As 2019 reached its end, another decade of cinema had passed. It's amazing to think about how things have evolved since 2010 when the biggest controversies were about recognizing genre movies. Things look different now, especially as genre films like The Shape of Water and Parasite are winning Best Picture and the voting body looks incredibly different with each passing year. With this period in the books, it feels like a good time to celebrate their accomplishments by ranking all 88 titles nominated for Best Picture from worst to best with the goal of seeing which films are more likely to stand the test of time. Join me every Saturday and Sunday as I count them down, five at a time. It's going to be a fun summer looking back on what was, especially as we prepare for the decade ahead and an even more interesting diversity that we haven't even begun to think of.
Many films are great, but only one wins Best Picture. This is a blog dedicated to everything involving the Oscars past and present as well as speculation on who should win at this year's events.
Showing posts with label Room. Show all posts
Showing posts with label Room. Show all posts
Saturday, July 25, 2020
Every Best Picture Nominee of the 2010's Ranked: #55-59
Labels:
2020,
Best Picture,
Green Book,
Hacksaw Ridge,
Mel Gibson,
Room,
Selma,
The Revenant
Wednesday, May 10, 2017
Coming This June: A24 A-to-Z
I do apologize for being quiet in recent weeks. In all honesty, I have been doing my best to get through the final month of school through rigorous studying. Those who have paid attention noticed that I still produce work a few times a week, but currently find it hard. School and personal matters are keeping me from staying on top of current trends as much as I should - and most of what I do focus on is TV related, which I feel is antithetical to The Oscar Buzz's content (though I do highly recommend The Leftovers). If you want that content, please check it out on Optigrab. For now, I want to announce what will be coming this June. It's a new column, and probably one as ambitious as my Nothing But the Best column was initially. Ladies and gentlemen, I want to introduce to you A24 A-to-Z. As the title suggests, it focuses on A24's rich filmography. But why them? Well, I'll tell you why after the jump.
Labels:
2017,
20th Century Women,
A24,
A24 A-to-Z,
Moonlight,
Room,
Spring Breakers,
The Bling Ring,
The Lobster,
The Spectacular Now,
Under the Skin,
While We're Young
Monday, February 29, 2016
Here is the Official List of Every 2016 Oscar Winner
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| The cast and crew of Spotlight winning Best Picture |
There you have it, everyone. Another Academy Awards ceremony is in the books. With a competitive, unpredictable year, it was nice to know that the winners this were just as random as the moments leading up to it. But, who won all of the awards? Who won the most? Spotlight walked away with the Best Picture, but very little else, while Mad Max: Fury Road left with six. If you wish to know who won in every category, click the jump to see the results. Also, I will answer the proverbial question that comes with each post-ceremony recap: how did I do? To say the least, it wasn't my best year even if I'm not mad at who won.
Labels:
2016,
Academy Awards,
Bridge of Spies,
Fury Road,
Inside Out,
Mad Max,
Room,
Son of Saul,
Spectre,
Spotlight,
The Big Short,
The Danish Girl,
The Hateful Eight,
The Revenant
Saturday, February 27, 2016
My Official Oscar Predictions for 2015
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| Scene from Spotlight |
This is it, everybody. Tomorrow is the big day when The Academy Awards reveal who is going to come away champion. It has been an exciting, unpredictable season that will hopefully produce some out of the box results. From some bizarre Oscar nominees (Mad Max: Fury Road specifically) to a tough three way battle for Best Picture, this is a year that will be hard to call, especially with the results changing every other week. While you have seen my extensive coverage of this year's season, the following is my personal picks for winners. I'm confident that unlike the past few years, I will not be doing nearly as well (I really don't want The Revenant to win big). So take my picks with a grain of salt, and feel free to place your bets in the comments section. Come back on Monday for full post-ceremony coverage.
