Every Best Picture Nominee of the 2010's Ranked: #25-29

Scene from Roma (2018)

As 2019 reached its end, another decade of cinema had passed. It's amazing to think about how things have evolved since 2010 when the biggest controversies were about recognizing genre movies. Things look different now, especially as genre films like The Shape of Water and Parasite are winning Best Picture and the voting body looks incredibly different with each passing year. With this period in the books, it feels like a good time to celebrate their accomplishments by ranking all 88 titles nominated for Best Picture from worst to best with the goal of seeing which films are more likely to stand the test of time. Join me every Saturday and Sunday as I count them down, five at a time. It's going to be a fun summer looking back on what was, especially as we prepare for the decade ahead and an even more interesting diversity that we haven't even begun to think of.

A Look Back at My Oscar Predictions: How Did I Do?

Scene from Parasite (2019)

Now that the dust has settled and everyone knows what the results for this year's Oscars are, it's time to look back at one of the most fun/embarrassing things that we all do. Every year it's fun to predict the winners, and some years are clearly better than others when it comes to results. For me, this was a terrible year where almost everything was undone by the unexpected success of Parasite. Then again, I have yet to get 0%, so I'm doing something right. So... how did I do otherwise? The answer is just ahead and presents an interesting side to the Oscar season that is often overlooked. How did you do? Did Parasite get you too? Leave your thoughts in the comments.

Here Are This Year's Oscar Winners!

Well, that's it. Another year is officially in the books. The 92nd Academy Awards were held last night and, by all accounts, it was an exciting night full of many surprising winners. Most importantly, it was the night when Best Picture (and three other trophies) ushered in a new era as The Academy celebrated Parasite. While there was a share of obvious winners, there's no discounting that it was another fun year full of great artists finally getting their recognition for hard work. There is more Oscar coverage to come in the week ahead, but for now, there is one question on everyone's minds: what actually won? Presented here without further commentary are this year's winners in every category.

Here's My Official Predictions for This Year's Oscars Ceremony

Scene from 1917 (2019)

After months of prognostication, the moment is finally here. Tomorrow is the day that every film fan has been waiting for as The Academy Awards take to the stage to announce this year's winners. Who will be the big winners? 1917, Parasite, Joker? There's nothing known for sure until that envelope is open. While I don't have any answer regarding who will win, I am still capable of making predictions, sometimes wild as they are, for who will be walking up to that stage and joining the selective circle of Oscar winners. So, without further commentary, here are my predictions for this year's ceremony. Feel free to leave your thoughts in the comments and prepare for plenty of post-ceremony coverage coming on Monday.

How Florence Pugh Got Us to Care About Amy March

Scene from Little Women (2019)

If one was to talk about Louisa May Alcott's "Little Women" prior to the Greta Gerwig-directed adaptation, there would be one common refrain: Amy March is the worst March sister. This isn't up for debate. The internet is littered with articles claiming that the youngest sister was somehow a character not worthy of sympathy for a variety of reasons including (but not limited to) burning Jo's manuscript and stealing Laurie away from Jo. It's all a bit vindictive when looked at through Alcott's prose, but what Gerwig has done is something that no other adaptation has been able to do. Not only is it grappling with the themes of women being in charge of their own narrative, but it's also in some ways course-correcting the public conversation around the characters by contemporizing them, adding an emotional depth to the relationships that secretly make it bolder than even the equally beloved 1994 adaptation.

As much attention is once again thrown onto Jo, audiences have become enraptured with Amy this time around, and it's easy to see why. There is something to seeing her played with vulnerability the way that Florence Pugh has, giving layers to a role that's easy to write-off as flat and villainous. After all, she is in some ways piggybacking off of Jo's achievements. She is the least sympathetic role because of this. What Pugh does is add depth to the character by making her decisions not come from a place of malice, but sometimes out of a desire to be a great artist and never getting the respect she deserves. After all, Jo wants it too but thinks "it sounds crass when she says it." Already it's finding ways to take that comment and explore how the public has agreed with that statement, even when they really shouldn't.

Ranking the Acting Nominees of Oscars 2020

Scene from Once Upon a Time... in Hollywood

Next to Best Picture, there are few fields as scrutinized annually at The Oscars as much as the four acting fields. Every year there is a constant buzz over who should've been nominated and what the final group represents to the industry. While there are hundreds of movies and thousands of performances to pull from, these are the 20 that were deemed worthy to make it to Hollywood's biggest night. What follows isn't meant to be a prediction of who should win, but how I feel the 20 nominations rate against each other, finding the best and worst in a group of talent that is now part of film history forever. Who deserved the cut, who didn't? Read on to find out.

Ranking the Best Picture Nominees of 2020

Scene from The Irishman (2019)

One of the greatest games to play following every Oscar season is to see every film that's nominated in any given character. None are more fun than Best Picture, which remains the most anticipated category year in and year out, leaving behind a winner that is going to be talked about for decades and (very soon) a century. Now that I have seen every nominee in the class of 2020, I am throwing in my hat to determine which films I love the most and what are some of the weak spots on the list. As a whole, the films picked from 2019 presented another strong class that reflects the best of cinema's diverse potential. Could it be better? Sure, but the nine films here are no slouches.

Composing Greatness: #2. Oscars 2020 Edition - "Little Women"

Scene from Little Women (2019)

Welcome to a very special edition of Composing Greatness. In this limited series, I will be looking at the five scores nominated for this year's Best Original Score category. To avoid favoritism, the list will be done in alphabetical order of composers and feature the same guidelines as the original series. This is meant to explore the music behind the great films of 2019, and provide insight into what makes each of them special and whether or not they deserved to be nominated at all. Join me all week as I listen to the music, leave some thoughts, and hopefully sway you to check out these wonderful, wonderful scores.

