Every Best Picture Nominee of the 2010's Ranked: The Top 5

Scene from Mad Max: Fury Road

As 2019 reached its end, another decade of cinema had passed. It's amazing to think about how things have evolved since 2010 when the biggest controversies were about recognizing genre movies. Things look different now, especially as genre films like The Shape of Water and Parasite are winning Best Picture and the voting body looks incredibly different with each passing year. With this period in the books, it feels like a good time to celebrate their accomplishments by ranking all 88 titles nominated for Best Picture from worst to best with the goal of seeing which films are more likely to stand the test of time. Join me every Saturday and Sunday as I count them down, five at a time. It's going to be a fun summer looking back on what was, especially as we prepare for the decade ahead and an even more interesting diversity that we haven't even begun to think of.

Failed Oscar Campaigns: "Widows" (2018)

Scene from Widows

As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.

Review: "Widows" is the Best Kind of Heist Film Imaginable

Scene from Widows

In 2013, director Steve McQueen released 12 Years a Slave. It was a film so vital and important that it could be considered one of the rare essential American films of the 21st century so far. With stark honesty, he captured an uncomfortable piece of U.S. history and helped to reshape the history, and all with lingering shots of brutality that forces the viewer to soak in the discomfort. So, how does McQueen follow up the film? Fives years later he has returned with Widows, which in the first 30 seconds features a brash edit so explosive that it rattles the audience in a new way. This is McQueen not as the methodical filmmaker he has been known as, but as someone who places urgency in every frame, artistry in every angle, and enough memorable bits to make this one of the best films of 2018. It's a heist movie with one of the year's greatest ensembles and an even more electric script by Gillian Flynn (Gone Girl). It's a film that will grab you in your seat and not let go for the entire two hours. It's perfect evidence that McQueen doesn't only make good art films, but just good films in geneal.

Theory Thursday: Hans Zimmer's Score for "12 Years a Slave" was Unnecessary

Scene from 12 Years a Slave

Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

Composing Greatness: #3. John Williams - "The Reivers" (1969)

Scene from The Reivers

Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

R.I.P. Robert Vaughn (1931-2016)

Robert Vaughn

On November 11, 2016, actor Robert Vaughn died in Ridgefield, Connecticut of leukemia at the age of 83. His work was prolific and over his career he guest starred in over 200 episodes of TV. Among his biggest achievements was playing the lead character in the espionage series The Man From U.N.C.L.E. and co-starring in the western The Magnificent Seven. His work garnered him an Oscar nomination for The Young Philadelphians as well as many other iconic roles. What he leaves behind is an impressive body of work that reflected his strengths as an actor capable of leading and supporting major movie stars from over the past 60 years. His work will continue to be admired and appreciated for his ability to bring depth and charisma to each and every role that he played.

Nothing But the Best: "12 Years a Slave" (2013)

Chiwetel Ejiofor in 12 Years a Slave

Welcome to the series Nothing But the Best in which I chronicle all of the Academy Award Best Picture winners as they celebrate their anniversaries. Instead of going in chronological order, this series will be presented on each film's anniversary and will feature personal opinions as well as facts regarding its legacy and behind the scenes information. The goal is to create an in depth essay for each film while looking not only how the medium progressed, but how the film is integral to pop culture. In some cases, it will be easy. Others not so much. Without further ado, let's start the show.

Birthday Take: Michael Fassbender in "12 Years a Slave" (2013)

Michael Fassbender

Welcome to The Birthday Take, a column dedicated to celebrating Oscar nominees and winners' birthdays by paying tribute to the work that got them noticed. This isn't meant to be an exhaustive retrospective, but more of a highlight of one nominated work that makes them noteworthy. The column will run whenever there is a birthday and will hopefully give a dense exploration of the finest performances and techniques applied to film. So please join me as we blow out the candles and dig into the delicious substance.

A Closer Look at the Best Live Action Short Nominees

*NOTE: Due to some unforeseen problems, I am unable to purchase the Animation portion of this program. I am working on solving this and will hope to have a piece on it soon.

One of my favorite portions of the Oscars is seeing the films that are practically unknown to everyone. The ones where during the ceremony an image appears for a Best Live Action Short that makes you wish that you saw it. As usual, Shorts HD has made it easier than ever to access these titles in a fancy package featuring interviews with established filmmakers about the significance of the medium. At only $7.99 each, the annual investment is well worth the price to see one of the few categories that are still unbiased to popular opinions and have an even playing field from every participating country.

