With "A Rainy Day in New York" Being Shelved, is this the End of Woody Allen's Career?

Woody Allen

Whether or not you like him, there is one thing apparent: Woody Allen is one of the most prolific filmmakers of the past 50 years. With limited exceptions, he has stuck a movie-a-year release schedule since the 1970's and has earned four Oscars for his writing and a Best Picture win for the romantic comedy Annie Hall. With all of this said, he has once again fallen under fire for an old scandal regarding sexual allegations against his daughter Dylan Farrow. With the Me Too and Time's Up movements causing The Academy to kick out other members with notorious reputations Harvey Weinstein and Roman Polanski, one has to wonder if Allen's days are numbered. Considering that Amazon has shelved his next film, A Rainy Day in New York, and his previous film, Wonder Wheel, was a legitimate Failed Oscar Campaign contender, it does seem like maybe just maybe this is the end of his career.

A Look at Woody Allen and Separating the Art and the Artist

Woody Allen

While my main goal on this blog is to not get too political, it's hard sometimes to avoid discussing certain things. If you're anyone who follows the media circuit, you'll know that this was a big day for Woody Allen. For starters, his new film Cafe Society opened Cannes. However, it was overshadowed by a variety of events including Ronan Farrow's excellent piece regarding the media's handling of Allen's own molestation charges. This has raised the obvious statement, and one when pieced together with a recent interview that suggested that he saved his wife and adopted daughter (the same person) Soon-Yi from misery, is that he's a creepy pervert. Here's my opinion: I acknowledge that all of this really does it make more conflicting for me to like his work, but it's also harder to not admit that I still like his work. It's time that I discuss the unfortunate deed of separating the artist from the artist.

My Top 10 Favorite Woody Allen Movies

Left to right: Woody Allen and Meryl Streep in Manhattan

Love him or hate him (I'm more in the former camp), Woody Allen has remained one of the most prolific and distinguished directors in American comedy. From his earliest days writing for Your Show of Shows to his later successes with films such as Annie Hall and Manhattan, he has made an enviable career with a film-a-year schedule that means that he has more misses, but his hits aren't without mention. Today marks the multi-hyphenate artist's 80th birthday, and with that, I am going to share my personal Top 10 favorites. Keep in mind that while I have seen 24 of his films, that's only half of his impressive total - meaning that I likely haven't seen all of the greats. If I'm missing one that's more obscure, please feel free to reference it in the comments section.

Birthday Take: Sally Hawkins in "Blue Jasmine" (2013)

Sally Hawkins in Blue Jasmine

Welcome to The Birthday Take, a column dedicated to celebrating Oscar nominees and winners' birthdays by paying tribute to the work that got them noticed. This isn't meant to be an exhaustive retrospective, but more of a highlight of one nominated work that makes them noteworthy. The column will run whenever there is a birthday and will hopefully give a dense exploration of the finest performances and techniques applied to film. So please join me as we blow out the candles and dig into the delicious substance.

The Directors Project: #1 - Woody Allen

Scene from Cinema Paradiso

With the many lists and essays written on the subject of film, there has been one thing that The Oscar Buzz has tried to understand: Who is my favorite of the film world? For 10 weeks this summer, I will be exploring this with a countdown of the Top 50 names based on a numerical ranking of ratings from various sources, the following is a list of directors who rank above everyone else. With occasional upsets, this is intended as both a discussion opener as well as a better understanding of me as a film critic and fan. Please enjoy and leave any comments you have regarding the entry's selection.

My Official Oscar Votes for 2014

With the Oscar ceremony this upcoming weekend, the time to see all of the Oscar nominees is dwindling down. For me, there are many notable categories where I unfortunately came up short. With that said, I also had the opportunity to see majority of the nominees in the major categories, which allowed me to have a more invested take. What follows is a reassessment of my initial votes, which have since changed. This will not be a rehashing of every nominee, but an abbreviated version of the list with any additional thoughts listed.

