Review: How "Knives Out" Reinvents the Whodunit is a Clear Success

Scene from Knives Out

The world of Agatha Christie is alive and well in director Rian Johnson's Knives Out. This murder mystery is an original story that pays tribute to the whodunit's of yesteryear while applying a glossy coat of 21st-century idealism over it. With the introduction of detective Benoit Blanc (Daniel Craig) out to solve the murder of Harlan Thrombley (Christopher Plummer), the story goes about the journey that makes for one of the most enjoyable films of 2019. On its surface, it's a familiar story where everyone's a suspect and the comedy thrives when people have their own grudges being yelled from across rooms in a form of defense. Their egos will never be put in check, however, so who will go so far as to reveal themselves in this mess? The answer is only part of the reason that this film succeeds as more than a Christie pastiche. It's the story of a modern society coming to terms with its own changing tides, and that elevates the film's relevance to something more than mystery fodder.

Nothing But the Best: "The Shape of Water" (2017)

Scene from The Shape of Water

Welcome to the series Nothing But the Best in which I chronicle all of the Academy Award Best Picture winners as they celebrate their anniversaries. Instead of going in chronological order, this series will be presented on each film's anniversary and will feature personal opinions as well as facts regarding its legacy and behind the scenes information. The goal is to create an in depth essay for each film while looking not only how the medium progressed, but how the film is integral to pop culture. In some cases, it will be easy. Others not so much. Without further ado, let's start the show.

"The Shape of Water" and the Three Forms of Loneliness

Scene from The Shape of Water

*Note: Spoilers for The Shape of Water

It is a moment that comes between two phases of Eliza (Sally Hawkins) and Amphibian Man's (Doug Jones) relationship. They have escaped the lab and are in their last passionate moments together before Amphibian Man returns to the sea, possibly without the requited love of Eliza. She is mute, only ever able to communicate through a mix of sign language, eggs, and Benny Goodman records. Yet it's in a fantasy moment that she gets her only spoken lines of the film. As the scene trades a dumpy apartment with a leaky room for a black-and-white set out of a musical set, she sings "You'll never know how much I love you." It's a moment where repression breaks through, and moves the subtle themes of the film to the forefront. The Shape of Water is more than a film about loving someone different, it's about understanding loneliness when you don't have love readily available. It's may be a story that's been trivialized as the "woman who loves a fish" story, but it's so much more. It's a look at how loneliness can be used for good as well as bad. 

Review: "The Shape of Water" Romanticizes Horror with Tenderness and Awe

Scene from The Shape of Water

Monsters are scary. It's a simple rule of life that all narrative forms have accepted as true. So why are we fascinated by them then? In director Guillermo del Toro's The Shape of Water, he updates the classic fairy tale structure in order to answer that question, using Amphibian Man (Doug Jones) as an allegory for interracial love. He presupposes that monsters are misunderstood, choosing to borrow an ethos dating back to James Whale's Bride of Frankenstein. With lavish productions and an amazing performance by Sally Hawkins as Eliza, del Toro has created a film that not only humanizes monster movies, but finds the tender heart and longing that make them not too different from you or I. It's a powerful film, and one that should appeal to fans of monster movies that do more than horrify. This one sympathizes so perfectly that it becomes less of a horror movie and more of a supernatural Guess Who's Coming to Dinner. It may be simple at heart, but it only adds to the profundity of its text. 

Birthday Take: Michael Shannon in "Nocturnal Animals" (2016)

Scene from Nocturnal Animals

Welcome to The Birthday Take, a column dedicated to celebrating Oscar nominees and winners' birthdays by paying tribute to the work that got them noticed. This isn't meant to be an exhaustive retrospective, but more of a highlight of one nominated work that makes them noteworthy. The column will run whenever there is a birthday and will hopefully give a dense exploration of the finest performances and techniques applied to film. So please join me as we blow out the candles and dig into the delicious substance.

The First "Freeheld" Trailer is Full of Promising Performances

Left to right: Julianne Moore and Ellen Page

With America currently living in an era where gay marriage is legal and LGBT culture has become more accepted, it is exciting to see what the landscape ahead looks like. There's a plethora of gay-themed movies coming out this Fall that all stand some chance of making a splash. Among them is director Peter Sollett's Freeheld, which follows a lesbian couple as they deal with a series of legal issues regarding penchants in time of crisis. Starring last year's Oscar winner Julianne Moore (Best Actress - Still Alice) and Oscar nominee Ellen Page (Best Actress - Juno), it is looking to enter the raise strong with a potentially uplifting and unique look into love and hope in the modern era.

Will "Mud" Help McConaughey Get Some Oscar Love?

Matthew McConaughey

One of the most surprising things about 2013 in movies was the transformation of Matthew McConaughey all the way from shirtless loverboy to respected actor. With four films: Killer Joe, Magic Mike, the Paperboy and Berne, he almost seemed like a new person, even delivering a heartwarming ode to independent filmmakers at this year's Spirit Awards, at which he won Best Supporting Male for Magic Mike. The trend continues as he becomes the go to guy for prestige directors, including Christopher Nolan (Interstellar) and Martin Scorsese (Wolf of Wall Street). With this week's release of director Jeff Nichol's film Mud, he loses his vanity even more. But is this enough to get him an Oscar nomination?