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| Scene from Sabrina |
Many films are great, but only one wins Best Picture. This is a blog dedicated to everything involving the Oscars past and present as well as speculation on who should win at this year's events.
Showing posts with label John Williams. Show all posts
Showing posts with label John Williams. Show all posts
Sunday, September 20, 2020
Composing Greatness: #3.The Musical or Comedy Scores - "Sabrina" (1995)
Labels:
2020,
Best Original Score,
Composing Greatness,
John Williams,
Sabrina,
Sting
Thursday, January 30, 2020
Composing Greatness: #49. John Williams - "Star Wars: The Rise of Skywalker" (2019)
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| Scene from Star Wars: Rise of Skywalker |
Welcome to a very special edition of Composing Greatness. In this limited series, I will be looking at the five scores nominated for this year's Best Original Score category. To avoid favoritism, the list will be done in alphabetical order of composers and feature the same guidelines as the original series. This is meant to explore the music behind the great films of 2019, and provide insight into what makes each of them special and whether or not they deserved to be nominated at all. Join me all week as I listen to the music, leave some thoughts, and hopefully sway you to check out these wonderful, wonderful scores.
Monday, January 27, 2020
R.I.P. Kobe Bryant (1978-2020)
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| Kobe Bryant |
On January 26, 2020, NBA champion Kobe Bryant passed away at the age of 41 in Calabasas, California in a helicopter crash along with his daughter Gianna and seven other passengers. Over the course of his career, he became the all-time scorer for The Lakers over the course of 20 years. He is considered one of the greatest players in NBA history with five championships and has become ubiquitous with excellence as an athlete. With a poem detailing his retirement called "Dear Basketball," he became a rare sports start to also win an Oscar, proving that he was capable of doing anything. What he leaves behind is a seismic shift in how everyone not only sees the sport but how athletes from every generation since sees the game. He was a legend in his own time, and his work more than speaks for itself.
Labels:
2020,
Best Animated Short,
Dear Basketball,
John Williams,
Kobe Bryant
Saturday, December 21, 2019
Failed Oscar Campaigns: "Star Wars: The Last Jedi" (2019)
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| Scene from Star Wars: The Last Jedi |
As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.
Labels:
2019,
Carrie Fisher,
Daisy Ridley,
Disney,
John Boyega,
John Williams,
Laura Dern,
Mark Hamil,
Oscar Isaac,
Rian Johnson,
Star Wars
Wednesday, December 5, 2018
Check This Out: "Schindler's List" to Receive Theatrical Re-release Starting Dec. 7
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| Scene from Schindler's List |
While December is usually a busy time for those wanting to catch up on every potential Oscar-nominee, there's another reason to go the movies. Starting this Friday, director Steven Spielberg's Holocaust drama Schindler's List will be released in theaters to commemorate the 25th anniversary of its release. For those who haven't seen it or are looking for a reason to see it on the big screen, now is your chance. The film is set to have a limited engagement in theaters nationwide, and it's sure to bring quite a turnout. The film won seven Oscars in 1994, including one for Best Picture and marked Spielberg's first as director. It's a harrowing drama that redefined what a Holocaust drama could look and feel like, finding empathy where it often wasn't found. It's a powerful film and well worth checking out. Check your local listings for showtimes.
Labels:
2018,
Ben Kingsley,
Best Picture,
John Williams,
Liam Neeson,
Ralph Fiennes,
Schindler's List,
Steven Spielberg
Sunday, July 29, 2018
Composing Greatness: #48. John Williams - "Star Wars: The Last Jedi" (2017)
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| Scene from Star Wars: The Last Jedi |
Welcome to a very special edition of Composing Greatness. In this limited series, I will be looking at the five scores nominated for this year's Best Original Score category. To avoid favoritism, the list will be done in alphabetical order of composers and feature the same guidelines as the original series. This is meant to explore the music behind the great films of 2017, and provide insight into what makes each of them special and whether or not they deserved to be nominated at all. Join me all week as I listen to the music, leave some thoughts, and hopefully sway you to check out these wonderful, wonderful scores.
