Failed Oscar Campaigns: "Once Upon a Time... in Hollywood" (2019)

As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.

Every Best Picture Nominee of the 2010's Ranked: #20-24

Scene from Django Unchained

As 2019 reached its end, another decade of cinema had passed. It's amazing to think about how things have evolved since 2010 when the biggest controversies were about recognizing genre movies. Things look different now, especially as genre films like The Shape of Water and Parasite are winning Best Picture and the voting body looks incredibly different with each passing year. With this period in the books, it feels like a good time to celebrate their accomplishments by ranking all 88 titles nominated for Best Picture from worst to best with the goal of seeing which films are more likely to stand the test of time. Join me every Saturday and Sunday as I count them down, five at a time. It's going to be a fun summer looking back on what was, especially as we prepare for the decade ahead and an even more interesting diversity that we haven't even begun to think of.

Every Best Picture Nominee of the 2010's Ranked: #35-39

Scene from Once Upon a Time... in Hollywood

As 2019 reached its end, another decade of cinema had passed. It's amazing to think about how things have evolved since 2010 when the biggest controversies were about recognizing genre movies. Things look different now, especially as genre films like The Shape of Water and Parasite are winning Best Picture and the voting body looks incredibly different with each passing year. With this period in the books, it feels like a good time to celebrate their accomplishments by ranking all 88 titles nominated for Best Picture from worst to best with the goal of seeing which films are more likely to stand the test of time. Join me every Saturday and Sunday as I count them down, five at a time. It's going to be a fun summer looking back on what was, especially as we prepare for the decade ahead and an even more interesting diversity that we haven't even begun to think of.

R.I.P. Ennio Morricone (1928-2020)

On July 6, 2020 composer Ennio Morricone died at the age of 91 in Rome, Italy. Over the course of 60 years, he has been known as one of the most prolific musicians in history. With over 400 movie scores to his credit, the Oscar-winning composer is considered one of the most influential and important in his field, producing such masterpieces as The Good The Bad and The Ugly. While he never moved to America, his collaborations with various American filmmakers remain unparalleled, managing to bring their voices to life in meaningful and exciting ways. While he's gone, his endless body of work will continue to live on in meaningful and exciting ways.

Why I Think "Once Upon a Time... in Hollywood" Will Win Best Picture

Scene from Once Upon a Time... in Hollywood

Last Monday, the Oscar nominations were announced and cut the competition in half for all of the major categories. Now it's down to the wire with only a few weeks until The Academy Awards answer all of the questions that movie fans have been clamoring for: what will win Best Picture, Best Actor, etc. It's the territory that comes with every year, and this one is no slouch, presenting a variety of front-runners that are undeniable charmers. If one was to follow conventional awards rules, 1917 would be the front-runner, followed closely by Parasite (one of few films to win the Screen Actors Guild Award's prize for Best Ensemble without another acting nomination). However, there is one that's lingering just under the surface, and one that makes a lot of sense if one was to apply Oscar trends on it.

Director Quentin Tarantino's proposed penultimate film Once Upon a Time... in Hollywood is a film that has become forgotten in recent weeks of awards season. With exception to Brad Pitt winning Best Supporting Actor, it hasn't exactly had any consistency since winning Best Comedy or Musical at the Golden Globes. Even then, one has to merely look at the campaign to see how brilliant their approach to a Best Picture win is. It wasn't just the decision to release the film in the dumping grounds of August, almost 50 years to the date of Sharon Tate's untimely death. It was everything around it, which has only proven it to have a longevity that half of the nominees have yet to prove (save for maybe Parasite, now in its fourth month of theatrical release). Once Upon a Time... in Hollywood isn't just one of Tarantino's most accessible films, it's arguably the one that appeals to Academy biases the most. In a time where the old clash with the new class of voters, few films feel as connecting (both in appeal and themes) quite like Tarantino's film. 

"Once Upon a Time... in Hollywood" is Getting a Rerelease This Weekend... With 4 New Scenes!

