Showing posts with label John Goodman. Show all posts
Showing posts with label John Goodman. Show all posts

Thursday, August 30, 2018

Theory Thursday: "Inside Llewyn Davis" is Oscar Isaac's Best Performance

Scene from Inside Llewyn Davis
Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

Thursday, May 17, 2018

Theory Thursday: "Atomic Blonde" is a Masterpiece

Scene from Atomic Blonde
Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

Thursday, January 12, 2017

Theory Thursday: John Goodman Deserves an Oscar Nomination for "10 Cloverfield Lane"

John Goodman in 10 Cloverfield Lane
Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

Friday, October 21, 2016

Super Delegates Bonus: Jimmy Carter on "Argo" (2012)

Welcome to Super Delegates Bonus. As a subsidiary of Super Delegates, the sporadic additional column is meant to explore depictions of politicians on film outside of the conventional methods of the column. This ranges from everything such as political candidates in TV movies and miniseries to real life candidates providing feedback on their pop culture representation. While not as frequent or conventional, the goal is to help provide a vaster look at politics on film as it relates to the modern election year. Join in and have some fun. One can only imagine what will be covered here.

Sunday, July 24, 2016

Best Song: "If I Didn't Have You" (2001)

Scene from Monsters Inc.
Welcome to Best Song, a new weekly column released on Sunday dedicated to chronicling the Best Original Song category over the course of its many decades. The goal is to listen to and critique every song that has ever been nominated in the category as well as find the Best Best Song and the Best Loser. By the end, we'll have a comprehensive list of this music category and will hopefully have a better understanding not only of the evolution, but what it takes to receive a nomination here. It may seem easy now, but wait until the bad years.

Saturday, February 13, 2016

Failed Oscar Campaigns: "Inside Llewyn Davis" (2013)

Oscar Isaac
As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.

Friday, February 5, 2016

Top 10 Actors Who Have Worked with The Coen Brothers Multiple Times

From Hail, Caesar! poster
If there's one thing that directors Joel and Ethan Coen love, it's a strong ensemble. With today's release of their latest Hail, Caesar!, it feels important to remember the many actors that they have worked with to make such iconic cinema for over 30 years. The following is a ranking of the Top 10 repeat offenders all between their debut Blood Simple and 2013's Inside Llewyn Davis. While this list is subject to change as more members join their weird little stable, the following reflects an insurmountable group by which The Coen Brothers would be nothing without. Along with ranking, the list will include their greatest credit, for which it would be impossible to not see them as when talking about their greatest work.

Monday, October 12, 2015

Nothing But the Best: "Argo" (2012)

Scene from Argo
Welcome to the series Nothing But the Best in which I chronicle all of the Academy Award Best Picture winners as they celebrate their anniversaries. Instead of going in chronological order, this series will be presented on each film's anniversary and will feature personal opinions as well as facts regarding its legacy and behind the scenes information. The goal is to create an in depth essay for each film while looking not only how the medium progressed, but how the film is integral to pop culture. In some cases, it will be easy. Others not so much. Without further ado, let's start the show.

Wednesday, August 12, 2015

R.I.P. Uggie (2002-2015)

Uggie with Jean Dujardin
In 2011, there was a reason to love canines. It seemed like they were everywhere from indie films (Beginners) to animation (The Adventures of Tintin). However, there weren't any that swept the zeitgeist quite like that of Uggie: the little Jack Russell Terrier from director Michel Hazanavicius' The Artist. Besides the film winning Best Picture, Uggie became the talk of the town, appearing nonstop over the next few years at public events (and even the Oscars ceremony). He even had an autobiography, which (according to the internet) he wrote himself. He was a dog with phenomenal talent that unfortunately was euthanized yesterday at the age of 12. He may not have had the most prolific screen presence, but he did make the most the most of his brief time in films.

Monday, May 5, 2014

Should John Goodman Get an Honorary Oscar?

John Goodman in The Artist
Every now and then there are discussions about Academy Award winners of the past. To many, it remains a chance to spout obscure trivia facts like: What was Morgan Freeman's first Oscar nomination for? (Answer: Best Supporting Actor - Street Smart) or What film was Bob Hoskins nominated for? (Answer: Best Actor - Mona Lisa). It is likely that some facts have been brushed under the table to the point where we think that everyone of cinematic value has at very least been nominated. However, one of the most shocking omissions from even the nomination bracket is the legendary character actor John Goodman. Quick! Name the film he was nominated for. You can't because he never was nominated. In this post, I ask you the question: Should John Goodman receive an honorary Oscar?

Monday, February 17, 2014

Review: "The Monuments Men" is a Safe Look at Art's Influence on Culture

George Clooney
After being moved to 2014 due to need for more post-production work, director George Clooney's The Monuments Men finally opened this month. It is in the midst of an Oscar season that it was once in the discussion of, which may be problematic for its chances next year. As evident by the past, films opening before June (and this year: October) are doomed to not even receive any recognition. While it could be that the largely competitors of the time are throwaway cash cows, it is also just because it is too early in any given year to be thinking about next year's ceremony. This isn't so much a problem for Clooney, whose prestige within the Academy has recently been recognized with a producer win for Argo. However, his star-studded World War II film is another story and one that does open the debate for next year's ceremony.

