Showing posts with label Tate Taylor. Show all posts
Showing posts with label Tate Taylor. Show all posts

Saturday, September 15, 2018

Viola Davis Regrets Certain Things About "The Help"

Viola Davis in The Help
This Oscar season already has a packed schedule of potential nominees. Among them is Viola Davis, who recently won an Oscar for her role in Fences.This year she returns with a major role in the Steve McQueen-directed heist film Widows, what has already received a lot of acclaim at various film festivals. However, there's already some concern over Davis' recent past, as she has given an interview where she claims that she regretted her work in The Help. Does this mean she hates the role? Well, not exactly. What she meant it something a bit more nuanced and maybe more understandable in 2018 than it was in 2011 when the film became a late-summer sensation.

Wednesday, May 25, 2016

Birthday Take: Octavia Spencer in "The Help" (2011)

Octavia Spencer
Welcome to The Birthday Take, a column dedicated to celebrating Oscar nominees and winners' birthdays by paying tribute to the work that got them noticed. This isn't meant to be an exhaustive retrospective, but more of a highlight of one nominated work that makes them noteworthy. The column will run whenever there is a birthday and will hopefully give a dense exploration of the finest performances and techniques applied to film. So please join me as we blow out the candles and dig into the delicious substance.

Monday, August 4, 2014

Review: "Get on Up" Does James Brown Justice and Nobody Else

Chadwick Boseman
There are few figures in music history that are as pompous, exciting, and wild as James Brown was at the height of his career. He could dance, sing, and almost seemed to control the world with music that may have seemed lyrically banal, but was invigorating with passion and funk. It only makes sense that he would eventually join Ray Charles and Johnny Cash and get the biopic treatment. Director Tate Taylor manages to make a nice flashy package in which we get a sense of who Brown (Chadwick Boseman) was, but what does it all equal up to besides a scrapbook of memories? Get on Up, for better or worse, is a film that benefits from an interesting subject that is more interesting than he should be during the dull parts.

Tuesday, July 29, 2014

Will "Get on Up" Make Boseman One of This Year's First Oscar Contenders?

Chadwick Boseman
In terms of music icons, there are very few standards. The most notable ones were eccentric types with definitive personalities. They entertained not only through song, but influenced fashion, physicality, and helped to shape the pop culture landscape. One of the loudest and innocuous icons is James Brown, whose music may lyrically seem surface level, but unified nations during political turmoil in the 60's and set precedents for African Americans in music. There is a reason that he is The Godfather of Soul and is the most sampled artist in history. He had a universal appeal in his simplicity. So how do you capture the magic of a performer who was so vivacious and magnetic without coming up short? Director Tate Taylor's Get on Up at very least looks to attempt to do the flamboyant man some justice.