Showing posts with label Get on Up. Show all posts
Showing posts with label Get on Up. Show all posts

Tuesday, August 26, 2014

A Hypothetical Look at Potential Oscar Nominees in Films Already Out

It seems a little early to announce who the finalists are for next year's Oscars. However, there is only hope to be made that we have already seen some nominees release quality films. With Oscar season looming on the horizon, I have decided to do a hypothetical look at films that I have seen and feel stand some chance of getting into next year's Oscar race. Please don't consider this a complete compendium, as some categories are missing from this analysis. The follow is a list of already standout selections that I feel stand some chance in holding their own weight as we get further and further into the heart of my favorite time of year.

Monday, August 4, 2014

Review: "Get on Up" Does James Brown Justice and Nobody Else

Chadwick Boseman
There are few figures in music history that are as pompous, exciting, and wild as James Brown was at the height of his career. He could dance, sing, and almost seemed to control the world with music that may have seemed lyrically banal, but was invigorating with passion and funk. It only makes sense that he would eventually join Ray Charles and Johnny Cash and get the biopic treatment. Director Tate Taylor manages to make a nice flashy package in which we get a sense of who Brown (Chadwick Boseman) was, but what does it all equal up to besides a scrapbook of memories? Get on Up, for better or worse, is a film that benefits from an interesting subject that is more interesting than he should be during the dull parts.

Tuesday, July 29, 2014

Will "Get on Up" Make Boseman One of This Year's First Oscar Contenders?

Chadwick Boseman
In terms of music icons, there are very few standards. The most notable ones were eccentric types with definitive personalities. They entertained not only through song, but influenced fashion, physicality, and helped to shape the pop culture landscape. One of the loudest and innocuous icons is James Brown, whose music may lyrically seem surface level, but unified nations during political turmoil in the 60's and set precedents for African Americans in music. There is a reason that he is The Godfather of Soul and is the most sampled artist in history. He had a universal appeal in his simplicity. So how do you capture the magic of a performer who was so vivacious and magnetic without coming up short? Director Tate Taylor's Get on Up at very least looks to attempt to do the flamboyant man some justice.