Wes Anderson Tells a Winding Story in "The French Dispatch" Trailer

Scene from The French Dispatch

Over his past few films, it feels like director Wes Anderson has perfected the art of getting your hopes up for the next Oscar season. Who could forget how The Grand Budapest Hotel released its first trailer on the heels of the 2015 Academy Awards, or how Isle of Dogs made 2018 feel like it would be a better year for animation? Well, it looks like he's outdone himself by dropping a trailer within the week following this year's ceremony. Just as everyone is wrapping up their thoughts on Parasite's historic win, Anderson is here to remind you that cinema is an evolving art form and that soon there will be a new class to talk about. With The French Dispatch, he adds his name to the 2020 prognostication early, making one excited to see his latest crowded fare look like another masterpiece that's going to dominate the conversation.

Failed Oscar Campaigns: "Collateral Beauty" (2016)

Scene from Collateral Beauty

As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.

The First "Isle of Dogs" Trailer is Wes Anderson Back in His Great Old Animated Ways

Scene from Isle of Dogs

In general, one could believe that stop motion animation is an inferior art form. After all, it takes so long to get right that studios like Pixar and Dreamworks Animation just bypass the endeavor all together. However, there's something to be said for filmmakers who pull it off. In 2009, director Wes Anderson did just that with the amazing Fantastic Mr. Fox. It will be nine years since the animated world had last seen him, but the first trailer for Isle of Dogs has the familiar sense of whimsy and awe that even his live action movies have. It may seem a little disconcerting at times, but there's no denying that an Anderson animated tale can't be told any other way than stop motion. It wouldn't be quirky enough.

"Sausage Party" Enters the Oscar Race... For Some Reason

Scene from Sausage Party

This Oscar season is shaping up to be quite the interesting bunch of nominees. Along with the potential heavyweights like La La Land and Jackie, there have already been big showings in the indie cinema landscape with Moonlight. However, there is one film that is wanting to break into the big boys league that you probably didn't even think about. No, it's not something that would qualify as drama, or even come within two Russia-sized countries of the word "prestigious." The movie that wants to shake up this year's Oscar season is the R-Rated animated talking food movie Sausage Party.

Nothing But the Best: "Birdman" (2014)

Left to right: Edward Norton and Michael Keaton in Birdman

Welcome to the series Nothing But the Best in which I chronicle all of the Academy Award Best Picture winners as they celebrate their anniversaries. Instead of going in chronological order, this series will be presented on each film's anniversary and will feature personal opinions as well as facts regarding its legacy and behind the scenes information. The goal is to create an in depth essay for each film while looking not only how the medium progressed, but how the film is integral to pop culture. In some cases, it will be easy. Others not so much. Without further ado, let's start the show.

Birthday Take: Edward Norton in "American History X" (1998)

Edward Norton

Welcome to The Birthday Take, a column dedicated to celebrating Oscar nominees and winners' birthdays by paying tribute to the work that got them noticed. This isn't meant to be an exhaustive retrospective, but more of a highlight of one nominated work that makes them noteworthy. The column will run whenever there is a birthday and will hopefully give a dense exploration of the finest performances and techniques applied to film. So please join me as we blow out the candles and dig into the delicious substance.

Edward Norton Gives Advice on How to Fix the Oscars

Edward Norton

It must be pretty good right now to be Edward Norton. For starters, he appeared in two Best Picture nominees from last year (The Grand Budapest Hotel and winner Birdman). He also is fresh off of a Best Supporting Actor nomination for the latter, which is his third overall. Despite all of this, the actor recently made remarks about The Academy that were a little harsh as well as constructive. What he wants is a change to the rules. He doesn't want the awards to be "monetized" as he puts it. So, what exactly is his plan? It's a pretty good one that involves shutting out advertising.

The Magic Behind "Birdman" and its Use of Time

Left to right: Edward Norton and Emma Stone

For a moment, let's put aside the subtext of director Alejandro Gonzalez Inarritu's Birdman. Let's put aside how it is a reflection of movie culture and that it serves as a metaphorical and literal comeback film for star Michael Keaton. Let's even ignore the attack on franchise culture that runs through the film and focus on something that is far more impressive: the passage of time. It may seem like a pointless question until you understand the technical brilliance behind those single takes that were established to create a singular flow. What makes them exceptional and adds more weight to the film than the awkward script or melodramatic acting is how unassumingly it transitions within frame from moment to moment and often day to day.

