Every Best Picture Nominee of the 2010's Ranked: #75-79

Scene from War Horse

As 2019 reached its end, another decade of cinema had passed. It's amazing to think about how things have evolved since 2010 when the biggest controversies were about recognizing genre movies. Things look different now, especially as genre films like The Shape of Water and Parasite are winning Best Picture and the voting body looks incredibly different with each passing year. With this period in the books, it feels like a good time to celebrate their accomplishments by ranking all 88 titles nominated for Best Picture from worst to best with the goal of seeing which films are more likely to stand the test of time. Join me every Saturday and Sunday as I count them down, five at a time. It's going to be a fun summer looking back on what was, especially as we prepare for the decade ahead and an even more interesting diversity that we haven't even begun to think of.

Composing Greatness: #5.The Freshman Class of the 2010's - "Gravity" (2013)

Scene from Gravity (2013)

Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

Composing Greatness: #8. Thomas Newman - "The Good German" (2006)

Scene from The Good German

Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

Theory Thursday: "Tomorrowland" (2015) is Underrated

Scene from Tomorrowland

Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

Review: "Suburbicon" is Messy and Mean-Spirited Satire With Fleeting Moments of Inspiration

Scene from Suburbicon

When one thinks of the 1950's American suburbs, there's a certain image that comes to mind. It's the land of TV shows like Leave It To Beaver, where conflicts are so pedestrian that one would be forgiven for thinking that baby boomers were wimps. It's an image that has been satirized both loving and mawkishly, and director George Clooney is the latest to throw his name into the ring with a film that not only subverts the suburban mentality, but attempts to explore it through a modern political prism. The film isn't as funny as its Joel and Ethan Coen script (also co-penned by Clooney and frequent partner Grant Heslov) would suggest, but it's one of the year's more interesting messes that attempts to take fake conservatism down a peg with a liberal agenda that is as obvious as it is prescient in 2017. The film is a mess, but at least Clooney keeps it interesting.

Theory Thursday: "The Ides of March" is George Clooney's Best Movie

Scene from The Ides of March

Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

A Quick Rundown of Trailers for Potential Oscar Season Front Runners

Scene from Suburbicon

Once again, I apologize for being a little quieter than normal on this blog. While I have been doing regular coverage, I haven't quite given attention to the plethora of great and promising trailers that came out in the wake of the upcoming Oscar season. This is why I have decided to do a round-up of 14 trailers that, if nothing else, look to have some form of promise whether it be in acting, writing, or any technical field. It's likely that a few of these will be duds, but trying to guess who the surprise victors are always fun. The following trailers show promise and, if nothing else, show just how intriguing the next few months will be.

Theory Thursday: Adam West is the Best Live Action Batman

Adam West

Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

Review: "Money Monster" is a Tense and Often Enjoyable Financial Thriller

George Clooney

Nowadays, the issue of money has become a big issue on film. Last year saw the Oscar-winning film The Big Short tackle the housing collapse, while Martin Scorsese tackled corporate greed a few years prior with The Wolf of Wall Street. With Money Monster, director Jodie Foster makes her return to cinema after three years with a tense political thriller that is meant to explore the themes of greed from a more universal standpoint. The story focuses on a TV personality (George Clooney) who becomes victim to an investor (Jack O'Connell) who lost thousands due to his bad advice. What happens from there is a mixture of soapbox politics, sly dark humor, and tense action. It may not be the most succinct statement of our financial times, but it continues the trend of being highly entertaining. 

Super Delegates: Mike Morris in "The Ides of March" (2011)

George Clooney

Welcome to Super Delegates, a bi-monthly column released on Tuesdays and are done in part to recognize politics on film, specifically in regards to Oscar-nominated works. With this being an election year in the United States, it feels like a good time to revisit film history's vast relationship with politicians of any era and determine what makes them interesting while potentially connecting them to the modern era. The series plans to run until the end of this 2016 election cycle, so stay tuned for every installment and feel free to share your thoughts on films worthy of discussion in the comments section.

Review: "Hail, Caesar!" is a Kaleidoscope of Wonder

Scene from Hail, Caesar!

One of the big reasons that directors Joel and Ethan Coen continue to resonate is because they are not limited to a genre in the ways that others are. If they want to make a heist film, they make The Ladykillers. If they want to make a stoner film, they make The Big Lebowski. Their credentials feature an endless barrage of genre-shifting cinema that somehow manages to remain consistently entertaining. With their latest Hail, Caesar!, they seem to take that advice too literally and end up producing a comedy that isn't just a period piece, but a western, musical, bible epic, noir, and even an earlier period piece. To simply explain the film to someone is to suggest that what Hail, Caesar! is is actually films within films (though not in the Inception way) in their loving ode to the power of film and why they are just as tangible to audiences as religion.

A Ranking of Every Clooney/Coen Brothers Films

George Clooney in Hail Caesar

This past weekend, directors Joel and Ethan Coen released their latest film Hail, Caesar! into theaters with an all star cast and an impressive love letter to classic cinema. It also marked the fourth collaboration with actor George Clooney, who ranks among the duo's best repeat offenders. With a collaboration record going back 16 years, they have definitely created some of the best farcical entertainment of the millennium. But which is the best of the bunch? The following is a ranking of their work together, which will hopefully have a few visitors in the years to come.

