Showing posts with label Keira Knightley. Show all posts
Showing posts with label Keira Knightley. Show all posts

Saturday, December 23, 2017

Failed Oscar Campaigns: "Collateral Beauty" (2016)

Scene from Collateral Beauty
As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.

Sunday, October 29, 2017

A24 A-to-Z: #16. "Laggies" (2014)

Scene from Laggies
In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for ears to come.

Saturday, December 5, 2015

Failed Oscar Campaigns: "The Imitation Game" (2013)

Benedict Cumberbatch
As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.

Wednesday, January 14, 2015

Review: "The Imitation Game" Tries to Be Important in Safe and Uninteresting Ways

Benedict Cumberbatch
One of the reasons that World War II has remained such a prominent subject in film culture is because of the massive scope that it encapsulates. Beyond the war and killing Adolf Hitler, it was about putting aside differences to do so. With stories ranging this year from The Monuments Men to Unbroken, the diversity continues to intrigue in director Morten Tyldum's The Imitation Game, which focuses on scientist Alan Turing (Benedict Cumberbatch) as he literally cracks the code on the Nazis. For a story with a complex core, it is unfortunate that so much of the layers above it feel too conventional

Sunday, January 6, 2013

Predictions: Who Should Get a Best Actress Nomination in 2013?

2012's Best Actress winner Meryl Streep (The Iron Lady)
We are in an exciting time for Oscar enthusiasts. We are officially one week away from the announcement of this year's nominees. In order to contribute some thoughts, I will be going down the major categories (Acting, Directing, and Best Picture) and predicting who will be the most likely to get nominated, as well as a few tidbits on why I agree with these decisions. Be warned that every story that I am going to write in relation to predictions will not actually feature any bias towards who should win. However, I will be detailing why I think each should be nominated. Also stay tuned for post-coverage in which I will actually be sharing my thoughts on the nominations and solidify who I believe should win in each category.

Thursday, November 8, 2012

Is "Anna Karenina" Able to Separate Itself from Other Best Picture Period Pieces?

Keira Knightley 
Next Friday sees the release of director Joe Wright's fifth film Anna Karenina, an adaptation of the Russian novel by Leo Tolstory that follows the titular character (Keira Knightley) on her journey through love in the 19th century. With all of the attention surely going to be focused next week on director David O. Russell's Silver Linings Playbook, is it possible that Wright can pull an upset and bring period pieces back to the Oscars, and more notably the Best Picture category? Can he nab Knightley her second Best Actress nomination and possibly a win?