Composing Greatness: #16. The Freshman Class of the 2010's - "If Beale Street Could Talk" (2018)

Scene from If Beale Street Could Talk

Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

Composing Greatness: #13. The Freshman Class of the 2010's - "Moonlight" (2016)

Scene from Moonlight (2016)

Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

Composing Greatness: #3. Oscars 2019 Edition - "If Beale Street Could Talk"

Scene from If Beale Street Could Talk

Welcome to a very special edition of Composing Greatness. In this limited series, I will be looking at the five scores nominated for this year's Best Original Score category. To avoid favoritism, the list will be done in alphabetical order of composers and feature the same guidelines as the original series. This is meant to explore the music behind the great films of 2018, and provide insight into what makes each of them special and whether or not they deserved to be nominated at all. Join me all week as I listen to the  music, leave some thoughts, and hopefully sway you to check out these wonderful, wonderful scores.

Review: "If Beale Street Could Talk" Finds Power in Compassion

Scene from If Beale Street Could Talk

The world can be an awful place and it is only nature to retaliate with animosity in your heart. However, there's something even more compelling about the films of director Barry Jenkins. As a man of compassion, he has taken to exploring a more tender side of African American culture. It's something that seems revolutionary by virtue of simply depicting a group whose cultural relevance has only been to radical protesters or submissive in a way that is, for a lack of a better word, human. With If Beale Street Could Talk, he adapts James Baldwin's novel into a tale of love that doesn't ignore the violence but instead finds optimism around it. There's no rioting in the streets. It's a tale of being grateful for the love in your life even as the world knocks you down. It may not be the most inventive story, but what Jenkins has done is provide a warm optimism to guide audiences in a time where cynicism runs rampant, and that's all that's really necessary.

The First Trailer for "If Beale Street Could Talk" Finds the "Moonlight" Director Returning to Oscar Conversation

Scene from If Beale Street Could Talk

It was only last year that the Academy experienced one of the most exciting Best Picture wins in over a decade. Director Barry Jenkin's Moonlight was a film that undid a long pattern of milquetoast winners dominated by white leads and filmmakers. It was rejuvenating and just what cinema needed in 2016. So, what does Jenkins have in store next? He's returned with another film, based on a James Baldwin story, called If Beale Street Could Talk. With positive reviews swelling ahead of the film festivals, it's already an exciting time to expect another return to Oscar glory. If the teaser, released on Baldwin's birthday, is any indication, this is going to be another great turn for Jenkins and another impeccable cast likely to dominate the season.

A24 A-to-Z: #42. "Moonlight" (2016)

Scene from Moonlight

In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for ears to come.

Check This Out: The A24 Podcast

For readers of The Oscar Buzz, there's a certain knowledge of how much I admire the studio A24. I have dedicated an entire column to it called A24 A-to-Z, which just finished the films of 2015. With the studio looking to have a great 2018, it does seem exciting to announce that they also have started their own podcast, aptly titled The A24 Podcast. So, what is it about? To be honest, it's not entirely clear yet. However, their first episode does feature a lengthy discussion between two of the studio's biggest names, both of whom have received Best Director nominations at The Oscars. Greta Gerwig and Barry Jenkins bring a certain chemistry to the first episode that suggests that even if this is just more filmmakers talking shop, it's going to be fun for those who are as obsessed with A24 as I am. 

Nothing But the Best: "Moonlight" (2016)

Scene from Moonlight

Welcome to the series Nothing But the Best in which I chronicle all of the Academy Award Best Picture winners as they celebrate their anniversaries. Instead of going in chronological order, this series will be presented on each film's anniversary and will feature personal opinions as well as facts regarding its legacy and behind the scenes information. The goal is to create an in depth essay for each film while looking not only how the medium progressed, but how the film is integral to pop culture. In some cases, it will be easy. Others not so much. Without further ado, let's start the show.

Here's a Look at the 774 New Members of The Academy

Gal Gadot in Wonder Woman

There's no denying that the one thing that probably made last year's Academy Awards very interesting was the diverse new membership. 2016 saw a record breaking 683 new members. This was in large part to combat diversity issues both in terms of race and in gender. If nothing else, it made for one of the less predictable Best Picture years in recent history where Moonlight upset La La Land for top prize. Still, those who thought that there was no way to top last year's impressive haul clearly didn't wait around for the following year's inductees. The record is once again broken and there are now 774 new people being invited to join The Academy, including Gal Gadot, Kristen Stewart, Elle Fanning, Dwayne Johnson, and even Betty White. It's an impressive list, and one that looks to say good things about the future of The Academy going forward.

A Play By Play of That Best Picture Accident

It's a moment that nobody can forget. At the end of this year's Oscars ceremony, it looked like La La Land won Best Picture. With everyone doing the ritual speeches, a commotion formed behind them. As a producer ran forward, he announced that there had been a mistake. The film that everyone predicted to have won didn't win at all. In fact, it was Moonlight. Not only was it the moment of the evening, but it was the moment that recap coverage has loved to focus on. So, what exactly did happen? To the best of my ability, I have pieced together the story based on interviews that have come out in the days since, hopefully painting a full picture of the most eventful 10 minutes of Oscar history to happen this century - or at least since Crash won Best Picture over Brokeback Mountain.

Why "Moonlight" Winning Best Picture is a Big Deal

By all accounts, the 89th annual Academy Awards ceremony was going according to plan. Over the course of the evening through 24 categories, the nominees who had won almost every preliminary got up and gave acceptance speeches. There was nothing new. There rarely is when it comes to the Oscars. Viola Davis won. Emma Stone won It was a predictable even. That is, until the last category was announced. Warren Beatty and Faye Dunaway announced La La Land, which was predicted to sweep the entire ceremony. Moments later, it was revealed that there was a mistake and that Moonlight actually won. While this is a moment that will be analyzed for decades to come, it should also be seen as a ceremonious moment that hopefully marks a change in the Academy Awards. Hopefully, this is the moment where things become more inclusive.

Review: "Moonlight" Embraces the Complex Beauty of Black Lives in Exciting New Ways

Scene from Moonlight

Director Barry Jenkins has produced something magnificent with his latest film Moonlight. In an era where cutting edge cinema is often spoken about in a technical sense, he has found a way to explore it in a spiritual sense. With a story that spans three key periods of a black man's life, he has found a new and exciting way to explore the black experience through an art house gaze. With limited exception, the story of Chiron is one that is personal and captures a beauty rarely seen in American cinema. The film's title refers to the way that black skin shines in the moonlight. To say the least, few have captured it as beautifully and artfully as Jenkins has, leading to the question as to why that is. It may only be a small piece of the bigger puzzle, but it is evidence that black lives can be beautiful, even in dire circumstances.

"Moonlight" Becomes a Box Office Hit with the Highest Per Screen Average of 2016

Scene from Moonlight

If you're one of the loyal Oscar fans, you'll know why you should be keeping an eye out for director Barry Jenkin's Moonlight. The film currently holds a 99% on critics aggregate website Rotten Tomatoes and has been slowly hyped up as one of the first films to warrant Oscar buzz during this Fall season. While other films based around black culture (The Birth of a Nation) seemed to come and go without much notice, Moonlight will at least be around for a short while thanks to its impressive feat. After opening this past weekend, it is currently the highest box office debut on a per screen average not only for the week or month, but for 2016 in general.