The Oscar Buzz Celebrates Its Eighth Anniversary!

 

Scene from Hard Eight

Ladies and gentlemen, I am proud to announce that the odometer has rolled over. We're entering my eighth year of running things here at The Oscar Buzz. Boy has life been sweet as I've continued to expand my area of interest here annually, finding new and exciting topics to explore as I wait for each season to start. As I do every year, I try to use numerology to figure out something interesting to explore about myself. This is a moment where I get personal and expand upon what I love about film. With the number "8," I've had a variety of topics to choose from, such as BUtterfield 8 or The Hateful Eight. However, those feel small, not allowing for me to really open up in significant ways that go back more than a few years.

Much like how I chose The Seven Year Itch for 2019 to explore my love for Marilyn Monroe, I have decided to use Hard Eight as an entry point into Paul Thomas Anderson. As long-time readers will know, I started this whole website because of The Master. It all started because I wanted to see Joaquin Phoenix get that Oscar win (seven years late, but we got there!). However, I have reserved criticism of that 2012 masterpiece to a certain upcoming anniversary (guess). For now, I am using Anderson's debut film to better explore the question: why do I love PTA so much? I'm sure everyone from my generation has an answer and those who know me personally likely already will find these key notes predictable. For everyone else, welcome to my anniversary piece, the one where I finally get to the heart of a very specific kind of movie love.

Failed Oscar Campaigns: "Walk Hard:: The Dewey Cox Story" (2007)

Scene from Walk Hard: The Dewey Cox Story

As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.

Review: "Ralph Breaks the Internet" is a Smart Yet Overbearing Sequel

Scene from Ralph Breaks the Internet

As any of the countless studies have proven, the internet is a crucial tool to how we communicate with one another. So why then is it so hard to capture the feeling of digital relationships on film, itself a medium of equally limitless potential? Disney's latest Ralph Breaks the Internet is a film that attempts to be everything all at the same time. It tries to make the internet seem like a world of wonder, where Disney Princesses can be pulled up in a second's notice, while discovering something darker and more unpleasant about humanity. Ralph may be a video game character, but his insecurity is a real feeling and something that Disney has been grappling with in the past two years with many films exploring toxic masculinity (Guardians of the Galaxy vol. 2, Coco, etc.). For a character who was built in the first film as sympathetic and misunderstood, it's a bit of an odd shift. However, it makes the film one of the studio's boldest films in a long time, serving more as an essay on internet culture than genuine entertainment. It may hurt the film, but it also makes it a unique achievement. 

Review: "The Sisters Brothers" is One of the Smartest, Funnest Takes on the Western in Some Time

John C. Reilley in The Sisters Brothers

The world of director Jacques Audiard's English-language debut The Sisters Brothers is one that's immediately disorienting. In the opening scene, brother Eli Sister (John C. Reilley) proudly declares his intention to open fire. The only issue is that, somewhere in the middle of night, it's impossible to see anything. By the end, their robbery is foiled by foolish decisions that leaves a barn on fire and the proud declaration as the title card appears that Eli and Charlie (Joaquin Phoenix) have messed up another mission. This mismatched sibling story is a tale of screw-ups amid a reputation for being two of the deadliest shooters in the west (Oregon and Northern California to be precise), which is what sends them on a bounty hunter mission. However, the tale is far more than a farcical tale. The further that things go, the more it blends humor with drama in effective ways that establish Audiard's lofty new vision of what a western can be. It may not always be successful, but it's an astounding achievement nonetheless.

A24 A-to-Z: #34. "The Lobster" (2016)

Scene from The Lobster

In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for ears to come.

A24 A-to-Z: #11. "Life After Beth" (2014)

Scene from Life After Beth

In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for ears to come.

Best Song: 50 Songs That Should've Been Nominated

Scene from Willy Wonka and the Chocolate Factory

Welcome to Best Song, a new weekly column released on Sunday dedicated to chronicling the Best Original Song category over the course of its many decades. The goal is to listen to and critique every song that has ever been nominated in the category as well as find the Best Best Song and the Best Loser. By the end, we'll have a comprehensive list of this music category and will hopefully have a better understanding not only of the evolution, but what it takes to receive a nomination here. It may seem easy now, but wait until the bad years.

Review: "The Lobster" is the Best Romantic Comedy in Years

Scene from The Lobster

There are few movie genres who are in as much of an existential crisis as the romantic comedy. With limited exceptions, the story rarely is capable of escaping the A to B "boy meets girl" logic that services as the groundwork for the best films going back to the screwball comedies of the 1930's. It could be that love is such an inherent thing that nothing has really changed, possibly in centuries. Then there are films like Greek director Giorgos Lanthimos' English language debut The Lobster, which vitalizes the romantic comedy not by providing a traditional love story, but one that creatively and perversely looks into the very idea of what love is. With a strong cast and the most attention-grabbing plot of 2016, The Lobster is both a phenomenal achievement in story telling as well as the best romantic comedy of the year - possibly even the decade.

The Runner-Ups: The Music of "Walk Hard" (2007)

Scene from Walk Hard

Every Oscar season, there are a handful of actors who get tagged with the "snubbed" moniker. While it is always unfortunate to see our favorites not honored with at very least a nomination, there's another trend that goes largely unnoticed: those who never even got that far. The Runner-Ups is a column meant to honor the greats in cinema who put in phenomenal work without getting the credit that they deserved from The Academy. Join me every Saturday as I honor those who never received any love. This list will hopefully come to cover both the acting community, and the many crew members who put the production together.

Nothing But the Best: "Chicago" (2002)

Scene from Chicago

Welcome to the series Nothing But the Best in which I chronicle all of the Academy Award Best Picture winners as they celebrate their anniversaries. Instead of going in chronological order, this series will be presented on each film's anniversary and will feature personal opinions as well as facts regarding its legacy and behind the scenes information. The goal is to create an in depth essay for each film while looking not only how the medium progressed, but how the film is integral to pop culture. In some cases, it will be easy. Others not so much. Without further ado, let's start the show.

The First Trailer for Cannes Favorite "The Lobster" is Strangely Funny

Continuing the release of trailers for movies that played at Cannes is the latest from director Giorgos Lanthimos called The Lobster. The Greek director has made a career out of making films that are challenging studies of identity, most prevalent in the films Dogtooth and Alps. With his English debut, he gets a lot of high profile actors to tell what is probably one of the strangest stories yet. If a man doesn't marry, he will turn into a lobster. To most of you, you likely checked out, baffled by that plot description. However, I do think that the first trailer at very least looks to be an entertaining romp.

Can "Wreck-It Ralph" Convince the Old Voters that Video Games are Cool?

Update: A review for the film has been posted here.

With The Avengers blowing up at the box office, I think it finally time that we admit that nerd culture has become the norm. For the most part this is fact, though at the Oscars, we haven't seen too much traction for comic book or video game property films outside of technical fields. With Friday's release of Disney's Wreck-It Ralph, we see what could possibly be the first advancement in incorporating nerd culture to the awards circuit. In a year when we have two animated features about death (ParaNorman, Frankenweenie), it is a relief to see something different. However, can Wreck-It Ralph do one step better and beat the competition?