwig has tapped into something personal to uncover a more accurate reality. These aren't people who live their life by the church, but whose faith is so indebted to their identity that it informs every small decision they make, including the familiar teenage rebellion. Lady Bird, played by Saoirse Ronan, is about to finish high school with dreams of going to a New York liberal college. With fraught relationships to her parents, she finishes the last year of school with a series of memorable experiences. They may not be the most overt faith-based details in any recent film, but they feel the most truthful. Lady Bird is a film that understands how youth and identity plays into the bigger picture, and Gerwig's excellent debut is all the better for it.

Review: "August: Osage County" Has a Lot of Great Performances... and Meryl Streep

Left to right: Julia Roberts, Meryl Streep, and Julianne Nicholson

The appeal of director John Wells' August: Osage County is that it pits many talented actresses against each other in a fight over family dysfunction through varying generations. Lead by Julia Roberts and Meryl Streep, this adaptation of the Tracey Letts' play is an effective slice of drama that lets characters shine and even tear into each other with a vibrant, hostile script that makes one hot weekend in Osage County into a pivotal point in the Weston family's life. It may at times suffer from overacting, but at its core, it is an engrossing family case study.

Is "August: Osage County" Capable of Being a Last Minute Best Picture Contender?

Left to right: Meryl Streep and Julia Roberts

*Note: Due to unforeseen circumstances, I was unable to write up a piece on director John Wells' August: Osage County during its premiere week.

With the Oscar nominations exactly one week away, it is an exciting time at The Oscar Buzz to look at all of the nominees. While I have covered majority of the big contenders over the past few months, the one that I forgot to write a piece on is August: Osage County, which looks to be a haven for potential actor nominations, specifically for that of Meryl Streep in the Best Actress race. The truth is that as the literal last film of 2013 to come out that had any awards potential, it does seem strange that it hasn't quite caught any buzz yet.