Showing posts with label Naomie Harris. Show all posts
Showing posts with label Naomie Harris. Show all posts

Sunday, December 29, 2019

Composing Greatness: #13. The Freshman Class of the 2010's - "Moonlight" (2016)

Scene from Moonlight (2016)
Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

Monday, July 16, 2018

A24 A-to-Z: #42. "Moonlight" (2016)



Scene from Moonlight
In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for ears to come.

Wednesday, December 6, 2017

Nothing But the Best: "Moonlight" (2016)

Scene from Moonlight
Welcome to the series Nothing But the Best in which I chronicle all of the Academy Award Best Picture winners as they celebrate their anniversaries. Instead of going in chronological order, this series will be presented on each film's anniversary and will feature personal opinions as well as facts regarding its legacy and behind the scenes information. The goal is to create an in depth essay for each film while looking not only how the medium progressed, but how the film is integral to pop culture. In some cases, it will be easy. Others not so much. Without further ado, let's start the show.

Monday, February 27, 2017

Why "Moonlight" Winning Best Picture is a Big Deal

By all accounts, the 89th annual Academy Awards ceremony was going according to plan. Over the course of the evening through 24 categories, the nominees who had won almost every preliminary got up and gave acceptance speeches. There was nothing new. There rarely is when it comes to the Oscars. Viola Davis won. Emma Stone won It was a predictable even. That is, until the last category was announced. Warren Beatty and Faye Dunaway announced La La Land, which was predicted to sweep the entire ceremony. Moments later, it was revealed that there was a mistake and that Moonlight actually won. While this is a moment that will be analyzed for decades to come, it should also be seen as a ceremonious moment that hopefully marks a change in the Academy Awards. Hopefully, this is the moment where things become more inclusive.

Monday, November 14, 2016

Review: "Moonlight" Embraces the Complex Beauty of Black Lives in Exciting New Ways

Scene from Moonlight
Director Barry Jenkins has produced something magnificent with his latest film Moonlight. In an era where cutting edge cinema is often spoken about in a technical sense, he has found a way to explore it in a spiritual sense. With a story that spans three key periods of a black man's life, he has found a new and exciting way to explore the black experience through an art house gaze. With limited exception, the story of Chiron is one that is personal and captures a beauty rarely seen in American cinema. The film's title refers to the way that black skin shines in the moonlight. To say the least, few have captured it as beautifully and artfully as Jenkins has, leading to the question as to why that is. It may only be a small piece of the bigger puzzle, but it is evidence that black lives can be beautiful, even in dire circumstances.