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| Scene from The Laundromat (2019) |
When Adam McKay released The Big Short four years ago, it was considered one of the most groundbreaking films of the year. How was it that the man behind such broad comedies as Step Brothers could produce a film this dense (let alone entertaining) about such a complicated story? It's a technique that has to lead him to explore other areas of economics and politics with the Dick Cheney film Vice, but most of all it felt like a taunt to other ambitious filmmakers to try and take on the headiest of subjects and make a film that not only informs but entertains. Considering that he went on to win an Oscar off of The Big Short, it was a proposition that was hard to deny and makes sense why Netflix decided to accept the latest project from Steven Soderbergh.
It would be an understatement to call Soderbergh an ambitious filmmaker. For 30 years now, he has tested his own capabilities in bringing a narrative to life. Why this is his second film with Netflix for 2019 following High Flying Bird: a feature-length film shot entirely on an iPhone. The Laundromat sets out to explore the Panama Papers and offshore banking scandals that are just as exciting as anything in The Big Short. While it's true that both of these are different films with different culprits, it feels more than usual like Soderbergh isn't blazing his own trail, but instead following a trend and not doing a great job of keeping up. Is the film entertaining? Sure. Will you learn something? Most likely. However, it's a bit of a pill at times and gets too lost in its own style.