Saturday, December 28, 2013

Review: "Inside Llewyn Davis" is a Brilliant Love Letter to Performers

Oscar Isaac
Originally published at CinemaBeach.

There are tragic realities to those pursuing music as a career choice. While a small chunk succeeds, there are those that toil in struggle the entire time. This wouldn’t seem apparent in most films, but then again Joel and Ethan Coen aren’t most filmmakers. Their melancholy stories chronicling American culture through the decades are full of humor, absurdity, and a sense of punishment. Their latest, Inside Llewyn Davis, has all of these elements in spades, and with music collaboration from T. Bone Burnett, this tale of the 60’s folk scene is full of catchy songs and the most egotistical loser of the year. That is to say that it is the Coen Brothers operating at their best.

Tuesday, October 22, 2013

Now "The Monuments Men" Gets Moved to 2014

George Clooney
It has been quite a day for movies getting switched around. Earlier today, The Wolf of Wall Street confirmed that it was coming out just in time for Christmas and thus qualifying for this year's Oscar race. As discussed in that article, it is going to be a packed season of films and there is a good chance that it will be hard to see them all. While this was why Jack Ryan was moved, it isn't so much the case with the latest announcement. Director George Clooney's war film The Monuments Men will not be around this holiday season. Much like The Wolf of Wall Street, the reasons are good enough to justify this shift.

Thursday, August 8, 2013

"The Monuments Men" Debuts with an Exciting, Star-Studded Trailer

Left to right: Matt Damon and George Clooney
It seems like we're in a recent winning streak with trailers right now. In the past week alone, we have gotten stuff for American Hustle, Her, The Secret Life of Walter Mitty, and now one of the surefire Oscar contenders: director George Clooney's The Monuments Men. While it has been hyped since January as one of the films of the year, it is largely because Clooney is one of the biggest threats to competitors in general. As we'll discuss later on, he may not be the most decorated Oscar nominee/winner, but his presence and contribution is fascinating and the fact that this looks to be another strong entry only makes it harder to deny his charisma. 

Tuesday, June 25, 2013

Review: "Monsters University" is a Great Welcome Back to the Fun Side of Pixar

If forced to poll a random group of people what their favorite Pixar movie was, there would be little doubt that Monsters Inc. ranked near the top. Its whimsical look into a world of monsters who scare for a living has become one of the studio's most successful both with audiences as well as tonally. It made Billy Crystal a star to a whole new generation and created a universe of wonderment. It only seemed logical that 12 years later they would want to revisit the characters with a trip to Monsters University: a film that saw these characters meet and even bond over their love of scaring. With the voice talents who made the first successful, is it possible that they managed to create another hit?

Friday, November 2, 2012

Is Washington Ready to Take "Flight" into the Acting Category?

Denzel Washington
It has been awhile since we've had a likely candidate for Best Actor. Along with director Steven Spielberg's upcoming Lincoln, we are looking at that field to be closing fast. With Joaquin Phoenix (The Master) and John Hawkes (The Sessions) almost guaranteed and with a possibility of Anthony Hopkins (Hitchcock), it seems like movies like director Tom Hooper's Les Miserables will need to do double time to break the mold. However, this weekend sees the rise of the next possible candidate: Denzel Washington in director Robert Zemeckis' return to live action film Flight about an alcoholic pilot who averted a plane crash. Are we looking at the return of the acting juggernaut who last won Best Actor for director Antoine Fuqua's Training Day, or is the same old Washington that we've come to expect?

Friday, October 19, 2012

Review: "Argo" is an intense history lesson

Ben Affleck
The following review was originally published at CinemaBeach this past Thursday. Please feel free to visit the website and check out my other work, including reviews on former topics of The Oscar Buzz, including ParaNorman, Looper, and upcoming topic: Beasts of the Southern Wild. The website takes pride in giving you coverage of movies with an independent mindset as well as bigger films from authentic voices. Feel free to check out the other work and coverage of the movies as well as awards season in general. As for Argo's Oscar chances? I am almost sure that it will get Best Picture and Best Original Screenplay nominations. I would like for Best Director, but we'll have to see the competition.

Tuesday, October 9, 2012

Can "Argo" Become a Timely Oscar Winner?


Update: I have posted a review for Argo here.

As I have stated previously, I believe that the Oscar Buzz season started with director Paul Thomas Anderson's The Master, which managed to make a strong case for several major category nominations. However, it has been a few mild weeks since waiting for another nominee to get a wide release instead of just being the movie that critics rave about. This Friday sees the release of the highly acclaimed Argo, Ben Affleck's third directorial effort. With a stellar ensemble and the tagline "Based on a Declassified True Story," is Argo capable of giving Anderson some healthy competition for Best Picture?

Saturday, September 15, 2012

Why "ParaNorman" should win Best Animated Feature



One of the most interesting categories every year at the Oscars is the Best Animated Feature. Many think that it has always been a Pixar-owned category, but the brief 11 year history proves otherwise. Films such as Shrek, Spirited Away, and Rango have defeated Pixar's mighty reign on the family entertainment category. With Brave undoubtedly getting a nomination this year, I am rooting for another strange little feature. One that actually shows ambition and deserves the statue: ParaNorman.