Review: "Mank" is a Distracting Messy Homage

Scene from Mank

No matter who you are, there's a good chance somebody at least once has told you that Citizen Kane is one of the greatest movies ever made. The mythology surrounding it has only ballooned in the near 80 years since its release, finding director Orson Welles being considered a filmmaking pioneer who took down Hearst with this swift commentary of greed and corruption. While history has been favorable, there are those like director David Fincher who want to posit that Welles wasn't the mastermind behind this story. There was one man in particular named Herman J. Mankiewicz - a studio savant who navigated the studio system in the 1930s before making this screenplay that changed the world. 

It's a juicy enough hook for Fincher to apply his familiar hostile view of humanity to. After all, who doesn't love an underdog story, where history can be rewritten to immortalize the real heroes? The issue with Mank isn't so much what it intends to achieve, but that it does so in a bit of a clumsy way. Based on a screenplay written by his father Jack Fincher, it's a story that glamorizes early Hollywood with endless references and pastiches that help to explore the "movie magic" concept. However, there's little else going on here that feels essential. For a story about writing a universally acclaimed hit, it sure lacks the payoff that could make this into a modern masterpiece. It's a bit of a misfire, finding Fincher giving too much into sentimentalism that clouds his technique, keeping the story from ever meeting its full potential.

The First "Mank" Trailer Reshapes the Narrative Around "Citizen Kane"

Scene from Mank (2020)

If you ask anyone to rattle off a list of the best movies ever made, there is a good chance that Orson Welles' 1941 film Citizen Kane will be on that list. For reasons that I don't need to get into, it has been praised and reassessed for almost 80 years, finding new audiences appreciating the craft that goes into telling a compelling story about a tycoon. Even if there's plenty of great stories behind its making, one has to ask if there's anything worth making an entire movie out of. 

Apparently on that list is David Fincher, making his cinematic return for the first time since Gone Girl. With one of the few major Fall releases still on the docket, Mank looks to be a period piece that captures the dark drama in full detail, making you understand the pain and sacrifice that goes into making cinema. It's a story of the screenwriter, Herman L. Mankiewicz, and his battle to get recognition for his script. While this sounds like Oscar-bait on its surface, Fincher's increasingly proficient, technologically-groundbreaking works don't take these stories lightly. One has to wonder what drew him to this story. If nothing else, the first official trailer looks to promise one of the most visually astounding works of 2020, if not the Citizen Kane (some pun intended) of recent Hollywood biopics. 

Review: "The Laundromat" is an Entertaining Mishmash of Ideas

Scene from The Laundromat (2019)

When Adam McKay released The Big Short four years ago, it was considered one of the most groundbreaking films of the year. How was it that the man behind such broad comedies as Step Brothers could produce a film this dense (let alone entertaining) about such a complicated story? It's a technique that has to lead him to explore other areas of economics and politics with the Dick Cheney film Vice, but most of all it felt like a taunt to other ambitious filmmakers to try and take on the headiest of subjects and make a film that not only informs but entertains. Considering that he went on to win an Oscar off of The Big Short, it was a proposition that was hard to deny and makes sense why Netflix decided to accept the latest project from Steven Soderbergh.

It would be an understatement to call Soderbergh an ambitious filmmaker. For 30 years now, he has tested his own capabilities in bringing a narrative to life. Why this is his second film with Netflix for 2019 following High Flying Bird: a feature-length film shot entirely on an iPhone. The Laundromat sets out to explore the Panama Papers and offshore banking scandals that are just as exciting as anything in The Big Short. While it's true that both of these are different films with different culprits, it feels more than usual like Soderbergh isn't blazing his own trail, but instead following a trend and not doing a great job of keeping up. Is the film entertaining? Sure. Will you learn something? Most likely. However, it's a bit of a pill at times and gets too lost in its own style.

Soderbergh Enters the Oscar Race with "The Laundromat" (2019) Trailer

Scene from The Laundromat (2019)

It's looking more and more like Roma was only the tee-off for what Netflix wanted to do in an Oscar campaign. With the recent announcement of 10 theatrical releases, the streaming service is clearly wanting to be taken seriously with films like The Irishman and Marriage Story lobbying for attention. The latest to join the conversation is director Steven Soderbergh's The Laundromat, which has among other things Oscar-winning talent in Gary Oldman (The Darkest Hour) and Meryl Streep (Sophie's Choice). It's been one of the few exciting films that have yet to make their mark on the season with a trailer, and now that there is one, it's time to start getting excited about Soderbergh and the Oscars again. Boy, how it's been a while.

