R.I.P. Max von Sydow (1929-2020)

Max von Sydow

On March 8, 2020, actor Max von Sydow passed away at the age of 90 in Provence, France. Over the course of 60 years, he was known as a pillar of international cinema, rising to fame in The Seventh Seal, which was the first of 11 collaborations with director Ingmar Bergman. Later on, he would make a splash in American films ranging from traditional dramas (Hannah and Her Sisters) to horror (The Exorcist) and even blockbusters (Star Wars: The Force Awakens). He was known for having over 100 film credits, delivering powerhouse performances in each. Along with work in TV, stage, and video games, his charisma lasted up until his passing which even then he was busy working on another project. His massive output will continue to live on as a testament to what one can achieve as an actor when doing everything to make a role better. 

Composing Greatness: #49. John Williams - "Star Wars: The Rise of Skywalker" (2019)

Scene from Star Wars: Rise of Skywalker

Welcome to a very special edition of Composing Greatness. In this limited series, I will be looking at the five scores nominated for this year's Best Original Score category. To avoid favoritism, the list will be done in alphabetical order of composers and feature the same guidelines as the original series. This is meant to explore the music behind the great films of 2019, and provide insight into what makes each of them special and whether or not they deserved to be nominated at all. Join me all week as I listen to the music, leave some thoughts, and hopefully sway you to check out these wonderful, wonderful scores.

Failed Oscar Campaigns: "Star Wars: The Last Jedi" (2019)

Scene from Star Wars: The Last Jedi

As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.

Composing Greatness: #48. John Williams - "Star Wars: The Last Jedi" (2017)

Scene from Star Wars: The Last Jedi

Welcome to a very special edition of Composing Greatness. In this limited series, I will be looking at the five scores nominated for this year's Best Original Score category. To avoid favoritism, the list will be done in alphabetical order of composers and feature the same guidelines as the original series. This is meant to explore the music behind the great films of 2017, and provide insight into what makes each of them special and whether or not they deserved to be nominated at all. Join me all week as I listen to the  music, leave some thoughts, and hopefully sway you to check out these wonderful, wonderful scores.

Composing Greatness: #47. John Williams - "Star Wars: The Force Awakens" (2015)

Scene from Star Wars: The Force Awakens

Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

Theory Thursday: Phil Lord and Chris Miller are Overrated

Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

Composing Greatness: #4. Oscars 2018 Edition - "Star Wars: The Last Jedi"

Scene from Star Wars: The Last Jedi

Welcome to a very special edition of Composing Greatness. In this limited series, I will be looking at the five scores nominated for this year's Best Original Score category. To avoid favoritism, the list will be done in alphabetical order of composers and feature the same guidelines as the original series. This is meant to explore the music behind the great films of 2017, and provide insight into what makes each of them special and whether or not they deserved to be nominated at all. Join me all week as I listen to the  music, leave some thoughts, and hopefully sway you to check out these wonderful, wonderful scores.

Composing Greatness: #18. John Williams - "Star Wars: Episode VI - Return of the Jedi" (1983)

Scene from Star Wars: Episode VI - Return of the Jedi

Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

Composing Greatness: #14. John Williams - "Star Wars: Episode V - The Empire Strikes Back" (1980)

Scene from Star Wars: Episode V - The Empire Strikes Back

Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

Composing Greatness: #12. John Williams - "Star Wars" (1977)

Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

The Runner-Ups: Carrie Fisher in "Star Wars" (1977)

Carrie Fisher

Every Oscar season, there are a handful of actors who get tagged with the "snubbed" moniker. While it is always unfortunate to see our favorites not honored with at very least a nomination, there's another trend that goes largely unnoticed: those who never even got that far. The Runner-Ups is a column meant to honor the greats in cinema who put in phenomenal work without getting the credit that they deserved from The Academy. Join me every other Saturday as I honor those who never received any love. This list will hopefully come to cover both the acting community, and the many crew members who put the production together.

Why "Star Wars" Continues to Endure 40 Years On

Scene from Star Wars

"A long time ago in a galaxy far, far away..."

Those were the last 10 words everyone saw before Star Wars played its tricks on audiences on May 25, 1977. It was the calm before a storm that would only continue to rage on through many incarnations and in many forms. For a simple fantasy movie about good fighting evil, director George Lucas' vision managed to resonate in ways that have entered our lexicon, fashion, and general mentality. It was with the triumphant horns of John Williams' score that Star Wars announced once and for all that it was here to stay. There was cinema before it existed, but chances are that it will be the film to outlive everything else. It took a hold of pop culture upon its release and hasn't let go yet. Even if the franchise has had some highs and lows, there's no denying just how different the world would be without this movie.