A Closer Look at the Best Original Screenplay Nominees

Now that we have covered the acting fields, it is time to look at the constructs of what makes those performances pop. First up is the Best Original Screenplay category that mixes modernist sci-fi (Her) with the AIDS epidemic (Dallas Buyers Club) and classy cons (American Hustle). It may even arguably be more interesting than the Best Adapted Screenplay category, as almost every selection on here provides an alternative view of American culture and chooses to explore the bigger themes of our lives. This is where the race becomes less solidified and the nominees are equally up for debate. Even then, this category is rather impressive and reflects what made 2013 a solid year for films.

A Closer Look at the Best Supporting Actress Nominees

Continuing this year's sense of ragtag nominees in the supporting categories is the Best Supporting Actress category. Where the lead categories feel like competitive locks with numerous outcomes, this category feels less assured. It isn't that any of their roles are necessarily lackluster, but more that all of them, save for Jennifer Lawrence (American Hustle) come to this film without any strong bias backing them. With three of them being first time nominees, it makes the race a little more interesting and raises curiosity on if they can transcend the rookie chances and beat the veterans.

A Closer Look at the Best Actress Nominees

Continuing our look at all of the top category nominees is a race that is probably the least certain of all of them: the Best Actress category. Despite an eclectic group that ranges from sci-fi thrillers (Sandra Bullock - Gravity) to mental illness (Cate Blanchett - Blue Jasmine) to romantic conning (Amy Adams - American Hustle), the race seemed to have been locked since August and unlike 12 Years a Slave, the conversation hasn't shifted all that much. There are a few potential upsets for sure, but as a whole, this is just a matter of counting down the hours until the top name is rattled off and the acceptance speech is given.

Calculating the Golden Globe 2014 Winners

Left to right: Tina Fey and Amy Poehler

Last night saw the Golden Globes ceremony take place hosted once again by Amy Poehler and Tina Fey. The show itself had plenty of memorable moments and with the hosts managing to do what Ricky Gervais couldn't (not outstay their welcome), it was a night that managed to pack a lot of surprises, notably for those rooting on 12 Years a Slave to dominate in every available category. In fact, there wasn't a single film that really "dominated," though it has raised questions on how the Oscar race could change (read my nominee predictions here). As it stands, things look less concrete going forward.

Review: "Blue Jasmine" is One of the Most Creatively Twisted Woody Allen Film in Years

Cate Blanchett

In Annie Hall, Woody Allen famously said about people in Hollywood: "They don't throw their garbage away, they turn it into television shows." In a sense, the director's career has almost seemed to be a huge tirade against the west coast lifestyle. His films were always famously shot in New York or later on Europe. With the announcement that his latest film Blue Jasmine would be taking place on the coast he had so long chosen to ignore, it almost seemed like a resurgence for the American filmmaker to make something equivalent to the west coast as his films like Manhattan did for the east. In a way, it does live up to Allen's vision as predicted in Annie Hall. It is by no means a flattering vision.

Will "Blue Jasmine" Spice Up the Oscar Race?

Cate Blanchett

*I would just like to say thank you to everyone who has been reading my work. As of this piece, I have published 100 entries. Quite a milestone and I hope to do a lot more as the months drag on.


For most cinephiles, the gift of a Woody Allen movie every year comes as a mixed bag. Sometimes it produces gems, and others end up awkwardly. That is the pain of releasing a film annually, though it has resulted in some exciting prospects, including Vicky Christina Barcelona and Midnight in Paris. With Allen's latest film, Blue Jasmine, he tackles a new place and a new coast: San Francisco. With an eclectic cast and a new location, is it possible for the savant to strike inspiration once again from someplace new?

A Look at Summer Films with Academy Award Potential

Still from Much Ado About Nothing

With the summer movie season heating up, there is a good chance that The Oscar Buzz may hit a dry spell. True, I once stated that June was the turning point for cinema. It would be that moment in which films suddenly stood a modicum of a chance to burst out onto the scene and get some Oscar attention. While The Great Gatsby showed us some hope, few films seem worthy of an entire entry around the speculation. Films like Star Trek Into Darkness and this week's Fast & Furious 6 at best are Best Sound Editing and Best Special Effects contenders. Still, over the summer months, I have decided to take a look at films that may have potential to break the mold and may be the buzz when nominations are announced next January. Maybe not all of these will be Best Picture material, but if they're even close, we're in for a very interesting ceremony.