A Wrap-Up of This Year's Oscars Season

The winners of this year's acting categories

This is it for another awards season. It has been a fun past 13 months (since technically Get Out started the prestige talk early), and it only feels right to look back on the highs and lows of this season, specifically as it relates to the Oscars ceremony. To me, the biggest issue with the ceremony is that it was both an exciting year, but also one of rather predictable courses. All of the acting categories went to the blazing front runners who had been winning awards since December. However, it was still a period of change the likes of which The Academy is still surprising us with. In a conventional year, Three Billboards Outside Ebbing, Missouri would've won Best Picture. Instead, it went to the first monster movie to win Best Picture: The Shape of Water. Say what you will, but this was one of the best Oscar seasons in recent years.

Review: "Darkest Hour" is a Showcase for Gary Oldman's Acting, Not Much Else

Gary Oldman

In times of struggle, a leader is the most important thing to have. But what makes a good leader? Is it someone who can provide easy answers, or is it someone who takes the tough decisions that could lead to permanent fixes? In director Joe Wright's Darkest Hour, he explores this subject in relation to England in the midst of World War II during a time when the foe was among the most notorious dictators in history and the threat of bombs were constantly over their heads. It's a taught drama, but at the center is a compelling performance by Gary Oldman as Winston Churchill, the aging statesman who comes to shape the war's outcome in one definitive decision. Ironically, it's his first and one that will likely make or break his role as Prime Minister. It's a gripping drama, and one that finds that the best answers aren't always the easiest. 

A Quick Rundown of Trailers for Potential Oscar Season Front Runners

Scene from Suburbicon

Once again, I apologize for being a little quieter than normal on this blog. While I have been doing regular coverage, I haven't quite given attention to the plethora of great and promising trailers that came out in the wake of the upcoming Oscar season. This is why I have decided to do a round-up of 14 trailers that, if nothing else, look to have some form of promise whether it be in acting, writing, or any technical field. It's likely that a few of these will be duds, but trying to guess who the surprise victors are always fun. The following trailers show promise and, if nothing else, show just how intriguing the next few months will be.

Super Delegates: Harvey Dent in "The Dark Knight" (2008)

Aaron Eckhart in The Dark Knight

Welcome to Super Delegates, a bi-monthly column released on Tuesdays and are done in part to recognize politics on film, specifically in regards to Oscar-nominated works. With this being an election year in the United States, it feels like a good time to revisit film history's vast relationship with politicians of any era and determine what makes them interesting while potentially connecting them to the modern era. The series plans to run until the end of this 2016 election cycle, so stay tuned for every installment and feel free to share your thoughts on films worthy of discussion in the comments section.

Super Delegates: John F. Kennedy in "JFK" (1991)

Scene from JFK

Welcome to Super Delegates, a bi-monthly column released on Tuesdays and are done in part to recognize politics on film, specifically in regards to Oscar-nominated works. With this being an election year in the United States, it feels like a good time to revisit film history's vast relationship with politicians of any era and determine what makes them interesting while potentially connecting them to the modern era. The series plans to run until the end of this 2016 election cycle, so stay tuned for every installment and feel free to share your thoughts on films worthy of discussion in the comments section.

Failed Oscar Campaigns: "The Dark Knight Rises" (2012)

Christian Bale in The Dark Knight Rises

As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.

Review: "Dawn of the Planet of the Apes" is the Most Impressive, Ambitious Blockbuster of the Summer

In 2011, Rise of the Planet of the Apes came out like an unforeseen force as it destroyed notions of the Apes franchise as being campy. As it climbed over the Golden Gate Bridge to sanctuary, there were glimpses of not only a violent uprising to follow, but of how impressively it mixed storytelling with cutting edge visual effects. It tore apart any pretension that man didn't influence environment (in this case negatively) and provided plenty to fear. The new Apes movies wouldn't chew scenery. It would commentate on society via a more slick, dark, and inspiring model that destroys all of its blockbuster counterparts with sheer energy. For those thinking that Rise of the Planet of the Apes felt slight at all, Dawn of the Planet of the Apes is an adrenaline shot pushing morals and commentary even further with an all out war between apes and man. More-so than nihilistic counterpart Godzilla, this film packs one of the most amazing punches in a blockbuster with nonstop action that is used effectively for commentary. To sum it up, the Apes franchise is one of the most unexpectedly relevant.