Showing posts with label Colman Domingo. Show all posts
Showing posts with label Colman Domingo. Show all posts

Monday, December 28, 2020

Review: "Ma Rainey's Black Bottom" Hits the Sweetest High Notes

Scene from Ma Rainey's Black Bottom
To sing the blues is to pour your heart out to the world. With every aching note, the struggles of the individual reflect a community eager to be heard. It's something that lives inside the Black community, serving as a survival tool throughout years of oppression and reminding everyone what it means to be human. But given how diverse the voices within this group are, one has to ask the question: what is the blues? Who gets to control the direction that it goes? Throughout director George C. Wolfe's fantastic adaptation of Ma Rainey's Black Bottom, he explores this question in great detail over a sweltering summer day in 1927. What follows is a phenomenal showcase of talent, finding Chadwick Boseman and Viola Davis butting heads with electric performances and even more energetic music. It's one of the year's most vibrant stories and one that never lets up for the entire ride.

Wednesday, February 6, 2019

Review: "If Beale Street Could Talk" Finds Power in Compassion

Scene from If Beale Street Could Talk
The world can be an awful place and it is only nature to retaliate with animosity in your heart. However, there's something even more compelling about the films of director Barry Jenkins. As a man of compassion, he has taken to exploring a more tender side of African American culture. It's something that seems revolutionary by virtue of simply depicting a group whose cultural relevance has only been to radical protesters or submissive in a way that is, for a lack of a better word, human. With If Beale Street Could Talk, he adapts James Baldwin's novel into a tale of love that doesn't ignore the violence but instead finds optimism around it. There's no rioting in the streets. It's a tale of being grateful for the love in your life even as the world knocks you down. It may not be the most inventive story, but what Jenkins has done is provide a warm optimism to guide audiences in a time where cynicism runs rampant, and that's all that's really necessary.