Top 10 Actors Who Have Worked with The Coen Brothers Multiple Times

From Hail, Caesar! poster

If there's one thing that directors Joel and Ethan Coen love, it's a strong ensemble. With today's release of their latest Hail, Caesar!, it feels important to remember the many actors that they have worked with to make such iconic cinema for over 30 years. The following is a ranking of the Top 10 repeat offenders all between their debut Blood Simple and 2013's Inside Llewyn Davis. While this list is subject to change as more members join their weird little stable, the following reflects an insurmountable group by which The Coen Brothers would be nothing without. Along with ranking, the list will include their greatest credit, for which it would be impossible to not see them as when talking about their greatest work.

Clooney Adds His Voice to the "Oscars So White" Movement

George Clooney in Hail,  Caesar!

If you haven't heard, The Academy Awards have a diversity problem, and a lot of big names have made their comment. Yesterday, I mentioned a handful that included Will Packer (Straight Outta Compton), Spike Lee, and Jada Pinkett Smith. As the days progress, more people add their names to the list - including David Oyelowo, Michael Moore, O'Shea Jackson Jr., and most notably influential Oscar heavyweight George Clooney. In an essay posted on Variety, Clooney doesn't suggest so much that we have a problem, but that we are actually going backwards from the progress we have made.

Charlie Kaufman Disliked Working with George Clooney on "Confessions of a Dangerous Mind"

Scene from Confessions of a Dangerous Mind

When historians look back at the past 20 years of film, there is a great chance that they will see the greatest screenwriter not as someone like Quentin Tarantino, but more in line with Charlie Kaufman. One doesn't need to think too hard about why that is, especially since every screenplay he's written has been a challenging narrative that mixes the absurd with deep, philosophical challenges and often surreal imagery. He is a writer unto his own and whose latest Anomalisa is among his best work. However, he recently announced that there was a screenplay that he wasn't too happy with, and it's easy to see why once you know the story.

The First "Hail Caesar!" Trailer Has Way Too Many Recognizable Faces to Fail

George Clooney

Among the directors that I anticipate every new release the most with, directors Joel and Ethan Coen are at the top. For starters, their track record is very impressive with most of their great work still coming out (though that's not to discredit everything else from the past 30 years). With their last film, Inside Llewyn Davis, they brought another masterpiece to the world in the disguise of a folk singer with a cat. This time around, they give us a loving ode to Hollywood's golden era with an all-star cast in the film Hail Caesar. While it's been awhile since they tackled the moving pictures (1991's Barton Fink), it's nice to see them return with a more slapstick attitude about it. At least, that's what's implied by the first trailer.

The Oscar Buzz Celebrates Its Third Anniversary!

Alejandro Gonzalez-Inarritu

Looks like we've made it through another year. Today marks the third anniversary since the launch of The Oscar Buzz. So much continues to happen in each year that makes me grateful to have this as an outlet. One of the highlights was expanding my coverage to include occasional dives into Oscar history as well as various think pieces that has inspired more frequent audience participation. I hope in the year ahead to achieve the same amount of success, increasing the output along the way. To commemorate this anniversary, I keep true to past years by establishing a theme. This year, I have chosen to tackle the "triple threat." More specifically, I am going to list 20 great films in which there is someone involved who acted, directed, and wrote at least a portion of the script. It's a lot harder than you'd think.

Birthday Take: Grant Heslov in "The Ides of March" (2011)

Ryan Gosling in The Ides of March

Welcome to The Birthday Take, a column dedicated to celebrating Oscar nominees and winners' birthdays by paying tribute to the work that got them noticed. This isn't meant to be an exhaustive retrospective, but more of a highlight of one nominated work that makes them noteworthy. The column will run whenever there is a birthday and will hopefully give a dense exploration of the finest performances and techniques applied to film. So please join me as we blow out the candles and dig into the delicious substance.

Check This Out: "Gravity" to Get Silent Treatment with New Special Edition Release in 2015

It seems like strange timing, but now is a great time to hop on a rocket ship and go out into the depths of space. With Interstellar taking us to the far regions of the universe, it is easy to forget about the scrappy, simpler blockbuster from last year that won over audiences with nothing more than two actors floating around as space debris hit them. I'm of course talking about director Alfonso Cuaron's Gravity, which went on to sweep the Academy Awards with Best Director, Best Original Score (Steven Price) and a whole lot of technical wins. However, there's some big news coming for those that found the soundtrack to be too distracting. Coming in early 2015, you can officially see what the film would be like if you removed the Price score. It may seem like a very big gimmick, but one that should make for a fascinating alteration of the film.

Review: "The Monuments Men" is a Safe Look at Art's Influence on Culture

George Clooney

After being moved to 2014 due to need for more post-production work, director George Clooney's The Monuments Men finally opened this month. It is in the midst of an Oscar season that it was once in the discussion of, which may be problematic for its chances next year. As evident by the past, films opening before June (and this year: October) are doomed to not even receive any recognition. While it could be that the largely competitors of the time are throwaway cash cows, it is also just because it is too early in any given year to be thinking about next year's ceremony. This isn't so much a problem for Clooney, whose prestige within the Academy has recently been recognized with a producer win for Argo. However, his star-studded World War II film is another story and one that does open the debate for next year's ceremony.