The Story Behind "Birdman's" Original, Better Ending

Michael Keaton

With the Oscars less than 20 days away, everyone is catching up on seeing all of the nominees. Among the more prominent ones in discussion is director Alejandro Gonzalez Inarritu's Birdman, which is neck and neck with Boyhood to win Best Picture. For those that have seen it, there's plenty of discussion surrounding the film's ending. However, writer Alexander Dinelaris had a different ending in mind and one that would have played more into the film's meta commentary of an artist in peril. 

A Theory on Why "Birdman" Could Win Best Picture

Much like a piece that I wrote in December regarding Selma's Best Picture chances, I have decided to create a series of essays chronicling what I feel is the trinity of potential winners. Of the two candidates that have proven themselves to be the most interesting of the eight nominees, there is something alluring about director Alejandro Gonzalez Inarritu's Birdman: a film that chronicles frustrated actor Riggan Thomson (Michael Keaton) as he seeks to make a comeback in a theatrical production. With the gimmick of the film being that it was shot in one take, it's amazing to see the film peel away from its novelty and go to a deeper and more metaphysical core that has clearly struck a chord with the awards season. For this and many more reasons, it is likely to be the threat that the season needs.

Review: "Birdman" Flies Very High... Most of the Time

Michael Keaton

Long takes is the last great cinematic art form. Effects can be thrown in to make anything look fancier, but what is missing is a performance or kinetic energy moving on screen. The power of films such as Code Unknown are made more impressive with the stakes feeling higher after every second. The longer a scene is held, the more that it captures something stronger. Gravity elevated the basic thriller nature and now director Alejandro Gonzales Innaritu has done it to the meta drama category. The results are staggering and capture something profoundly complex about a familiar story. Birdman flows like a stream of consciousness experiment: a play about theater that is strangely like Rear Window. However, just as much as there's greatness, there's the lull that connects these moments and turns the third act into something absurdly over-the-top. Does it work as a story? Not really. However, as an experiment of craft and ego, there's fewer films that are this ambitiously weird.

The "Birdman" Trailer Debuts a Potential Comeback for Michael Keaton and Superhero Movies

Michael Keaton

This morning came a surprise to the movie community. It was a moment that many consider to be the potential return of Michael Keaton. It involved fighting Edward Norton in his underwear and a whole lot of confusing imagery. However, there is one thing for sure. Director Alejandro Gonzalez Inarritu's Birdman has struck a chord. Playing over an altered version of Gnarls Barkley's "Crazy," the trailer plays as a highlights reel for one of the strangest superhero films of the year. Then again, the idea of Inarritu doing a superhero film was equally unexpected. However, it does raise some questions, notably if the two time Oscar-nominated director can make caped crusaders a viable option when it comes to Oscar nominations.

"The Grand Budapest Hotel" Trailer Debuts with Whimsical Excitement

I know that we still need to get through the 2013 Oscar season, but now would be as good of a time as any to speculate on potential front runners for next year's race. I'm not talking about films that were delayed, such as Foxcatcher or Grace of Monaco, but new releases that have yet to prove their muster. It may not open up until March 7, but the debut trailer for director Wes Anderson's The Grand Budapest Hotel is looking to continue his hot streak of fun, ambitious cinema.

Here are Reasons Why "Moonrise Kingdom" Deserves a Best Picture Nomination

Left to right: Kara Hayward and Jared Gilman

Is director Wes Anderson ready for a Best Director nomination? I'd like to think yes. With Moonrise Kingdom, he has taken the story of puppy love, transplanted it at summer camp, and turned it into one of the most endearing, heartfelt, and most of all original movies of the year. The leads Kara Hayward and Jared Gilman may have little experience at acting, but it doesn't show as they go through this light, breezy trip set to a retro soundtrack and features almost all of your favorite action actors in scout uniforms. How can this movie not be nominated for Best Picture?