Scene from Once Upon a Time... in Hollywood

While this past summer may have not had a lot in the way of standout entertainment, it did have one shining star: a new Quentin Tarantino movie. Love it or hate it, the film sparked a conversation that was sorely missing. Not only was it praised for becoming one of the rare original adult stories of 2019 to gross over $100 million at the box office, an honor that wasn't really matched until September's Hustlers. Still, there was talk from the get-go of potential Oscar chances for everyone from Tarantino to actors Leonardo DiCaprio, Brad Pitt (who has also gained acclaim for Ad Astra), and Margot Robbie (who has also gained acclaim for Bombshell). So, how does a film wanting to stay in the race try and stay relevant? While the film hasn't entirely left theaters, this weekend finds a revival of sorts with a new extended cut that you can see nationwide. 

R.I.P. Robert Forster (1941-2019)

Robert Forster

On October 11, 2019, actor Robert Forster passed away at the age of 78 in Los Angeles, CA. Over the course of a storied career, he's brought to life hundreds of memorable performances, giving his all to bring them to life. Among his most noteworthy roles was in the film Jackie Brown, for which he earned an Oscar nomination. His work expanded to TV as well, recently starring in shows like Last Man Standing, Breaking Bad, and Twin Peaks: The Return. As one of the most revered character actors of his generation, he helped to make cinema a more exciting place with tough, no-nonsense characters that, immediately stuck with the viewer. He will be missed though his incredible work will continue to live on.

Review: "Once Upon a Time... in Hollywood" Rewrites Film History with Heartwarming Results

Scene from Once Upon a Time... in Hollywood

For most of the 21st century, director Quentin Tarantino has reveled in a certain kind of cynicism. You don't even need to see his films, as the mere presence of his titles (Kill Bill, Inglourious Basterds, and The Hateful Eight) all feature something confrontational. Even his last film ended with everyone dead. However, there feels like a change of heart with Once Upon a Time... in Hollywood, itself a play on the idea of fairytales and happy endings. Yes, he's still the verbose, sadistic filmmaker with a love for the comedic violence, but for the first time in decades, he feels... happy? With this being his presumed penultimate movie, Tarantino goes to the movies and, for nearly three hours, finds a reason to make us care not about the style or glamor that he's packed into so many frames, but of the people who made it possible. It's a story that repurposes careers and forces us to wonder how legacies are shaped, and it makes for one of his most reverent films yet.

Why "Inglourious Basterds" is Still Quentin Tarantino's Best Film

Scene from Inglourious Basterds

For Quentin Tarantino, the year 2009 was a turning point for his career that at the time seemed unexpected. With the success of Pulp Fiction now 15 years behind him, his three films since were a mix of underappreciated (Jackie Brown) and more stylized (Kill Bill). He still had the knack to entertain audiences, but what exactly was his defining achievements in his career? With Inglourious Basterds, he did something unfathomable. He didn't just dive into genre, this time taking on the World War II action films, he found a way to remind audiences that he was a gifted writer, capable of pushing boundaries that hadn't been seen in over a decade. He had the style, but Inglourious Basterds proved that he was capable of being an auteur, kicking off a decade of repurposing history through cinema to explore some of the most important themes of the 21st century, but with plenty more razzle-dazzle.

Check This Out: "The Hateful Eight" Extended Edition Comes to Netflix (With a Catch!)

There's a lot of reason to have Quentin Tarantino on the brain in 2019. Along with this year marking the 25th anniversary of Pulp Fiction, he is returning to cinemas this summer with the highly anticipated Once Upon a Time... in Hollywood. Despite the barrage of reasons to celebrate, there's one that falls on the curious side, especially given that the director isn't often associated with TV miniseries. His Oscar-winning 2016 film The Hateful Eight received a lot of acclaim during its theatrical run and gave the filmmaker one of his longest running times. It's hard to imagine, but there was an even longer Roadshow cut that was hard to see outside of theaters... until Netflix. The only catch is that you'll have to watch it, albeit in a fairly butchered form.

How Weinstein Almost Ruined "Lord of the Rings" with Quentin Tarantino

Scene from Lord of the Rings

Nowadays it's tough to imagine a world without Peter Jackson directing the Lord of the Rings trilogy. Clocking in at over 12 hours in extended edition, the series has become the peak of the modern epic, pushing visual effects in new and exciting ways. It also created a faithfulness to the source material that was ambitious while also earning billions at the box office along with earning over a dozen Oscars and a Best Picture in just three years. But news has recently broke of just how different things could've gone. Had the producer Harvey Weinstein had his way, things would be different for Jackson. He wouldn't even be there and the film wouldn't even be what it is now seen as.

