Wednesday, December 16, 2015

A Look at the Shortlists for Best Hair and Make-Up, Best Original Song, and Best Picture

Will Smith in Concussion
With The Academy starting to get their final ballots ready, it seems like a great time to see what has made the final cut on its various lists. So far, there has been exploration into the Best Foreign films and Best Documentary. Today, there's an exploration of three major lists: Best Hair and Make-Up; Best Original Song, as well as Best Picture. The following is a look at both of the categories including some additional commentary. While Best Hair and Make-Up has been whittled down to a very interesting seven titles, Best Picture looks to be more lofty with a lengthy 305 titles (even then, a decline in overall total from last year's 325). Check out more after the jump.


The first major category that we'll explore is Best Hair and Make-Up, whose seven nominees are at most a curious bunch that aren't likely recognized for their hair and make-up. However, it definitely does make for a far more interesting race with these titles:

Black Mass
Concussion
Legend
Mad Max: Fury Road
Mr. Holmes
The 100-Year-Old Man Who Climbed out the Window and Disappeared
The Revenant

Of the list, Mad Max: Fury Road seems to be the only one that incorporated hair and make-up tactics to an exhaustive extent. There's no denying that it has an impressive, original look to it that makes it an arguable shoe-in. While I do believe that the film is still a long shot for Best Picture, I do think that it will show up strong in technical fields. While I haven't seen The Revenant yet, I think that it is likely another shoe-in for its wild and bushy men, whose appearances alone are haggard and defined. I am a little confused on what makes Black Mass a contender, save for Johnny Depp's make-up work where he changes into John Dillinger. That looks pretty good, though the rest seems baffling. Then again, this category went to The Iron Lady a few years ago, so anything can happen, I guess.


Next up is a look at the Best Original Song shortlist, which includes 74 titles. The following is a list of the songs, followed by the film in parenthesis:

“Happy” (Altered Minds)
“Home” (Alvin and the Chipmunks: The Road Chip)
“None Of Them Are You” (Anomalisa)
“Stem To The Rose” (Becoming Bulletproof)
“The Mystery Of Your Gift (Boychoir)
“I Run” (Chi-Raq)
“Pray 4 My City” (Chi-Raq)
“Sit Down For This” (Chi-Raq)
“Strong” (Cinderella)
“So Long” (Concussion)
“Fighting Stronger” (Creed)
“Grip” (Creed)
“Waiting For My Moment” (Creed)
“Don’t Look Down” (Danny Collins)
“Hey Baby Doll” (Danny Collins)
“Dreamsong” (The Diary of a Teenage Girl)
“It’s My Turn Now” from (Dope)
“Ya Rahem, Maula Maula” (Dukhtar)
“Earned It” (Fifty Shades of Grey)
“Love Me Like You Do” (Fifty Shades of Grey)
“Salted Wound” (Fifty Shades of Grey)
“Hands Of Love” (Freeheld)
“See You Again” (Furious Seven)
“Brother” (Godspeed: The Story of Page Jones)
“As Real As You And Me” (Home)
“Dancing In The Dark” (Home)
“Feel The Light” (Home)
“Red Balloon” (Home)
“Two Of A Crime” (Hot Pursuit)
“Til It Happens To You” (The Hunting Ground)
“I’ll See You In My Dreams” (I’ll See You in My Dreams)
“The Movie About Us” (Ingrid Bergman – In Her Own Words)
“Bhoomiyilenghanumundo” (Jalam)
“Koodu Vaykkan” (Jalam)
“Pakalppaathi Chaari” (Jalam)
“Yaathra Manoradhamerum” (Jalam)
“Lost In Love” (Jenny’s Wedding)
“True Love Avenue” (Jenny’s Wedding)
“Hypnosis” (Kahlil Gibran’s The Prophet)
“Juntos (Together)” (McFarland, USA)
“The Light That Never Fails” (Meru)
“The Crazy Ones (Miss You Already)
“There’s A Place” (Miss You Already)
“Johanna” (Mortdecai)
“Little Soldier” (Pan)
“Something’s Not Right” (Pan)
“Paranoid Girl” (Paranoid Girls)
“Better When I’m Dancin'” (The Peanuts Movie)
“Pink & Blue” (Pink & Blue: Colors of Hereditary Cancer)
“Flashlight” (Pitch Perfect 2)
“Birds Of A Feather” (Poached)
“Still Breathing” (Point Break)
“Manta Ray” (Racing Extinction)
“Cold One” (Ricki and the Flash)
“Torch” (Rock the Kasbah)
“Someone Like You” (The Rumperbutts)
“Aankhon Me Samaye Dil” (Salt Bridge)
“Bachpana Thaa” (Salt Bridge)
“Kanpne Lage Tum” (Salt Bridge)
“Kyaa Bataaun Tujhe” (Salt Bridge)
“Le Jaaye Jo Door Tumse” (Salt Bridge)
“Na Jaane Kitni Door” (Salt Bridge)
“Sookha Hi Rang Daalo” (Salt Bridge)
“Feels Like Summer” (Shaun the Sheep Movie)
“Phenomenal” (Southpaw)
“Writing’s On The Wall” (Spectre)
“Squeeze Me” (The SpongeBob Movie: Sponge out of Water)
“Teamwork” (The SpongeBob Movie: Sponge out of Water)
“Who Can You Trust” (Spy)
“Came To Win” (Sweet Micky for President)
“Mean Ol’ Moon” (Ted 2)
“Love Was My Alibi” (The Water Diviner)
“Fine On The Outside” (When Marnie Was There)
“Simple Song #3” (Youth)

