Review: "Detroit" is a Great Film That Is As Uncomfortable As It Is Insightful

Scene from Detroit

When someone thinks of a war film, they think of the classical sense of a World War II scene in which two armies fight each other in gruesome fashion. It has the power to create powerful imagery and question the very nature of violence. However, there is another type of war film this summer that looks a little different: director Kathryn Bigelow's Detroit. Set in 1967, it follows a riot that took place in the city when overcrowding and police brutality slammed rudely against each other. It's a war not of countries, but of opposing views in American society. In some ways, it makes the events that follow more uncomfortable. It's also more powerful because, unlike something like Dunkirk, there is something about Detroit that still feels contemporary even 50 years after its story.

Kathryn Bigelow Returns with a Powerful First Trailer for "Detroit"

Scene from Detroit

It has been five years since director Kathryn Bigelow released a movie. That was the phenomenal Best Picture nominee Zero Dark Thirty, which chronicled the hunt for Osama Bin Laden. While it goes down as one of the more controversial movies of the decade, it is also an intricately paced procedural style through obsession and what fulfillment comes from it. While her recent films have dealt with war overseas, Detroit looks to be capturing the war at home in America. The first trailer shows her tense pacing mixing with her powerful imagery of violence and misunderstanding. Much like her previous films, it's one to look out for this year. It's also probably going to be full of great controversy.

Theory Thursday: "Zero Dark Thirty" is the Best Movie About 9/11

Scene from Zero Dark Thirty

Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

When Will There Be More Female Best Director Oscar Nominees?

Kathryn Bigelow

It is likely by now that everyone in America has heard the news. After months of contention and voting, Hillary Clinton has become the presumptive nominee for the Democratic Party. This is pretty big news, especially considering that she will be the first woman to do so, and whose odds of winning seem increasingly likely. It's been an overwhelming moment for women nationwide, who are now believing in the "You can be anything you want to be." narrative more than ever before. However, there's another field that seems to have not embraced female contribution: The Academy Awards. No, this isn't about the Best Actress categories, but more in the Best Director and even Best Picture category. While there have been a few bright spots, the average year sees some absence of a certain gender in these fields. The question isn't when there will be a female directed Best Picture winner. That already happened. What's the bigger question is when will this become the normative. 

Nothing But the Best: "The Hurt Locker" (2009)

Scene from The Hurt Locker

Welcome to the series Nothing But the Best in which I chronicle all of the Academy Award Best Picture winners as they celebrate their anniversaries. Instead of going in chronological order, this series will be presented on each film's anniversary and will feature personal opinions as well as facts regarding its legacy and behind the scenes information. The goal is to create an in depth essay for each film while looking not only how the medium progressed, but how the film is integral to pop culture. In some cases, it will be easy. Others not so much. Without further ado, let's start the show.

Why I Hate the "Oscars So White" Campaign

It's the happiest time of the year for fans of movie award shows. For better or worse, the Academy Awards are perceived as the pinnacle of cinema in any given year. In fact, there's very little to argue against this, considering that when someone "bad" happens, the internet gets into a frenzy over a few poor judgment calls. While this is a warranted comment on a society desiring further equal representation in their pop culture media, it is also a little uninformed. With the slogan "Oscars so white" popping up on Twitter, there's concern that 2014's nominees is the least diverse in 20 years. This is true, but please stop acting like this is a new outrage.

The Simple Way That "Argo" and "Lincoln" Can Both Get Top Honors

Left to right: Daniel Day Lewis in Lincoln and Ben Affleck in Argo

We are a little over 10 days until the big ceremony happens. While many speculate that director Ben Affleck's Argo will win despite a director nomination, director Steven Spielberg's Lincoln is giving a healthy dose of competition. Lincoln also has distinct honor of having 12 nominations, one of which almost seems guaranteed: Daniel Day Lewis for Best Supporting Actor. However, along with a few BAFTA trophies, Argo is looking more and more to be a definitive lock for Best Picture.  Still, it is anyone's game. While it seems like a crass concept, there is a way for both parties to be happy. And yes, in the case of Spielberg, it has happened before.

Review: "Zero Dark Thirty" is the Great War on Terror Epic We Deserve

Upon initial release, director Kathryn Bigelow's Zero Dark Thirty looked like a clear front runner for Best Picture. After winning big with the  New York Film Critics Awards, the film has dispersed a little. After a not-so-stellar performance at the Golden Globes, it has fallen behind titles such as director Ben Affleck's Argo, a film which many cannot help but compare vaguely. Maybe it was the violent subject matter of torture and endless disputes brought forth by former CIA agents criticizing the realism. Then again, what stopped director Quentin Tarantino's Django Unchained from losing steam for being a more hyper-violent (and frankly, a little shoddy) story? However, say what you will, but what Bigelow has produced is a masterpiece in the War on Terror genre of film making.

Predictions: Who Should Get a Best Director Nomination in 2013?

2012's Best Director winner Michael Hazanavicius (The Artist)

We are in an exciting time for Oscar enthusiasts. We are officially one week away from the announcement of this year's nominees. In order to contribute some thoughts, I will be going down the major categories (Acting, Directing, and Best Picture) and predicting who will be the most likely to get nominated, as well as a few tidbits on why I agree with these decisions. Be warned that every story that I am going to write in relation to predictions will not actually feature any bias towards who should win. However, I will be detailing why I think each should be nominated. Also stay tuned for post-coverage in which I will actually be sharing my thoughts on the nominations and solidify who I believe should win in each category.

Which Christmas Release Stands the Best Chances at Best Picture?

Les Miserables

Update: I have written a review for Les Miserables posted here.

Before I begin, I would like to wish everyone a Merry Christmas. Why is this relevant? Because as per usual, almost every December 25 sees the release of the tent pole movies of the year. This year's class joins the ranks of The Curious Case of Benjamin Button and The Girl with the Dragon Tattoo (though that did open on the 20th) in terms of films that somehow deserve to be the last of the awards-worthy. This year, we have three very interesting, if entirely different nominees: director Quentin Tarantino's Django Unchained, director Kathryn Bigelow's Zero Dark Thirty (released December 21), and director Tom Hooper's Les Miserables. Will any of them stand a chance when it comes to winning Best Picture, or is Argo pretty much locked in?

The "Zero Dark Thirty" Trailer Shows a Best Picture Nominee Coming out of Hiding

Up to this point, there has been little knowledge of what director Kathryn Bigelow's Zero Dark Thirty actually looked like. Being touted as "the Osama bin Laden" movie, it has been kept under wraps in ways that reflected the subject matter. The most that had been seen was a teaser trailer in which a voice screams "When was the last time you saw bin Laden?" over and over. Not too effective, but clarified that it was in deed about bin Laden. However, with a full length trailer and some actual plot revealed, does Bigelow's follow-up to Best Picture winner The Hurt Locker stand a chance of continuing to turn current events into big prize winners?