Showing posts with label Tony Richardson. Show all posts
Showing posts with label Tony Richardson. Show all posts

Friday, February 8, 2019

R.I.P. Albert Finney (1936-2019)

Albert Finney in Tom Jones
On February 7, 2019, actor Albert Finney passed away at the age of 82 in London, England. Over the course of his illustrious career, he has done acclaimed work on stage in Shakespeare productions as well as headlining Oscar-winning films including Tom Jones. Over a career spanning 60 years, he has continually proven himself to be a charismatic performer, complimenting his co-stars and elevating productions ranging from romance (Two for the Road), mystery (Murder on the Orient Express), and legal dramas (Erin Brockovich). His career knew no bounds and saw him willing to try anything in favor of enhancing the cinematic experience. There's few who could claim to have a career full of as many highs as he did. His work will continue to live on as new audiences discover the magic that he brings to every role he every did.

Saturday, October 24, 2015

Nothing But the Best: "Tom Jones" (1963)

Scene from Tom Jones
Welcome to the series Nothing But the Best in which I chronicle all of the Academy Award Best Picture winners as they celebrate their anniversaries. Instead of going in chronological order, this series will be presented on each film's anniversary and will feature personal opinions as well as facts regarding its legacy and behind the scenes information. The goal is to create an in depth essay for each film while looking not only how the medium progressed, but how the film is integral to pop culture. In some cases, it will be easy. Others not so much. Without further ado, let's start the show.

Friday, June 5, 2015

Birthday Take: Tony Richardson in "Tom Jones" (1963)

Left to right: Susannah York and Albert Finney in Tom Jones
Welcome to The Birthday Take, a column dedicated to celebrating Oscar nominees and winners' birthdays by paying tribute to the work that got them noticed. This isn't meant to be an exhaustive retrospective, but more of a highlight of one nominated work that makes them noteworthy. The column will run whenever there is a birthday and will hopefully give a dense exploration of the finest performances and techniques applied to film. So please join me as we blow out the candles and dig into the delicious substance.