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| Left to right: Jean Louis-Trintignant and Emmannuelle Riva |
One of the great perks of the Oscars this year was director Michael Haneke's surprise Best Picture/Best Director nominations for Amour. While foreign films have managed to sneak into the Best Picture race (the previous being Ang Lee's Crouching Tiger, Hidden Dragon), it is a rarity that was met with fine applause that at least the Academy was still recognizing world cinema. True, the Best Foreign Film category may be lacking great films like Holy Motors and Rust and Bone, but it still has some reputable titles like No. However, what is it about Haneke's tale of love in the twilight years that was so enduring, and was it really Best Picture worthy?
