Showing posts with label Alexander Payne. Show all posts
Showing posts with label Alexander Payne. Show all posts

Sunday, July 26, 2020

Every Best Picture Nominee of the 2010's Ranked: #50-54

Scene from American Hustle
As 2019 reached its end, another decade of cinema had passed. It's amazing to think about how things have evolved since 2010 when the biggest controversies were about recognizing genre movies. Things look different now, especially as genre films like The Shape of Water and Parasite are winning Best Picture and the voting body looks incredibly different with each passing year. With this period in the books, it feels like a good time to celebrate their accomplishments by ranking all 88 titles nominated for Best Picture from worst to best with the goal of seeing which films are more likely to stand the test of time. Join me every Saturday and Sunday as I count them down, five at a time. It's going to be a fun summer looking back on what was, especially as we prepare for the decade ahead and an even more interesting diversity that we haven't even begun to think of.

Saturday, July 11, 2020

Every Best Picture Nominee of the 2010's Ranked: #75-79


Scene from War Horse

As 2019 reached its end, another decade of cinema had passed. It's amazing to think about how things have evolved since 2010 when the biggest controversies were about recognizing genre movies. Things look different now, especially as genre films like The Shape of Water and Parasite are winning Best Picture and the voting body looks incredibly different with each passing year. With this period in the books, it feels like a good time to celebrate their accomplishments by ranking all 88 titles nominated for Best Picture from worst to best with the goal of seeing which films are more likely to stand the test of time. Join me every Saturday and Sunday as I count them down, five at a time. It's going to be a fun summer looking back on what was, especially as we prepare for the decade ahead and an even more interesting diversity that we haven't even begun to think of.

Wednesday, September 13, 2017

The First "Downsizing" Trailer Shrinks Anticipation Just a Little

Scene from Downsizing
There's something curious about Alexander Payne's latest movie Downsizing. Whereas he generally has made small and intimate comedies, he sees himself exploring stories that are small in every way but concept. The film looks to explore the effects of getting smaller, with another performance by Matt Damon (see also: Suburbicon). It's an odd venture for sure, but one has to wonder if Payne has what it takes to return to the Oscars circle following his Best Picture-nominated Nebraska. If there's any sign from the first trailer, things are at least off to a shaky but promising start.

Monday, August 11, 2014

A Look at "Nebraska" (in Color) and Why Black and White Matters

Left to right: Bruce Dern and Will Forte
Like a strong portion of film critics, I loved director Alexander Payne's Nebraska. From its story to the wondrous scenery, there was plenty of charm in it that eventually lead to six Academy Award nominations. When it was decided that it would be airing on Epix in color, I was immediately torn between admiration for Payne's intended cut and the original format that was created for countries that preferred colorized editions. It either feels like an exclusive or the biggest attention-grabbing scheme in Epix's short history. Nonetheless, I watched it with enthusiasm and I am here to report on the film's quality and if it changes (note: this is not a review of the film but a comparison to the alternative versions. Read my original review here).

Tuesday, August 5, 2014

Payne's "Nebraska" to Debut in Color on Epix This Sunday

Left to right: Bruce Dern and Will Forte
One of my favorite films of 2013 as well as a nominee for six Oscars at this year's ceremony, director Alexander Payne's Nebraska, is having a strange new resurgence this upcoming weekend as it makes its debut on TV. While it has happened before, it seems increasingly unprecedented that films would be shown in two formats. Not HD and standard definition. I am talking about something more blatant that may help to shape the way that we literally view the film. For those interested, the Epix movie channel is having a "limited" run of the film in a never-before-seen form of color. This is done without Payne's permission, but does it necessarily mean that it won't be worth a gander? To me, it is worth checking out solely to understand how color and black and white formats can impact a film tonally.

Tuesday, July 22, 2014

The Directors Project: #29 - Alexander Payne

Scene from Cinema Paradiso
With the many lists and essays written on the subject of film, there has been one thing that The Oscar Buzz has tried to understand: Who is my favorite of the film world? For 10 weeks this summer, I will be exploring this with a countdown of the Top 50 names based on a numerical ranking of ratings from various sources, the following is a list of directors who rank above everyone else. With occasional upsets, this is intended as both a discussion opener as well as a better understanding of me as a film critic and fan. Please enjoy and leave any comments you have regarding the entry's selection.

Monday, February 10, 2014

A Closer Look at the Best Director Nominees

*Note: While I had previously publicized that I was covering all of the categories in a look at the Best Picture race, I have decided to dedicate posts to each of the main categories (Best Picture, Best Director, Acting, and Writing fields). I will be critiquing each nominee as well as ranking them in order of preference.


One of the more exciting things about this year's Oscar nominations is that there is uncertainty in the front runner. While speculation has it that American Hustle may be a potential upset, there is still Gravity and 12 Years a Slave proving to be roadblocks. Even The Wolf of Wall Street, despite controversy, is capable of thriving on its notoriety into some unforeseen glory. A lot of that has to do with the directors behind the camera. This year's selection is an impressive mix of fast-paced adrenaline to meditative slowness to stylistic nostalgia. Each of the five Best Director nominees have something unique to offer, and that may be the most exciting of all.

Wednesday, December 18, 2013

"Nebraska" is an Enjoyable Ride Down Memory Lane

Left to right: Bruce Dern and Will Forte
*Originally published at CinemaBeach here.

The opening scene to director Alexander Payne’s latest film Nebraska follows protagonist Woody Grant (Bruce Dern) as he is walking alongside the freeway. As he is questioned by a police officer on where he is going, he simply points his finger in the direction of Lincoln, Nebraska. Before we know anything about Grant’s personality or motives, we understand his psyche. This is an old man who is not all there and suffers from severe cases of wanderlust. This may sound like the set-up for a barrage of geriatric insults but as the opening credits close and we meet his son David (Will Forte), it is quickly revealed that there is much more going on. Woody’s senility isn’t the source of the film’s humor. It is actually from everyone’s inability to communicate properly.

Tuesday, September 17, 2013

The "Nebraska" Trailer Introduces Bruce Dern into the Best Actor Race

Left to right: Bruce Dern and Will Forte
While I made my preseason predictions a few weeks ago, I still feel like some contenders have yet to form themselves in the public consciousness. The most notable example of this is director Alexander Payne's follow-up to The Descendants called Nebraska. While I had posted statistics about the film and didn't rank it high, save for a nod for Best Actor for Bruce Dern, I am still eagerly awaiting the film as well as the trailer. Up until this morning, little was known about the film. Now with the release of some clips and the official trailer, it looks like Payne is back with a film reminiscent of About Schmidt.