Showing posts with label Louis CK. Show all posts
Showing posts with label Louis CK. Show all posts

Saturday, March 3, 2018

Failed Oscar Campaigns: The Weinstein Company

As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.

Saturday, December 28, 2013

Review: "American Hustle" is a Great Looking Yet Empty Con

Left to right: Amy Adams, Bradley Cooper, Jeremy Renner,
Christian Bale, and Jennifer Lawrence

Originally published at CinemaBeach.

The theme of director David O. Russell’s latest film American Hustle can be summed up in the hilariously awful comb-over sported by Christian Bale. The entire film isn’t about revealing vulnerability, but projecting confidence no matter what. As conman Irving Rosenfield, Bale embodies these ethics simply by not caring about his lunatic wife (Jennifer Lawrence) and selling fake art with his new girlfriend (Amy Adams). From the clothing to the emotions, it is a world of trickery on every level that looks good, but the core can be a little disturbing.

Wednesday, August 7, 2013

Review: "Blue Jasmine" is One of the Most Creatively Twisted Woody Allen Film in Years

Cate Blanchett
In Annie Hall, Woody Allen famously said about people in Hollywood: "They don't throw their garbage away, they turn it into television shows." In a sense, the director's career has almost seemed to be a huge tirade against the west coast lifestyle. His films were always famously shot in New York or later on Europe. With the announcement that his latest film Blue Jasmine would be taking place on the coast he had so long chosen to ignore, it almost seemed like a resurgence for the American filmmaker to make something equivalent to the west coast as his films like Manhattan did for the east. In a way, it does live up to Allen's vision as predicted in Annie Hall. It is by no means a flattering vision.

Wednesday, July 31, 2013

The "American Hustle" Trailer is a Great Throwback Full of Wit and Snazzy Outfits

Left to right: Bradley Cooper and Christian Bale
All it took was a few hours for my recent post on upcoming Oscar contenders to look a little... lacking. While the films I selected for the piece were perfectly acceptable and still merit consideration, there is little doubt that today's release of the trailer for director David O. Russell's American Hustle could have easily replaced any of them. Of course, that would have made me writing an entire piece on the first trailer a tad redundant and based on my Fruitvale Station review, the praise that I'm about to heap on it to be a little hypocritical. Still, the trailer premiered on ABC's Good Morning America, it sent a frenzy into the air. At very least, it means that 2013's collection of nominees will have a retro, political vibe going on.

Tuesday, July 23, 2013

Will "Blue Jasmine" Spice Up the Oscar Race?

Cate Blanchett
*I would just like to say thank you to everyone who has been reading my work. As of this piece, I have published 100 entries. Quite a milestone and I hope to do a lot more as the months drag on.


For most cinephiles, the gift of a Woody Allen movie every year comes as a mixed bag. Sometimes it produces gems, and others end up awkwardly. That is the pain of releasing a film annually, though it has resulted in some exciting prospects, including Vicky Christina Barcelona and Midnight in Paris. With Allen's latest film, Blue Jasmine, he tackles a new place and a new coast: San Francisco. With an eclectic cast and a new location, is it possible for the savant to strike inspiration once again from someplace new?