I will admit that I have not heard of a lot of these songs, which may make this commentary a little underwhelming (and thus why I decided to do three shortlists instead of the traditional one per article). Among them, I wonder if Furious 7 will make the cut, if just because it is a song that was a radio hit and has sentimental value. I really hate "Phenomenal" from Southpaw, which sounds more like a joke song than an actual anthem. Still, it's a strong bunch that very well may be difficult to choose from. I'm thinking that maybe Spectre will continue the James Bond nominated songs with a slot for "Writing's On the Wall." Otherwise, I guess that I need to get listening to music, because there's a lot of weird choices on here that could still be good.


Finally, I will guide you to another page, as I don't fell it is appropriate to write all 305 films currently competing for Best Picture here. Follow this link to see the official "short" list. It has practically every film that was released in 2015 on the list, and I  don't know that writing a comment on them will be worthwhile. However, I felt the need to share and hopefully that there will be value in you giving a shot. How diverse is it? Well, it has everything from Fifty Shades of Grey to Get Hard to It Follows and The Divergent Series: Insurgent. Yep, plenty of weird choices there. Try and guess what didn't make the cut (while still following guidelines). It's a fun game.

7 comments:

  1. The total absence or scant mention of “Feels Like Summer” from Shaun The Sheep in the discussion of Best Original Song contenders thus far utterly breaks my heart. That song, to me, was the best original film song of 2015 by far, not just because of its composition and clever songwriting, but most especially because of the song’s thematic relevance and importance within the film for which it was written. It’s not just some ditty that some studio hacks (e.g. “See You Again”, “Love Me Like You Do” or more appropriately, “F*ck Me Like You Do”), a bored/boring popular artist (e.g. “See You Again”, “Love Me Like You Do”, and even “Writing’s On The Wall”—already an all-time bottom five Bond theme song for me due to its complete lack of non-piano percussion, some forced rhymes, and a technically-perfect-but-emotionally-tedious performance by Sam Smith), and/or an earnest but uninteresting singer-songwriter with nothing but a guitar or a piano (e.g. most of the other eligible songs) written for just the opening/closing titles and barely anywhere else.

    No, compared to those types of modern movie songs, “Feels Like Summer” is a true collaboration between the film’s composer, an outside composer, and the storytellers and filmmakers that desired for it to play a key role in Shaun The Sheep. It’s played during the opening titles, the credits, and more than twice within the body of the film (which includes a sheep barbershop quartet rendition that truly solidifies its importance to the characters in the story. And even after all of that…the song both sounds gorgeous and is extremely fun and memorable. It's a perfect film song.

    “Feels Like Summer” from Shaun The Sheep deserves a Best Original Song nomination, full stop. I don’t care if “Feels Like Summer” wins or not at this point (though it would be perfect justice—not to mention a great joy—if it actually did). I’m just praying for it to just get the nomination because its Oscar performance would have the opportunity to express to the entire Academy "Look at and listen to what you missed out on if you didn't vote for our song". (Why else would they place "Let It Go" from Frozen and "Glory" from Selma last in the sequence of Best Original Song nominee performances in their respective telecasts if not for the obvious understanding that those two were the best songs of their respective categories by a fair margin and that they deserved to win the most?)

