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| Left to right: Tony Revolori and Ralph Fiennes |
Few films have been as much buzzed about in 2014 more than director Wes Andersons' The Grand Budapest Hotel. From its box office records to critical acclaim, the director's vision is one of the most distinct, whimsical, and original films with a distinct color pallet and a strange narrative structure. While all of it is excessive, this is all part of a grander vision that poses the question of how far cinema can go and then shattering those expectations. It is a film that triumphs because of how realized everything is. This is the closest to an epic that Anderson has ever made and with this departure, he has made one of his most enjoyably accessible films to date.
