Why "Inside Out" is My Favorite Pixar Movie

Scene from Inside Out

It's that time of year again. It's when the internet gathers together to make the argument for which film exemplifies what makes Pixar brilliant. It's an exciting, thought-provoking period because, on the one hand, there is no right answer. Who's to say that WALL-E  is greater than Finding Nemo? The diversity of each film is astounding and explains why they're towering giants in the American animation market. However, this is my chance to make the argument not only for why I think that their 2015 film Inside Out is yet another masterpiece, but is a masterpiece that explains most succinctly why Pixar remains a vital company in the 21st century. It's got everything perfectly in place and does so with the familiar formula better than it's ever been.

The Runner-Ups: Fred Melamed in "A Serious Man" (2009)

Scene from A Serious Man

Every Oscar season, there are a handful of actors who get tagged with the "snubbed" moniker. While it is always unfortunate to see our favorites not honored with at very least a nomination, there's another trend that goes largely unnoticed: those who never even got that far. The Runner-Ups is a column meant to honor the greats in cinema who put in phenomenal work without getting the credit that they deserved from The Academy. Join me every other Saturday as I honor those who never received any love. This list will hopefully come to cover both the acting community, and the many crew members who put the production together.

Theory Thursday: "A Serious Man" is The Coen Brothers' Best Movie

Michael Stuhlbarg

Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way.