"13 Hours" Best Sound Mixing Nominee Gets His Nomination Revoked

Scene from 13 Hours: The Secret Soldiers of Benghazi

While this has been a largely controversy-free Oscar season, there was one film that managed to get in the news for all of the wrong reasons. Director Michael Bay's 13 Hours: The Secret Soldiers of Benghazi may not be a movie up for Best Picture, but it still managed to have its sole nomination rescinded due to a little rule breaking. While it won't be replaced by another nominee, it lowers the Best Sound Mixing category to four potential nominees. Read on to discover what exactly got 13 Hours excluded from the race and sacrificed it from having a potential win.

When Will There Be More Female Best Director Oscar Nominees?

Kathryn Bigelow

It is likely by now that everyone in America has heard the news. After months of contention and voting, Hillary Clinton has become the presumptive nominee for the Democratic Party. This is pretty big news, especially considering that she will be the first woman to do so, and whose odds of winning seem increasingly likely. It's been an overwhelming moment for women nationwide, who are now believing in the "You can be anything you want to be." narrative more than ever before. However, there's another field that seems to have not embraced female contribution: The Academy Awards. No, this isn't about the Best Actress categories, but more in the Best Director and even Best Picture category. While there have been a few bright spots, the average year sees some absence of a certain gender in these fields. The question isn't when there will be a female directed Best Picture winner. That already happened. What's the bigger question is when will this become the normative. 

Theory Thursday: We Need to Revamp the Best Original Score Category

Scene from Star Wars: The Force Awakens

Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

A Look at Oscar 2016 Superlatives and Records

With The Oscars now officially on the books, it's easy to look at who is the biggest film of the year (The Revenant with 12 nominations) and what the biggest surprises are. However, what's harder to notice is the various records and superlatives that were achieved with the Class of 2015. The following is a rundown of the various achievements that could be found in this year's nominees, including potential records if certain films and artists win. So check out the line-up and enjoy witnessing Oscar history in the making. 

"The Force Awakens" is Officially the Highest Grossing Film in United States

Scene from Star Wars: The Force Awakens

For many, today is a triumphant moment in pop culture. While it has broken almost every other record in its path, today is the day that Star Wars: The Force Awakens has officially become the highest grossing movie in the United States. While this seems impressive, add on the fact that this is the first time in 18 years where director James Cameron hasn't held this honor; first with Titanic in 1998 (the first film to gross a billion dollars), and then again with Avatar (the first film to gross two billion dollars) in 2010. While it still has a ways to go to beat the international box office, its status has at least been set as, and Steven Spielberg would agree based on his predictions, that this would be the biggest movie of all time.

"Star Wars: The Force Awakens" is the Quickest Film to a Billion Dollars at the Box Office

Scene from Star Wars: The Force Awakens

There is an old expression for very popular movies: Everyone and their mother has seen it. In the case of Star Wars: The Force Awakens, that may very well apply. Even if there are those out there who haven't seen it, the box office receipts point to an overwhelming sign of popularity. While many have long pitted the latest entry to be a success, it wasn't likely to be quite like this. Over the course of its first two weeks (12 days to be precise), the film has become the fastest film to cross a billion (yes, with a b) dollars worldwide. In America, its intake is only second to Jurassic World's cumulative gross. At this rate, it may very well be the highest grossing film from 2015 before it reaches the New Year. 

Should "The Force Awakens" Be Nominated for Best Picture?

Scene from Star Wars: The Force Awakens

It seemed inevitable, but director J.J. Abrams' Star Wars: The Force Awakens opened to predictably big business. If there was a box office record, it was likely beaten by now. The reviews are overwhelming, some even calling it the best of the franchise in over 30 years. In fact, it's tied on critics aggregate website Rotten Tomatoes with the original for highest rated. While many have likely seen it (a few times even) and have discussed it to death, there's one argument that does seem ripe for the taking: can the film get any Oscar traction? There have been hints of it, but nothing really seemed plausible until this past week when the hype matched the film. Now, it seems like anything is possible.

Check Out the 112 Finalists on the Best Original Score Shortlist

Michael Fassbender in Steve Jobs

The short lists keep on coming. While yesterday saw me tackle a variety of categories, I am choosing to focus solely on one for the Best Original Score list. More than the other field, this category is probably too subjective and controversial for me on a year-to-year basis. While there's certain ones that give me problems (the definition of "original"), I do think that sometimes The Academy gets it right, as the music used to emphasize emotional or action sequences are important to the film. This year's shortlist features 112 scores, including the absence of one of this year's biggest contenders (The Revenant, by Ryuichi Sakamoto). The following is a list of every contender, followed by the composer in parenthesis. There will also be opinions following the list for the ones that stand out to me.