Showing posts with label Edgar Wright. Show all posts
Showing posts with label Edgar Wright. Show all posts

Thursday, June 30, 2016

Theory Thursday: "The Adventures of Tintin" (2011) is Underrated

Scene from The Adventures of Tintin
Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

Saturday, May 14, 2016

The Runner-Ups: The Editing of "Scott Pilgrim vs. the World" (2010)

Michael Cera in Scott Pilgrim vs. the World
Every Oscar season, there are a handful of actors who get tagged with the "snubbed" moniker. While it is always unfortunate to see our favorites not honored with at very least a nomination, there's another trend that goes largely unnoticed: those who never even got that far. The Runner-Ups is a column meant to honor the greats in cinema who put in phenomenal work without getting the credit that they deserved from The Academy. Join me every Saturday as I honor those who never received any love. This list will hopefully come to cover both the acting community, and the many crew members who put the production together.

Friday, June 26, 2015

Check Out the List of The Academy's 322 New Members

Tom Hardy in Mad Max: Fury Road
Following the recent announcement of new rules for this year's Academy Awards, The Academy has announced who their new members are. Among the list of 322 names is a mixture of actors, directors, musicians, and behind the scenes workers. As with every year, there's a lot of surprising and welcomed entries. This year sees a list that includes people as diverse as David Oyelowo (Selma) to Kelly Reichardt (Meek's Cutoff) to Edgar Wright (Shaun of the Dead). If for no other reason, it is an interesting list. The following is the list of names divided into categories as well as various credits that you'll likely recognize them from.

Monday, July 21, 2014

The Directors Project: #30 - Edgar Wright

Scene from Cinema Paradiso
With the many lists and essays written on the subject of film, there has been one thing that The Oscar Buzz has tried to understand: Who is my favorite of the film world? For 10 weeks this summer, I will be exploring this with a countdown of the Top 50 names based on a numerical ranking of ratings from various sources, the following is a list of directors who rank above everyone else. With occasional upsets, this is intended as both a discussion opener as well as a better understanding of me as a film critic and fan. Please enjoy and leave any comments you have regarding the entry's selection.

Friday, August 23, 2013

Review: "The World's End" is an Intoxicating Look at the Past, but not the Future

Simon Pegg
One of the more loathsome trends of the past few years has been the impending doom of planet Earth. While it could be seen as a chance to reflect on what makes life worth living, it does leave little inspiration for great stories. Recent examples include Seeking a Friend for the End of the World and this summer's This is the End. Both were solid tales in their own right, but leaned too heavily on the sympathetic side. While it is unfortunate that one of the most anticipated movies of the year, director Edgar Wright's The World's End, is essentially an apocalyptic tale, at least it distinguishes itself by getting plastered before going into battle.

Tuesday, August 20, 2013

Can "The World's End" Do the Sci-Fi Comedy Category Justice at the Oscars?

Top to Bottom: Paddy Considine, Simon Pegg, and Martin Freeman
There is this weird disconnect between Academy Awards and comedy that seems unfair. While it has improved slightly in the past decade, stories that deal with less conventional methods are most likely reduced to little or no awareness at all. Even with director Edgar Wright's latest film The World's End planning to hit the scene in America this Friday, there is little chance that it could break the mold and become one of the first British comedies not named Four Weddings and a Funeral or The Full Monty to get into the Best Picture race. Of course, summer blockbusters in general don't stand a chance, though they seem more forgiving in the Best Original Screenplay categories.