Composing Greatness: #4. Thomas Newman - "American Beauty" (1999)

Scene from American Beauty

Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

Why "Moonlight" Winning Best Picture is a Big Deal

By all accounts, the 89th annual Academy Awards ceremony was going according to plan. Over the course of the evening through 24 categories, the nominees who had won almost every preliminary got up and gave acceptance speeches. There was nothing new. There rarely is when it comes to the Oscars. Viola Davis won. Emma Stone won It was a predictable even. That is, until the last category was announced. Warren Beatty and Faye Dunaway announced La La Land, which was predicted to sweep the entire ceremony. Moments later, it was revealed that there was a mistake and that Moonlight actually won. While this is a moment that will be analyzed for decades to come, it should also be seen as a ceremonious moment that hopefully marks a change in the Academy Awards. Hopefully, this is the moment where things become more inclusive.

What "The Danish Girl," Says About the Oscar's Problematic Relationship with LGBT Movies

Eddie Redmayne in The Danish Girl

Last night, I decided to catch up on the missing links in my Oscar-nominated movies for this year. I decided to tackle director Tom Hooper's The Danish Girl: a film that I inevitably had high hopes for, if just because of what 2015 was symbolically in the LGBT community. Beyond America legalizing gay marriage, it was the time when we had multiple noteworthy trans celebrities, cinema was hitting new strides with Tangerine, and Transparent was continuing its yearlong (and arguably still going) success. Transgender culture is probably more accepted than it ever had been, and The Danish Girl could be the period to the sentence. Of course, that is problematic to say, but what became abundantly clear is that it was actually doing the opposite. Despite its romanticism, The Danish Girl featured stereotypes akin to the gay best friend with flamboyancy and a lisp. While it took some reading to fully understand why, it's generally one of the problems with The Academy's recent crop of nominees.

Nothing But the Best: "American Beauty" (1999)

Mena Suvari in American Beauty

Welcome to the series Nothing But the Best in which I chronicle all of the Academy Award Best Picture winners as they celebrate their anniversaries. Instead of going in chronological order, this series will be presented on each film's anniversary and will feature personal opinions as well as facts regarding its legacy and behind the scenes information. The goal is to create an in depth essay for each film while looking not only how the medium progressed, but how the film is integral to pop culture. In some cases, it will be easy. Others not so much. Without further ado, let's start the show.

Can a Positive Gay-Themed Movie Win Best Picture?

Scene from Milk

For people across America, June 26, 2015 is a historical day. It is the moment when all 50 states were unanimous in passing a bill to allow gay marriage. Not just in one or two states, but the whole caboodle. It is a prospect that many have fought bravely to acquire over the past century. Because of this, LGBT representation has become more positive and accepted among mainstream audiences and in the case of The Academy, it has even been recognized in most fields, most recently with 2013 film Dallas Buyers Club in which Jared Leto won Best Supporting Actor for playing a transsexual character. But here is the bigger question, and one that is up there with representation of films tackling race and gender equality: with this breakthrough, is it possible that we will ever have a positive gay themed film win Best Picture?

Birthday Take: Alan Ball in "American Beauty" (1999)

Left to right: Mena Suvari and Thora Birch in American Beauty

Welcome to The Birthday Take, a column dedicated to celebrating Oscar nominees and winners' birthdays by paying tribute to the work that got them noticed. This isn't meant to be an exhaustive retrospective, but more of a highlight of one nominated work that makes them noteworthy. The column will run whenever there is a birthday and will hopefully give a dense exploration of the finest performances and techniques applied to film. So please join me as we blow out the candles and dig into the delicious substance.

A Celebration of Best Picture Films Featuring Drug Use

Scene from Annie Hall

Do you like to party? Do you like prestige movies? Well, this article is the perfect crossroads for you. In honor of 4-20, a holiday based around freebasing, here is a look at the many films that have embraced debauchery and still managed to win the Academy's love. While we won't get into the drinks, we'll take a look at every drug-fueled film that has featured some sort of substance abuse and pay tribute to those Best Picture winners and nominees that made a difference while under the influence. So, I won't harsh your buzz for much longer. Just hit the jump to find get the full experience.