Failed Oscar Campaigns: The Weinstein Company

As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.

Super Delegates Bonus: The Lincoln Letter in "The Hateful Eight" (2015)

Samuel L. Jackson in The Hateful Eight

Welcome to Super Delegates Bonus. As a subsidiary of Super Delegates, the sporadic additional column is meant to explore depictions of politicians on film outside of the conventional methods of the column. This ranges from everything such as political candidates in TV movies and miniseries to real life candidates providing feedback on their pop culture representation. While not as frequent or conventional, the goal is to help provide a vaster look at politics on film as it relates to the modern election year. Join in and have some fun. One can only imagine what will be covered here.

Failed Oscar Campaigns: "The Hateful Eight" (2015)

Scene from The Hateful Eight

As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.

No Gold for Leo: Or Why We Need a Best Stunt Performer Oscar Category

Leonardo DiCaprio in The Revenant

It seems like I have been extremely harsh on one film this past Oscar season: director Alejandro Gonzalez Inarritu's The Revenant. It started with its problematic production and continued with false allegations of bear rape and my own belief that it shouldn't even be Oscar nomianted. However, there is one reason that it bothers me more than anything else: it's Leonardo DiCaprio's worst role. For those who are quick to accuse me of underselling his sacrifices, I am not. The issue here is that we're mistaking stunts for acting. You see, there is a grand difference, and I intend to prove why DiCaprio's performance was not acting - but instead an outdoors version of Fear Factor (and you wouldn't give Joe Rogan's show an Oscar now, would you?), and that this whole facade to get him an Oscar is a great example of nonsensical favoritism.

Tarantino to Turn "The Hateful Eight" into a Stage Play

Tarantino on the set of The Hateful Eight

Fresh off of claiming that film composers are "ghetto," director Quentin Tarantino has given hint to what his next project may be. While this set-up is usually regarded in the way of his next film, it is actually in reference to his first foray into live theater.  For those that have seen The Hateful Eight, it is likely that you felt that it could have been done as a stage production. Well, the good news is that once this whole awards season is over, Tarantino may very well be turning his script into theater. 

The 10 Best and Worst Moments of This Year's Golden Globes

Left to right: Alejandro Gonzalez Inarritu and Leonardo DiCaprio

Last night marked this year's Golden Globes, in which the big winners were The Revenant and The Martian. However, it is also likely the year when the ceremony itself became irrelevant to TV viewers without access to their own minibar. You see, with returning host Ricky Gervais, the show's three hour run felt like an eternity not because it was a slow year (though the winners weren't exceptional), but because nobody cared. Yes, The Golden Globes have long been The Razzies of prestigious movie awards, but usually their ceremonies are fun moments to have people let loose. The following is a look at the highs and lows of the show as it relates to Oscar culture. Prepare for a ride through the drollness.

Review: "The Hateful Eight" is Like a Great Dinner Mystery Show, With Bloody Results

Scene from The Hateful Eight

It's easy to forget the impact that director Quentin Tarantino made back in 1992 with Reservoir Dogs. While Pulp Fiction would take most of the credit, the film introduced an American voice that mixed stylized violence, witty dialogue, and movie references into a blender and produced an impressive heist drama that featured none of the heist. It was a small ingenuity that made him the talk of the town, causing him to get even more high concept with each passing film. However, one cannot help but think of Reservoir Dogs when watching The Hateful Eight; being reminded of how powerful Tarantino could be with limited locations. Even if his latest structurally feels like it owes some debt to his debut, it's possibly his most ambitious attempt to make a real movie with real messages beyond the blood and guts.

Theory Thursday: "Inglourious Basterds" is Tarantino's Best Film

Christoph Waltz in Inglourious Basterds

Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

Failed Oscar Campaigns: "Inglourious Basterds" (2009)

Christoph Waltz in Inglourious Basterds

As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.