Showing posts with label Dan Aykroyd. Show all posts
Showing posts with label Dan Aykroyd. Show all posts

Sunday, December 13, 2015

Nothing But the Best: "Driving Miss Daisy" (1989)

Left to right: Jessica Tandy and Morgan Freeman in Driving Miss Daisy
Welcome to the series Nothing But the Best in which I chronicle all of the Academy Award Best Picture winners as they celebrate their anniversaries. Instead of going in chronological order, this series will be presented on each film's anniversary and will feature personal opinions as well as facts regarding its legacy and behind the scenes information. The goal is to create an in depth essay for each film while looking not only how the medium progressed, but how the film is integral to pop culture. In some cases, it will be easy. Others not so much. Without further ado, let's start the show.

Saturday, February 14, 2015

A Look at Oscar-Nominated "Saturday Night Live" Cast Members


This Sunday marks a particularly special anniversary in American comedy. In a large special, Saturday Night Live will be celebrating its 40th anniversary not only as a pop culture making TV show, but for spawning some of the finest entertainers of the modern era. While it wouldn't seem too common, there is a little bit of an overlap between this lengthy sketch show and the Oscars. While there haven't been any winners, there have been quite a fair share of nominees. The following is a tribute to those names who managed to exceed the trapping of sketch comedy to produce some of the finest and most prestigious content in film history.

Monday, August 4, 2014

Review: "Get on Up" Does James Brown Justice and Nobody Else

Chadwick Boseman
There are few figures in music history that are as pompous, exciting, and wild as James Brown was at the height of his career. He could dance, sing, and almost seemed to control the world with music that may have seemed lyrically banal, but was invigorating with passion and funk. It only makes sense that he would eventually join Ray Charles and Johnny Cash and get the biopic treatment. Director Tate Taylor manages to make a nice flashy package in which we get a sense of who Brown (Chadwick Boseman) was, but what does it all equal up to besides a scrapbook of memories? Get on Up, for better or worse, is a film that benefits from an interesting subject that is more interesting than he should be during the dull parts.

Tuesday, July 29, 2014

Will "Get on Up" Make Boseman One of This Year's First Oscar Contenders?

Chadwick Boseman
In terms of music icons, there are very few standards. The most notable ones were eccentric types with definitive personalities. They entertained not only through song, but influenced fashion, physicality, and helped to shape the pop culture landscape. One of the loudest and innocuous icons is James Brown, whose music may lyrically seem surface level, but unified nations during political turmoil in the 60's and set precedents for African Americans in music. There is a reason that he is The Godfather of Soul and is the most sampled artist in history. He had a universal appeal in his simplicity. So how do you capture the magic of a performer who was so vivacious and magnetic without coming up short? Director Tate Taylor's Get on Up at very least looks to attempt to do the flamboyant man some justice.