"12 Years a Slave" to be Taught as Curriculum in High Schools

Left to right: Sarah Paulson and Lupita Nyong'o

It may not actually be a marketing scheme, but for those placing money on director Steve McQueen's 12 Years a Slave having some significant legacy, it already has begun. Lead by Montel Williams, a campaign to get the film as well as the memoir by Solomon Northup into the high school education system has hit a milestone. As of this upcoming September, 13,809 local school districts serving over 50 million public school students will be equipped with everything associated with Northup's story thanks to a joint deal with the filmmakers, Penguin Books, and New Regency.

What Happened to "12 Years a Slave"?

Chiwetel Ejiofor

It seemed like since its debut director Steve McQueen's 12 Years a Slave was bound to sweep the Oscars. It was a powerful film about a dark time in America's history told through thought-provoking images that haunted the viewer. With performances by Chiwetel Ejiofor, Michael Fassbender, and newcomer Lupita Nyong'o adding depth of unprecedented nature to the story, it seemed like it was bound to win everything and anything that stood in its path. With less than two weeks until the big ceremony however, things are starting to paint a different picture. Is the film's prestige too much of an issue, as it has allowed the conversation to grow stale and move onto other films?

A Closer Look at the Best Director Nominees

*Note: While I had previously publicized that I was covering all of the categories in a look at the Best Picture race, I have decided to dedicate posts to each of the main categories (Best Picture, Best Director, Acting, and Writing fields). I will be critiquing each nominee as well as ranking them in order of preference.

One of the more exciting things about this year's Oscar nominations is that there is uncertainty in the front runner. While speculation has it that American Hustle may be a potential upset, there is still Gravity and 12 Years a Slave proving to be roadblocks. Even The Wolf of Wall Street, despite controversy, is capable of thriving on its notoriety into some unforeseen glory. A lot of that has to do with the directors behind the camera. This year's selection is an impressive mix of fast-paced adrenaline to meditative slowness to stylistic nostalgia. Each of the five Best Director nominees have something unique to offer, and that may be the most exciting of all.

Review: "12 Years a Slave" is a Quintessential Film About Slavery

Chiwetel Ejiofir

Once in awhile, a film comes along that almost seems to become bigger than its subject. Something that becomes so hyped that it almost feels like a cherished relic before it even hits theaters. After impressing audiences at TIFF, director Steve McQueen's latest 12 Years a Slave appears to be part of that select few. It seems bizarre that a film from the creator of Hunger and Shame, two morbidly bleak stories, could become an Oscar front runner and turn in a film that is arguably already one of the classics. His adoration for the novel by Solomon Northup and desire to bring to life a point in American history that tends to get overlooked brought together not only one of the best movies about slavery, but probably one of the best films of the decade.

It's the One Year Anniversary of The Oscar Buzz!

Left to right: Luke Kirby and Michelle Williams in Take This Waltz

Ladies and gentlemen... we have done the unthinkable. The Oscar Buzz has managed to turn a year old! It is hard to imagine that what started off as a spring board to talk about The Master quickly evolved into a discussion forum for all things Academy Awards. The comments have been great and I proud of the cohorts I made, notably my Films with Friends cohort Mike (of Mike's Reviews). Hopefully this blog will continue to grow and cover more content with this Oscar season just starting to take off. But how do you celebrate a birthday?

"12 Years a Slave" Impresses Tiff and Raises Oscar Buzz Potential

Left to right: Michael Fassbender, Lupita Nyong'o, and Chiwetel Ejiofir

This past week saw many already put the stamp on what is going to be the Best Picture winner this year.With such high praise, many critics who attended the Toronto International Film Festival (TIFF) were privy to seeing one of my most anticipated movies of the Fall: director Steve McQueen's 12 Years a Slave. While it has also given many other reveals on potential nominees (including the critically panned August: Osage County), this is great news not only from the standpoint of the director, but for the season to come. It may make the season dull, but to know that we already have a front runner suggests that Oscar Buzz season is starting off just right.

The "12 Years A Slave" Trailer Makes the Fall Season Look More Exciting

Left to right: Chiwetel Ejiofor and Michael Fassbender

If there has been one film that seems to have come out of nowhere and suggested Oscar Buzz in the past week, it has to be director Steve McQueen's latest 12 Years a Slave. With an all-star cast that includes Michael Fassbender, Brad Pitt, Benedict Cumberbatch, and last year's Academy Award Best Actress nominee Quvenzhane Wallis (Beasts of the Southern Wild), it already looks to be one of the most impressive groups in a film this year. With a mix of current events and the idea that a movie like Django Unchained can receive nominations, is it possible that this tale of slavery is capable of getting a Best Picture nomination? If the recently released trailer is any clue, I would place my money on it.