Labels:
2018,
Best Original Score,
Composing Greatness,
John Williams,
Rachel Portman,
Rian Johnson,
Star Wars
Sunday, July 22, 2018
Composing Greatness: #47. John Williams - "Star Wars: The Force Awakens" (2015)
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| Scene from Star Wars: The Force Awakens |
Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.
Sunday, July 15, 2018
Composing Greatness: #46. John Williams - "The Book Thief" (2013)
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| Scene from The Book Thief |
Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.
Sunday, July 1, 2018
Composing Greatness: #45. John Williams - "Lincoln" (2012)
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| Scene from Lincoln |
Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.
Labels:
2018,
Abraham Lincoln,
Best Original Score,
Composing Greatness,
Daniel Day-Lewis,
John Williams,
Lincoln,
Steven Spielberg
Sunday, June 24, 2018
Composing Greatness: #44. John Williams - "War Horse" (2011)
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| Scene from War Horse |
Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.
Labels:
2018,
Best Original Score,
Best Picture,
Composing Greatness,
John Williams,
Steven Spielberg,
War Horse
Sunday, June 10, 2018
Composing Greatness: #43. John Williams - "The Adventures of Tintin" (2011)
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| Scene from The Adventures of Tintin |
Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.
Labels:
2018,
Best Original Score,
Composing Greatness,
John Williams,
Steven Spielberg,
The Adventures of Tintin
Sunday, May 27, 2018
Composing Greatness: #42. John Williams - "Munich" (2005)
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| Scene from Munich |
Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.
Sunday, May 13, 2018
Composing Greatness: #41. John Williams - "Memoirs of a Geisha" (2005)
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| Scene from Memoirs of a Geisha |
Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.
Labels:
2018,
Best Original Score,
Composing Greatness,
Itzhak Perlman,
John Williams,
Memoirs of a Geisha,
Rob Marshall,
Yo-Yo Ma
Sunday, April 29, 2018
Composing Greatness: #40. John Williams - "Harry Potter and the Prisoner of Azkaban" (2003)
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| Scene from Harry Potter and the Prisoner of Azkaban |
Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.
Labels:
2018,
Alfonso Cuaron,
Best Original Score,
Composing Greatness,
Harry Potter,
Harry Potter and the Prisoner of Azkaban,
John Williams
Sunday, April 15, 2018
Composing Greatness: #39. John Williams - "Catch Me If You Can" (2002)
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| Scene from Catch Me If You Can |
Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.
Labels:
2018,
Best Original Score,
Catch Me If You Can,
Composing Greatness,
John Williams,
Leonardo DiCaprio,
Steven Spielberg,
Tom Hanks
Sunday, April 8, 2018
Composing Greatness: #38. John Williams - "Harry Potter and the Sorcerer's Stone" (2001)
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| Scene from Harry Potter and the Sorcerer's Stone |
Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.
Sunday, March 25, 2018
Composing Greatness: #37. John Williams - "A.I. Artificial Intelligence" (2001)
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| Scene from A.I. Artificial Intelligence |
Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.
Sunday, March 18, 2018
Composing Greatness: #36. John Williams - "The Patriot" (2000)
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| Scene from The Patriot |
Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.
Labels:
2018,
Best Original Score,
Composing Greatness,
John Williams,
Mel Gibson,
Roland Emmerich,
The Patriot
Sunday, March 11, 2018
Composing Greatness: #35. John Williams - "Angela's Ashes" (1999)
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| Angela's Ashes |
Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.
Sunday, February 25, 2018
Composing Greatness: #34. John Williams - "Saving Private Ryan" (1998)
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| Scene from Saving Private Ryan |
Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.
Labels:
2018,
Best Original Score,
Best Picture,
Composing Greatness,
John Williams,
Saving Private Ryan,
Steven Spielberg,
Tom Hanks
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