Labels:
2016,
Academy Awards,
Bridge of Spies,
Brooklyn,
Carol,
Fury Road,
Mad Max,
Room,
Spotlight,
The Big Short,
The Danish Girl,
The Martian,
The Revenant,
World of Tomorrow
Tuesday, January 19, 2016
A Ranking of the Best Picture Nominees of 2016
Ladies and gentlemen, I have officially seen every single Best Picture nominee for 2015. You know what that means? It's time to rank them all. As is the case with every year, it's intriguing to see what exactly makes these films far more noteworthy than the hundreds of other titles competing for the top prize. In all honesty, this may be one of the better years in recent times, solely because while there's still racial diversity problems, this year featured an impressive mixture of genre diversity, which is something that has always felt like a problem. Where 2013 had only one part of the year and 2014 had only one sex, this year reflects a solid variety of what the year in film had to show. The following is my personal ranking with additional thoughts. If you wish to share your own ranking, please feel free to share in the comments.
Labels:
2016,
Bridge of Spies,
Brooklyn,
Fury Road,
Mad Max,
Room,
Spotlight,
The Big Short,
The Martian,
The Revenant
Review: "Room" is an Emotional Powerhouse Experience
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| Jacob Tremblay |
Every now and then, there comes a child actor performance that features inexplicable weight. There are those like Tatum O'Neal in Paper Moon or Natalie Wood in Miracle on 34th Street where the actor, whether unknowingly or not, captures a certain vulnerability that transcends their singular digit age. It is something rare, and for which almost feels like a revelation each time. Joining the class with one of 2015's best performances by anyone of any age is Jacob Tremblay as Jack Newsome - a boy who has grown up exclusively in a shed that he calls "Room" with his mother Joy (Brie Larson). While the duo produce one of the most emotionally arresting performances of the year, director Lenny Abrahamson's Room is itself a fantastic achievement in capturing the complicated natures of parenting, naivety, and experiencing life for yourself. It's a film that is striking with intimacy and vulnerability the likes of which cinema haven't seen in some time.
Labels:
2016,
Best Picture,
Brie Larson,
Jacob Tremblay,
Lenny Abrahamson,
Room,
William H. Macy
Thursday, January 14, 2016
Here's the List of This Year's Oscar Nominees
Ladies and gentlemen, this is one of the biggest days in our average awards season. It is the day that The Academy Awards announce this year's nominees. With the familiar fervor, one can easily point out the lack of diversity and the various films that were snubbed. However, it is still a pretty solid year for the films, with surprise nomination leaders The Revenant and Mad Max: Fury Road racking up a lot of recognition with 12 and 10 nominations respectively. So, what made the cut in all of the categories? Click to read all of the nominees plus additional commentary on the highs and lows that are now part of Oscar history.
Labels:
2016,
45 Years,
Academy Awards,
Bridge of Spies,
Brooklyn,
Creed,
Fury Road,
Joy,
Mad Max,
Room,
Spotlight,
Steve Jobs,
The Big Short,
The Martian,
The Revenant,
Trumbo
Monday, January 11, 2016
The 10 Best and Worst Moments of This Year's Golden Globes
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| Left to right: Alejandro Gonzalez Inarritu and Leonardo DiCaprio |
Last night marked this year's Golden Globes, in which the big winners were The Revenant and The Martian. However, it is also likely the year when the ceremony itself became irrelevant to TV viewers without access to their own minibar. You see, with returning host Ricky Gervais, the show's three hour run felt like an eternity not because it was a slow year (though the winners weren't exceptional), but because nobody cared. Yes, The Golden Globes have long been The Razzies of prestigious movie awards, but usually their ceremonies are fun moments to have people let loose. The following is a look at the highs and lows of the show as it relates to Oscar culture. Prepare for a ride through the drollness.
Labels:
2016,
Brie Larson,
Denzel Washington,
Fury Road,
Golden Globes,
Leonardo DiCaprio,
Mad Max,
Quentin Tarantino,
Room,
Spotlight,
Steve Jobs,
The Hateful Eight,
The Martian,
The Revenant
Thursday, December 10, 2015
Check Out the Nominees for This Year's Golden Globe Awards
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| Rooney Mara in Carol |
Today, the Hollywood Foreign Press Association (HFPA) released the nominees for this year's Golden Globe Awards. Honoring the best in film and TV, the award has often been considered a strong indicator as to what The Oscars will look like. While this isn't entirely true, the one advantage that the ceremony has is that it honors films in both comedy and drama departments, thus allowing less prestigious titles to pick up traction. This year shows no exception, especially with the presence of a few surprising picks, including Mad Max: Fury Road, Concussion, and Trumbo. The following is a look at the movie categories, followed by personal thoughts on each of the categories.
