A24 A-to-Z: #75. "Mid90s" (2018)

Scene from Mid90s

In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for years to come.

The Runner-Ups: Elisabeth Moss in "Queen of Earth" (2015)

Scene from Queen of Earth

Every Oscar season, there are a handful of actors who get tagged with the "snubbed" moniker. While it is always unfortunate to see our favorites not honored with at very least a nomination, there's another trend that goes largely unnoticed: those who never even got that far. The Runner-Ups is a column meant to honor the greats in cinema who put in phenomenal work without getting the credit that they deserved from The Academy. Join me every other Saturday as I honor those who never received any love. This list will hopefully come to cover both the acting community, and the many crew members who put the production together.

A Katherine Waterston Appreciation Piece

Scene from Fantastic Beasts and Where to Find Them

This weekend marks the release of the latest movie from J.K. Rowling’s magical world: Fantastic Beasts and Where to Find Them. Featuring the talents of returning director David Yates, the series serves as a prequel to the story we all know. With Eddie Redmayne as protagonist Newt Scamander, the journey looks to introduce a whole heap of new magical characters and lingo that will make fans happy. However, I would like to dedicate this entry not to the wonderful world of Rowling, but to the co-star that has had a phenomenal run over the past few years: Katherine Waterston.

"Steve Jobs" Continues to Fail, Drops From 2,000 Theaters

Michael Fassbender in Steve Jobs

It has become one of the most gossiped about flops of the Fall. Two weeks after its notoriously underwhelming box office debut, it looks like the worst has finally happened for director Danny Boyle's Steve Jobs movie. The film, once considered to be one of the biggest films of the season, has now been pulled from over 2,000 screens nationwide due to abysmal box office. If this doesn't mark the end of its hold on the Oscar season, then it's definitely going to be one of its strongest detractors. 

The New "Steve Jobs" Movie Bombs at the Box Office

Michael Fassbender in Steve Jobs

Every year has their share of movie bombs. In recent months, the likes of Pan have opened to disastrous numbers. While most of the films that fall this fate usually have to do with bad reviews, some good films get sucked in due to less fortunate reasons. This past weekend marked arguably one of the worst box office returns of the year with no less than four new releases being appropriately called a "box office bomb." Of course, these films - Jem and the Holograms, The Last Witch Hunter, Rock the Kasbah - were met with generally bad reviews. However, there's one closely tied to this year's Oscar Buzz that is more surprising than all of these. Director Danny Boyle's Steve Jobs went wide released this week on 2,433 screens. The results weren't pretty.

Review: "Steve Jobs" is a Flawed Yet Captivating Masterpiece

Left to right: Seth Rogen and Michael Fassbender

Ever since the dawn of celebrity culture, the concept of the larger than life individual has always fascinated us. They seem like infallible life forms sent to Earth to entertain while serving no other use. It has been chronicled throughout film history going back to films like The Great Ziegfeld and The Pride of the Yankees. These are films that tell a story that is often stranger than fiction. To a large demographic, Apple founder Steve Jobs is arguably among the largest of the larger than life celebrity; revolutionizing technology and building himself up from nothing on multiple occasions. With the latest film from director Danny Boyle and writer Aaron Sorkin, the story plays like what happens when Dorothy pulls back the curtain in The Wizard of Oz. We see the fractured life of a charismatic man; creating one of the most artful, fast paced looks into acclaim that has been captured on film this year thanks in large part to Michael Fassbender's brilliant performance.

Review: Thanks to Moss, "Queen of Earth" is a Masterpiece About Mental Breakdowns

Elisabeth Moss

Every now and then, there comes a performance that reminds you of the capabilities of "complex" women. I'm talking about ones that are insecure but not hopeless. Bette Davis made a career out of this. Rosamund Pike received an Oscar nomination (Best Actress - Gone Girl) for this. In director Alex Ross Perry's Queen of Earth, Elisabeth Moss joins the list with a performance that is intense yet nuanced, psychopathic yet controlled, and selfish yet smart. From the opening scene where her running make-up and withering voice introduces the audience to this world with an uncomfortable close-up, this is Moss' moment to prove that she's more than Peggy Olsen from Mad Men. She's an actress with capabilities that have yet to be fully explored. It is also why Queen of Earth may be one of this year's unassuming masterpieces.

The "Queen of Earth" Trailer Asks the Question: Just How Creepy Can Elisabeth Moss Be?

Elisabeth Moss

Among the lesser known great films of last year was director Alex Ross Perry's Listen Up, Phillip, which featured Jason Schwartzman as an arrogant writer as his life fell apart. The film was a success thanks to its instinctive deconstruction of the writer's ego and how it actually makes it both a tragic comedy and a preventative decline. With a unique style, it is exciting to see him back this year with Queen of Earth, which co-stars Elisabeth Moss and Katherine Waterston in a film that looks very eerie and based on the first trailer, one of the most intense psychological dramas of the year.

The Trailer for "Steve Jobs" Introduces an Intense, Sorkiny Take on an Icon

Michael Fassbender

While the project has been long gestating with various snafus in casting, it looks like director Danny Boyle's Steve Jobs is finally going to see the light of day. After 2013 saw a forgettable take starring Ashton Kutcher as the Apple Products founder, the story is getting an update from a classier group of people. With a script by the quizzical Aaron Sorkin, the film is looking to be one of the front runners at next year's Oscar runs. While we have seen a teaser trailer before that provided little, if anything, of value, we now get our first full length trailer with Michael Fassbender in the lead role. The results are quite exceptional.

Review: "Inherent Vice" is a Head Trip of Culture Clash with Wit and Expertise

Director Paul Thomas Anderson's latest opus Inherent Vice is almost too dedicated to the book. How so? The opening monologue by Sortilege (Joana Newsom) is word-for-word the first paragraph of Thomas Pynchon's book. Where in some cases simply reciting text may seem like a lazy offense, this time it reads as a testament to the creatively slurred together sentences of this 60's ode to film noir and drugs. This is the first Pynchon film adaptation and thankfully Anderson knows his stuff by keeping the words the same and using his dry, confusing tone to once again prove why he is one of the greats in modern cinema.