Showing posts with label Brie Larson. Show all posts
Showing posts with label Brie Larson. Show all posts

Saturday, September 15, 2018

A24 A-to-Z: #48. "Free Fire" (2017)

Scene from Free Fire
In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for ears to come.

Saturday, February 17, 2018

A24 A-to-Z: #27."Room" (2015)

Scene from Room
In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for ears to come.

Tuesday, July 11, 2017

A24 A-to-Z: #5. "The Spectacular Now" (2013)

Scene from The Spectacular Now
In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for ears to come.

Thursday, January 26, 2017

Check This Out: The 2017 Oscar Nominations Announcement Video

While many are likely still mulling over the Oscar nominations, there is one new thing that has already happened this year worthy of further discussion: the announcement presentation. It was billed as an "in house production" that would be different from the familiar rigmarole of presenting the nominees live before a press audience. With a video format highlighting every nomination with heartfelt stories of what it means to be a winner, the worst that can be said is that this year was different. If you're interested in seeing the video, as well as discussing its effectiveness, just click the button and read on.

Saturday, May 14, 2016

The Runner-Ups: The Editing of "Scott Pilgrim vs. the World" (2010)

Michael Cera in Scott Pilgrim vs. the World
Every Oscar season, there are a handful of actors who get tagged with the "snubbed" moniker. While it is always unfortunate to see our favorites not honored with at very least a nomination, there's another trend that goes largely unnoticed: those who never even got that far. The Runner-Ups is a column meant to honor the greats in cinema who put in phenomenal work without getting the credit that they deserved from The Academy. Join me every Saturday as I honor those who never received any love. This list will hopefully come to cover both the acting community, and the many crew members who put the production together.

Sunday, May 8, 2016

Ranking the Oscar Winning Mothers (Since 2010)

Scene from Room
With today marking Mother's Day, it only feels right to pay some sort of tribute to the women who helped to raise and make all of us the people that we are. For many, it is a joyous celebration that is met with feasts an gifts. In the case of the Oscars, it is one of the most nominated professions in the organization's existence. To say the least, there aren't too many years where an actress portraying a mother hasn't at very least been nominated somewhere - thus making a thorough listing of every performance a tad difficult. That is why I am choosing to focus on the Oscar-winning mothers since 2010. While the limitations would suggest that there wouldn't be many, there's actually seven between the Best Actress and Best Supporting Actress category. The following is a ranking of these mothers, who in some way embody the complex and rich tapestry of what their jobs entail.

Monday, February 29, 2016

10 Highlights from This Year's Academy Awards Ceremony

The four acting Oscar winners
With the ceremony behind us, it's time to remember everything that happened at this year's Academy Awards. For many, it marked one of the most exciting races in recent years. In fact, the year was not without some big surprises. For starters, the racially charged evening by host Chris Rock is likely to split many viewers. Even then, it's still great to know that this year wasn't the least bit dull. In the annual two part wrap-up, I will be recounting the highs and lows of the ceremony. In this article, I will be highlighting the positive, of which there's plenty to choose from.

Tuesday, January 19, 2016

Review: "Room" is an Emotional Powerhouse Experience

Jacob Tremblay
Every now and then, there comes a child actor performance that features inexplicable weight. There are those like Tatum O'Neal in Paper Moon or Natalie Wood in Miracle on 34th Street where the actor, whether unknowingly or not, captures a certain vulnerability that transcends their singular digit age. It is something rare, and for which almost feels like a revelation each time. Joining the class with one of 2015's best performances by anyone of any age is Jacob Tremblay as Jack Newsome - a boy who has grown up exclusively in a shed that he calls "Room" with his mother Joy (Brie Larson). While the duo produce one of the most emotionally arresting performances of the year, director Lenny Abrahamson's Room is itself a fantastic achievement in capturing the complicated natures of parenting, naivety, and experiencing life for yourself. It's a film that is striking with intimacy and vulnerability the likes of which cinema haven't seen in some time.

Monday, January 11, 2016

The 10 Best and Worst Moments of This Year's Golden Globes

Left to right: Alejandro Gonzalez Inarritu and Leonardo DiCaprio
Last night marked this year's Golden Globes, in which the big winners were The Revenant and The Martian. However, it is also likely the year when the ceremony itself became irrelevant to TV viewers without access to their own minibar. You see, with returning host Ricky Gervais, the show's three hour run felt like an eternity not because it was a slow year (though the winners weren't exceptional), but because nobody cared. Yes, The Golden Globes have long been The Razzies of prestigious movie awards, but usually their ceremonies are fun moments to have people let loose. The following is a look at the highs and lows of the show as it relates to Oscar culture. Prepare for a ride through the drollness.

Wednesday, September 9, 2015

The "Room" Trailer is Creepy and Perplexing

Left to right: Jacob Tremblay and Brie Larson
Yesterday I wrote about all of the news that came out of the Telluride Film Festival. We received updates, newcomers, and various other potential narratives for the Oscar season ahead. Among the bigger revelations is director Lenny Abrahamson's Room. The film that stars Brie Larson as a mother with her own strange story captured audiences with some even commenting on it being one of her best. As awards season continues to pick up, a trailer has been released for the underdog film that could end up being studio A24's first Oscar contender. From the looks of it, there's at least plenty to admire from the Frank director in terms of atmosphere and tone.

Saturday, August 31, 2013

Review: "The Spectacular Now" is One of the Most Endearing Looks at Growing Up

Left to right: Miles Teller and Shailene Woodley
Ladies and gentlemen, I am proud to announce that with director James Ponsoldt's second feature The Spectacular Now, I am officially calling him one of the best upcoming directors of this decade. Along with Derek Cianfrance (The Place Beyond the Pines), Ponsoldt is a man who knows how to make characters vulnerable in exciting ways that don't detriment the story or rely on cheesy gimmicks. As familiar as coming of age stories are, the Smashed director's follow-up manages to find new ground through alcoholic teen Sutter (Miles Teller) and Amy's (Shailene Woodley) relationship which doesn't so much explore getting older, but the influences that the people in their lives play on their actions.

Thursday, July 18, 2013

Is "The Spectacular Now" Too Simple for the Oscars?

Left to right: Miles Teller and Shailene Woodley
Last year, director James Ponsoldt's debut Smashed came out of nowhere only to announce the presence of new talent. It helped to raise potential Oscar nominations for Mary Elizabeth Winstead while painting a picture of alcoholism in a poignant, yet honest light. It is no wonder then that his follow-up The Spectacular Now skyrocketed to the top of my must-see list of 2013. With it opening in limited release August 2, it is as good of a time as any to take a look at the trailer and wonder if the coming of age story is capable of competing with the heavyweights.

Wednesday, June 5, 2013

Is SXSW Winner "Short Term 12" Capable of a Best Picture Nomination

Left to right: Brie Larson and Ketih Stanfield
I will admit that when compiling my previous entry, I was going largely based off of personal speculation and familiarity with the events of the Sundance Film Festival. In a surprise twist, two films have come out as considerable Oscar contenders for different reasons. There is the great looking documentary Blackfish (trailer here) and director Destin Cretton's Short Term 12. Having premiered as SXSW, the latter film has gone on to receive accolades, including winning the Audience Award in the narrative feature category. It is quickly being considered as one of the year's best. With official Oscar Buzz finally starting to heat up, will this SXSW favorite make it all the way to the Best Picture race?