A Look at Academy Award Nominations That Make Me Happy

Scene from Little Women (2019)

With the recent announcement of The Academy Award nominations, many have already taken to the internet to give criticism for what they have done wrong. Oh, Jennifer Lopez didn't get a nomination for Hustlers, or Greta Gerwig missed Best Director for Little Women. They're all fair criticisms that help prove why the Oscars have remained such an important part of film discourse. However, there is something else to highlight from these crop of nominees: the positive. Yes, for as much as they "got wrong," The Academy got a lot right and introduced a variety of things to be excited about. The following is a quick rundown of nominees that personally make me happy, or come as a pleasant surprise. While there's more that I liked, these are the pleasant surprises that make the season all the more worth supporting year after year.

Looking Back at Predictions: How Did I Do?

Scene from Parasite (2019)

On Monday, The Academy announced its nominees for this year's ceremony. There's a lot to be excited about on the list, including Parasite becoming the first Korean movie to be nominated... well, ever. Having had time to mull over all of the nominees, there is one thing that is fun to do: look back on predictions and see just how accurate things turned out. After all, they were the last moment to shape what should be nominated before finding out what ended up making the cut. The following is a rundown of six categories that I predicted along with how well things turned out. To say the least, it always produces interesting results. 

The 2020 Oscar Nominations Are Officially Here!

Ladies and gentlemen, at long last the day has arrived. The Academy gathered together to announce the nominees for this year's ceremony. Among the highlights is that comic book movie Joker lead the pack with 11 nominations, and Parasite became the first South Korean film to be nominated, period. Across the board, there are nonstop things to celebrate and get excited for. Now there's only one question to go: who will win it all? While nobody has the answers for that yet, there are several nominations to get excited about. Read on to discover what made the list and come back in the weeks to come to discuss news and reviews about all of the nominees.

Last-Minute Predictions for This Year's Oscar Nominations

Scene from Joker (2019)

The big moment is here! After a year of prognosticating, this year's Oscar nominations will be upon us and put to rest a lot of complicated questions. Which actors will make the cut? Will this be one of the best years for Best Picture ever? How big does Parasite or Joker show up? So many questions will finally be resolved, leaving only the biggest one (who wins?) to be resolved. With time ticking away until this moment comes, it feels like a good time to announce my predictions for what will get nominated this year. Like every time, it's difficult to narrow it down, but if half of these end up on the list, then we should be happy.

Review: "Little Women" Defies Expectations with Brilliant Warmth

Scene from Little Women (2019)

The opening of director Greta Gerwig's adaptation of Little Women may sound familiar to those who know a thing or two about Louisa May Alcott. The writer famously had certain conflicts to resolve when publishing the second half of her best-selling novel about The March Sisters. There had to be certain fulfillments that all contemporary publishings had at the time. The most noteworthy was the choice that all female protagonists needed to be either married or dead, and Alcott wasn't having any of that. Still, it was 1868 and the only way to get her work published was to submit to these wills. As a result, later audiences may be confused by what the final chapters hold for spinster archetype Jo March. While the novel was a masterpiece, it was one representative of its time in these respects, showing that while it was about women finding their own agency, they still had to overcome the male-dominated world, where they decided what passed as socially acceptable.

It's why the choice to open the 2019 film as Jo is submitting to the Weekly Volcano (over halfway through the novel) feels like the right way to go. As Alcott's surrogate, it feels like a moment for Gerwig to finally address something that Alcott couldn't. Within her quietness as Mr. Dashwood (Tracy Letts) edits her story to fit his wants, there's a sense that this was how the real-life author dealt with criticism. No matter what she found interesting, there was a man to tear her down. That is the journey of The March Sisters, and every woman in the 19th century in a time where they couldn't own anything and thus needed to find a reason to live. It is why Little Women resonates as more than adaptation. It's one that openly engages with what the text is saying, and even questions it as it relates to Alcott's personal journey to publishing the book. It's metatextual without being cloying, it's empowering without feeling false, and it's incredible in its small achievements. While there may be more direct adaptations, none have addressed why the book continues to be important over 150 years later quite like Gerwig, who to make this film almost feels like the final act of revolt against Mr. Dashwood's critical eye. Everyone watching is laughing at him, even if the conflict still feels prescient in modern culture. 

Legitimate Theater: "Little Women The Musical" (2005)

Welcome to Legitimate Theater: a column dedicated to movie-based stage musicals. The goal of this series is to explore those stories that originated in films and eventually worked their way onto Broadway and beyond. By the end of each entry, there will hopefully be a better understanding of this odd but rampant trend in modern entertainment. Are these stories really worth telling through song and dance? How can it even compare to the technical prowess of a camera and seamless editing? Join me on this quest as I explore the highs and lows of this trend on the third Wednesday of every month and hopefully answer what makes this Legitimate Theater.

The Trailer for "Little Women" (2019) Sets Its Sights on Oscar Glory

Scene from Little Women (2019)

In 2017, Greta Gerwig made a significant breakthrough in her career from the world of indie cinema to Oscar darling with the teen comedy Lady Bird. It was a touching story that also became one of A4's highest grossing movies and set the bar for future Saoirse Ronan performances as well as making Gerwig the first female Best Director nominee since 2009's Kathryn Bigelow (The Hurt Locker). It raised a question as to how she would follow-up her critically acclaimed film. Well, it turned out to be the Oscar play that many would clamor for, as she's become the latest person to adapt Louisa May Alcott's "Little Women" to the big screen with some of the best young actresses of the modern era. After much anticipation, the trailer is here, and there's plenty to love about the Christmas season already.

Composing Greatness: #1. Thomas Newman - "Little Women" (1994)

Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.