Labels:
2015,
Brooklyn,
Carol,
Concussion,
Golden Globes,
Joy,
Mad Max,
Room,
Spotlight,
Steve Jobs,
The Big Short,
The Danish Girl,
The Martian,
The Revenant,
Trainwreck,
Trumbo
Tuesday, November 24, 2015
Check Out This Year's Nominees for The Spirit Awards
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| Scene from Anomalisa |
As November has dwindled down, it's time to start looking ahead to the big awards season. While we're in the middle of a barrage of great films coming out, there hasn't been really any focus yet - largely because there hasn't been any major awards show yet. Today marks the announcement of the 31st Annual Independent Spirit Awards nominations, which is set on commemorating the best in independent cinema from the past year. While the Golden Globes are likely to be more of an indicator of The Academy Awards to come, there's no denying that the general impact of The Spirit Awards has grown over the past decade; even almost unanimously tying with the 2013 Oscar winners. What lies in store for this year's line-up? There's a few great surprises, of which likely will tell us of the films that we'll be discussing about for the next few months.
Labels:
2015,
Anomalisa,
Beasts of No Nation,
Carol,
Room,
Spirit Awards,
Spotlight,
Tangerine,
The Diary of a Teenage Girl,
The End of the Tour,
The Look of Silence
Friday, September 18, 2015
A Look at the Hits and Misses of TIFF
![]() |
| Scene from Anomalisa |
As the annual Toronto International Film Festival (TIFF) wraps up, it's time to take account of the big news that has come out of it. Following the brief but memorable news that came out of Telluride, TIFF marks one of the annual high points in Oscar Season. It is a time when films begin to make a name for themselves, helping to shape the race with a few outsiders that likely weren't considered before. While I will try not to address a lot of films that I discussed in the Telluride piece, I do feel the need to make a few highlights as to what significant film news we have heard, and what we can expect in the months going forward.
Labels:
2015,
Anomalisa,
Black Mass,
Freeheld,
Room,
Spotlight,
The Danish Girl,
The Lobster,
The Martian,
TIFF,
Youth
Wednesday, September 9, 2015
The "Room" Trailer is Creepy and Perplexing
![]() |
| Left to right: Jacob Tremblay and Brie Larson |
Yesterday I wrote about all of the news that came out of the Telluride Film Festival. We received updates, newcomers, and various other potential narratives for the Oscar season ahead. Among the bigger revelations is director Lenny Abrahamson's Room. The film that stars Brie Larson as a mother with her own strange story captured audiences with some even commenting on it being one of her best. As awards season continues to pick up, a trailer has been released for the underdog film that could end up being studio A24's first Oscar contender. From the looks of it, there's at least plenty to admire from the Frank director in terms of atmosphere and tone.
Labels:
2015,
Brie Larson,
Lenny Abrahamson,
Room,
Telluride,
William H. Macy
Tuesday, September 8, 2015
What the Telluride Festival Told Us About Oscar Front Runners
![]() |
| Scene from Suffragette |
This past weekend was the Telluride Film Festival. While it doesn't have the immediate ring as that of Toronto International Film Festival (TIFF) or Cannes, it has come to be its own predictor of the Oscar season ahead. As we enter the season, it's time to start looking at all of the possibilities out there and guessing just where everything will fall. If the news out of Telluride is any indication, we may be in for a hefty, exciting season full of returning favorites and a few new faces that may just well steal the show. The following is a quick rundown of the various films that have Oscar potential and what we have learned from the general buzz that has come from the festival.
Labels:
2015,
Beasts of No Nation,
Black Mass,
Carol,
Room,
Spotlight,
Steve Jobs,
Suffragette,
Telluride
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