    Come on, Music branch at the Academy. Please just nominate "Feels Like Summer" for Best Original Song—and the Animation branch nominate Shaun The Sheep for Best Animated Feature—and then I'll be happy for the rest of the awards season. ^_^
    .....

    MY NOMINEES FOR BEST ORIGINAL SONG:
    "Cold One" (Ricki & The Flash)
    "Feels Like Summer" (Shaun The Sheep) *MY VOTE*
    "Fine On The Outside" (When Marnie Was There)
    "Who Can You Trust" (Spy) ... [For the record, I think that this song made for a better Bond theme then this year's actual Bond theme.]
    "Writing's On The Wall" (Spectre)

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  2. I'm sorry if I sounded like I wrote off "Feels Like Summer." In all honesty, I am way behind with Best Original Song nominees. I've maybe heard five of these - which did not include "Feels Like Summer." However, your passionate plea makes me curious to check it out. Otherwise, I really have no idea what this category will look like. You're probably the first person who I feel has given me any commentary on the category (though in fairness, it's not as high as acting and Best Picture fields on my constant research list).

    Thanks for the input. If you have any more worth checking out, I'll get on listening.

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    1. I've been directing this plea to pretty much any Oscar prognosticator on the internet, really. I think Shaun's relative obscurity to most people outside of Great Britain is made worse by the fact that Inside Out and Anomalisa have permanently dominated the Best Animated Feature discussion as the main competition.

      Not only do I consider Shaun The Sheep as my favorite animated film of 2015 so far, but the song "Feel Like Summer" is an asset of the film that truly makes it stand out. It's a song that demands your attention first via its immense catchiness, but most importantly by its thematic relevance within the film's plot.

      The list of 74 eligible songs is 90% crap. We haven't had truly good film songs for nearly two decades now, so the tendency to just nominate message songs, superficial memorials, and/or any song whose composition involves a household name has only become stronger. It would break my heart if "Feels Like Summer" gets snubbed in favor of less worthy songs like "See You Again".

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    2. That's generally how it goes with these shortlists. 90% are definitely just songs that nobody would ever care about. I'll admit that while I don't know if I agree on having no truly good song in the past 20 years isn't true, I haven't actually checked (saving that for when I get to it in Best Song). But still, beyond the obvious hits of the past few years ("Skyfall," "Let it Go"), I totally get it. None of the music really grabs me. Last year's nominees didn't have a standout for me personally - even if "Glory" could skid by on energy and the "We forgot to nominate Selma, so we'll give it this award" guilt.

      I was aware of Shaun the Sheep, but only in that it existed. I'll definitely give it a shot when I have some free time. I'll admit that outside of Pixar, Laika, and select films from other places - I don't go out of my way to watch too many unless they have buzz.

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    3. Well, how about this buzz? Inside Out has a 98% on Rotten Tomatoes.
      Shaun the Sheep? 99%.

      (Then again, Anomalisa has 100%, but people will definitely try to see that if they care about the Oscar season even a little bit. Shaun The Sheep, outside of Great Britain, hasn't really found an audience and is considered a filler nominee at best for Best Animated Feature at this point. I've seen it three times, personally. The same with Inside Out. So I'm not considering Shaun a better film based off a single viewing, same with Inside Out.)

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    4. I totally understand the "filler" nominees. Usually, even if the films are better, the "who?" nature behind The Tale of Princess Kaguya and Song of the Sea last year made them "filler." I had someone - much like yourself - passionately turn me around on Song of the Sea.

      I do admit that I put some stock in Rotten Tomatoes. Even if everyone loved Mad Max: Fury Road, my real selling was that it had Godfather-level numbers on RT. There's something that gives me a vote of confidence. Speaking as Shaun the Sheep has a similar rating, I may give it a shot. Though I was already going to check it out based on your enthusiasm alone.

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    5. I totally understand the "filler" nominees. Usually, even if the films are better, the "who?" nature behind The Tale of Princess Kaguya and Song of the Sea last year made them "filler." I had someone - much like yourself - passionately turn me around on Song of the Sea.

      I do admit that I put some stock in Rotten Tomatoes. Even if everyone loved Mad Max: Fury Road, my real selling was that it had Godfather-level numbers on RT. There's something that gives me a vote of confidence. Speaking as Shaun the Sheep has a similar rating, I may give it a shot. Though I was already going to check it out based on your enthusiasm alone.

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