R.I.P. Robert Evans (1930-2019)

Robert Evans

On October 26, 2019, movie producer Robert Evans died at the age of 89 in Beverly Hills, California. For a certain generation, he is one of the most essential voices in filmmaking, helping to turn Paramount Studios around from a failing studio into a trendsetting enterprise. Among his most renowned work is producing influential films like Rosemary's Baby, Love Story, The Godfather and Part II, and Chinatown. While his personal and eccentric life fought for attention in the press, his work spoke for itself and helped to define a certain aesthetic in the New Hollywood movement. Without him, a lot of masterpieces likely wouldn't have been made, or look very different. He leaves behind an enviable body of masterpieces, and he will be missed. 

The Runner-Ups: Mia Farrow in "Rosemary's Baby" (1968)

Mia Farrow in Rosemary's Baby

Every Oscar season, there are a handful of actors who get tagged with the "snubbed" moniker. While it is always unfortunate to see our favorites not honored with at very least a nomination, there's another trend that goes largely unnoticed: those who never even got that far. The Runner-Ups is a column meant to honor the greats in cinema who put in phenomenal work without getting the credit that they deserved from The Academy. Join me every Saturday as I honor those who never received any love. This list will hopefully come to cover both the acting community, and the many crew members who put the production together.

Theory Thursday: "Repulsion" is Better Than "Rosemary's Baby"

Mia Farrow in Rosemary's Baby

Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

The Directors Project: #24 - Roman Polanski

Scene from Cinema Paradiso

With the many lists and essays written on the subject of film, there has been one thing that The Oscar Buzz has tried to understand: Who is my favorite of the film world? For 10 weeks this summer, I will be exploring this with a countdown of the Top 50 names based on a numerical ranking of ratings from various sources, the following is a list of directors who rank above everyone else. With occasional upsets, this is intended as both a discussion opener as well as a better understanding of me as a film critic and fan. Please enjoy and leave any comments you have regarding the entry's selection.