Welcome to Legitimate Theater: a column dedicated to movie-based stage musicals. The goal of this series is to explore those stories that originated in films and eventually worked their way onto Broadway and beyond. By the end of each entry, there will hopefully be a better understanding of this odd but rampant trend in modern entertainment. Are these stories really worth telling through song and dance? How can it even compare to the technical prowess of a camera and seamless editing? Join me on this quest as I explore the highs and lows of this trend on the third Wednesday of every month and hopefully answer what makes this Legitimate Theater.
Many films are great, but only one wins Best Picture. This is a blog dedicated to everything involving the Oscars past and present as well as speculation on who should win at this year's events.
Showing posts with label Maureen McGovern. Show all posts
Showing posts with label Maureen McGovern. Show all posts
Thursday, December 19, 2019
Legitimate Theater: "Little Women The Musical" (2005)
Labels:
2019,
Allan Knee,
Jason Howland,
Legitimate Theater,
Little Women,
Maureen McGovern,
Mindi Dickstein,
Sutton Foster
Sunday, July 2, 2017
Composing Greatness: #9. "The Towering Inferno" (1974)
![]() |
| Scene from The Towering Inferno |
Sunday, January 10, 2016
Best Song: "We May Never Love Like This Again" (1974)
![]() |
| Scene from The Towering Inferno |
Welcome to Best Song, a new weekly column released on Sunday dedicated to chronicling the Best Original Song category over the course of its many decades. The goal is to listen to and critique every song that has ever been nominated in the category as well as find the Best Best Song and the Best Loser. By the end, we'll have a comprehensive list of this music category and will hopefully have a better understanding not only of the evolution, but what it takes to receive a nomination here. It may seem easy now, but wait until the bad years.
Labels:
2016,
Best Original Song,
Best Song,
Blazing Saddles,
Charlie Rich,
Frankie Lane,
Maureen McGovern,
Richard Kiley
Subscribe to:
Posts (Atom)


